Book Description
Offers a comprehensive study of Iranian modernist art since the 1950s, showing its role in shaping ideas around national identity and anti-colonialism.
Author : Katrin Nahidi
Publisher : Cambridge University Press
Page : 303 pages
File Size : 13,30 MB
Release : 2023-08-31
Category : Political Science
ISBN : 1009361406
Offers a comprehensive study of Iranian modernist art since the 1950s, showing its role in shaping ideas around national identity and anti-colonialism.
Author : Nikki R. Keddie
Publisher : University of Washington Press
Page : 406 pages
File Size : 15,54 MB
Release : 2011-10-01
Category : History
ISBN : 0295800240
These essays examine Iran’s place in the world--its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods. The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran’s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.
Author : Pamela Karimi
Publisher : Stanford University Press
Page : 431 pages
File Size : 27,28 MB
Release : 2022-09-27
Category : Art
ISBN : 1503631818
Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
Author : Joanna de Groot
Publisher : Bloomsbury Publishing
Page : 314 pages
File Size : 20,42 MB
Release : 2000-08-01
Category : Political Science
ISBN : 0857716298
This book offers a new interpretation to the social history of religion in Iran from the 1870s to the 1970s. It aims to situate the 'revolutionary' upheavals of 1977-82 in an extensive narrative context of historical developments over the preceding century, and to relate the 'religious' elements in that history to other social and cultural issues. In the author's analysis, Iran's revolution was complex, and contingent on a range of factors rather than a simple or inevitable outcome of the nature of the Iranian state or the nature of religion in Iran. The focus of the argument is on the human responses of Iranians to their experiences and problems in all their diversity and on the rich variety and complexity of relationships between religion and other aspects of life, thought and culture in the daily life of Iranians.
Author : Sara Ahmed
Publisher : Edinburgh University Press
Page : 200 pages
File Size : 10,82 MB
Release : 2014-06-11
Category : Psychology
ISBN : 0748691146
Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout.
Author : Seyla Benhabib
Publisher : Columbia University Press
Page : 217 pages
File Size : 26,6 MB
Release : 2011
Category : Philosophy
ISBN : 023115187X
This book of tightly woven dialogues engages prominent thinkers in a discussion about the role of culture-broadly construed-in contemporary society and politics. Faced with the conceptual inflation of the notion of 'culture, ' which now imposes itself as an indispensable issue in contemporary moral and political debates, these dynamic exchanges seek to rethink culture and critique beyond the schematic models that have often predominated, such as the opposition between "mainstream multiculturalism" and the "clash of civilizations." Prefaced by an introduction relating current cultural debates to the critical theory tradition, this book examines the politics of culture and the spirit of critique from three different vantage points. To begin, Gabriel Rockhill and Alfredo Gomez-Muller provide a stage-setting dialogue, followed by discussions with two major representatives of contemporary critical theory: Seyla Benhabib and Nancy Fraser. Working at the horizons of this tradition, Judith Butler, Immanuel Wallerstein, and Cornel West then provide important critical perspectives on cultural politics. The book's concluding section engages with Michael Sandel and Will Kymlicka, who work out of the Rawlsian tradition yet are uniquely concerned with the issue of culture, broadly understood. The epilogue, an interview with Axel Honneth, returns to the core issue of critical theory in cultural politics. Ranging from recent developments and progressive interventions in critical theory to dialogues that incorporate its insights into larger discussions of social and political philosophy, this book sharpens old critical tools while developing new strategies for rethinking the role of 'culture' in contemporary society.
Author : Gabriel Rockhill
Publisher : Columbia University Press
Page : 289 pages
File Size : 13,20 MB
Release : 2014-07-15
Category : Philosophy
ISBN : 0231527780
Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.
Author : Abbas Milani
Publisher : Lynne Rienner Pub
Page : 301 pages
File Size : 22,81 MB
Release : 2015
Category : Political Science
ISBN : 9781626371477
Despite the relative calm apparent in Iran today, there is unmistakable evidence of political, social, and cultural ferment stirring beneath the surface. The authors of Politics and Culture in Contemporary Iran¿a unique group of scholars, activists, and artists¿explore that unrest and its challenge to the legitimacy and stability of the present authoritarian regime. Ranging from political theory to music, from human rights law to social media, their contributions reveal the tenacious and continually evolving forces that are at work resisting the status quo.
Author : Katrin Nahidi
Publisher :
Page : 0 pages
File Size : 17,2 MB
Release : 2024
Category : Art
ISBN : 9781009361378
"In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism"--
Author : Eric Egan
Publisher :
Page : 248 pages
File Size : 19,77 MB
Release : 2005
Category : Performing Arts
ISBN :
This book examines the close and volatile relationship between a highly popular art form, the production of culture and the politics of power in society. Through a critical analysis the book reveals the social and political context of Iran's national cinema under the Islamic Republic. It tracks the emergence of Iranian cinema since the Islamic Revolution, as Makhmalbaf, one of Iran's most influential filmmakers, and a committed artist whose work is provocative and never far from controversy, sought to engage the dramatic social and political upheavals that have taken place over the past twenty-four years. Makhmalbaf's films have always been reflexive meditations on the nature of cinema and art within a society, and Makhmalbaf's art, as part of that system provides a view of film as an extension of its political environment.