Book Description
A debate about the relationship between playgoing and the cultural life of Shakespeare's England.
Author : Anthony B. Dawson
Publisher : Cambridge University Press
Page : 240 pages
File Size : 21,18 MB
Release : 2001-03-26
Category : Drama
ISBN : 9780521800167
A debate about the relationship between playgoing and the cultural life of Shakespeare's England.
Author : Simon Smith
Publisher : Cambridge University Press
Page : 307 pages
File Size : 45,89 MB
Release : 2022-03-17
Category : Art
ISBN : 1108489052
Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
Author : Bruce R. Smith
Publisher :
Page : 0 pages
File Size : 44,90 MB
Release : 2016
Category : LITERARY CRITICISM
ISBN : 9781107057258
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
Author : Andrew Gurr
Publisher : Cambridge University Press
Page : 364 pages
File Size : 44,60 MB
Release : 2004
Category : Drama
ISBN : 9780521543224
This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.
Author : Steven Mullaney
Publisher : University of Michigan Press
Page : 196 pages
File Size : 16,28 MB
Release : 1995
Category : History
ISBN : 9780472083466
Probes English society in the age of Shakespeare
Author : Allison P. Hobgood
Publisher : Cambridge University Press
Page : 247 pages
File Size : 28,4 MB
Release : 2014-01-23
Category : Drama
ISBN : 1107783054
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for example - and how did their own reactions in turn make an impact on stage performances? Addressing these questions and many more, this book discerns not just how theatregoers were altered by drama's affective encounters, but how they were undeniable influences upon those encounters. Overall, Hobgood reveals a unique collaboration between the English world and stage, one that significantly reshapes the ways we watch, read and understand early modern drama.
Author : Robert Shaughnessy
Publisher : Cambridge University Press
Page : 267 pages
File Size : 49,86 MB
Release : 2007-06-28
Category : Literary Criticism
ISBN : 0521844290
This book offers a collection of essays on Shakespeare's life and works in popular forms and media.
Author : Peter G. Platt
Publisher : Routledge
Page : 308 pages
File Size : 12,88 MB
Release : 2016-04-01
Category : Literary Criticism
ISBN : 1317056523
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Author : Allison P. Hobgood
Publisher : Cambridge University Press
Page : 247 pages
File Size : 23,91 MB
Release : 2014-01-23
Category : Drama
ISBN : 1107041287
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
Author : Roze Hentschell
Publisher : Oxford University Press
Page : 289 pages
File Size : 10,62 MB
Release : 2020-06-16
Category : Literary Criticism
ISBN : 0192588583
Prior to the 1666 fire of London, St Paul's Cathedral was an important central site for religious, commercial, and social life in London. The literature of the period - both fictional and historical - reveals a great interest in the space, and show it to be complex and contested, with multiple functions and uses beyond its status as a church. St Paul's Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices animates the cathedral space by focusing on the every day functions of the building, deepening and sometimes complicating previous works on St Paul's. St Paul's Cathedral Precinct in Early Modern Literature and Culture is a study of London's cathedral, its immediate surroundings, and its everyday users in early modern literary and historical documents and images, with special emphasis on the late sixteenth and early seventeenth centuries. It discusses representations of several of the seemingly discrete spaces of the precinct to reveal how these spaces overlap with and inform one another spatially, and argues that specific locations should be seen as mutually constitutive and in a dynamic and ever-evolving state. The varied uses of the precinct, including the embodied spatial practices of early modern Londoners and visitors, are examined, including the walkers in the nave, sermon-goers, those who shopped for books, the residents of the precinct, the choristers, and those who were devoted to church repairs and renovations.