The Curator's Notes


Book Description

A gorgeously deft book, The Curator's Notes dares to question the Edenic. It asks, why not take the knowledge at hand hanging like "plump, purple orbs...begging to be eaten..."? And what can we grow with states of paradise being ever fleeting? This curator is a custodian of both specific and collective heritage, connecting daughter to mother to grandmother to wife to husband to the backyard garden to that garden of old where, as in the womb, knowing is limited and inevitable. In her sensual and tender book, Robin Rosen Chang has taken care to graciously offer us lyrics that swirl around and beyond our expectations until we accept both the churning waters and the radiant flight of circling birds as part of the story of life moving all too swiftly with and ultimately toward "the loam -/sand, silt, and clay." -Vievee Francis







Curationism


Book Description

Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?




The Rest Between Two Notes


Book Description

By integrating her contemporary photography with historical periods and various settings from around the world, Forman creates a world of illusion; upon closer inspection, what appears ordinary suggests an underlying tension and an aura of mystery. Expressed in the diffused colors of twilight and chiaroscruro, her images blur the boundaries between photography, late Renaissance painting, and film noir.Forman's photo-paintings explore those liminal and in-between moments - of coming and leaving, innocence and confidence, shadow and light, night and day, absence and connection, loss and longing, and not quite the past and not yet the future. Portals, both real and metaphorical, frequent her layered, complex and often dark dreamlike images. Her work is recognized for imbuing each image with strong, harmonious compositions and for her explosive use of color, light and shadow. As a cinematographer writes a narrative with movement and sound, Forman writes with still images, where the images have no power except through their position and relationship. It is these relationships that elicit emotions of desire, vulnerability, and a desperate longing for connection.Between Two Notes will feature over 100 images, insterspersed with comments from a diverse group of admirers.




Curators


Book Description

Natural history museums have evolved from being little more than musty repositories of stuffed animals and pinned bugs, to being crucial generators of new scientific knowledge. They have also become vibrant educational centers, full of engaging exhibits that share those discoveries with students and an enthusiastic general public. Grande offers a portrait of curators and their research, conveying the intellectual excitement and the educational and social value of curation. He uses the personal story of his own career-- most of it spent at Chicago's Field Museum-- to explore the value of research and collections, the importance of public engagement, changing ecological and ethical considerations, and the impact of rapidly improving technology.










The Art of Curating Worship


Book Description

The Art of Worship is about transitioning our understanding and practice of worship to one of design or curation. According to Mark Pierson, a pioneer in worship, worship needs to be seen as an art form rather than a linear task of filling in the gaps on an order of service. Many practical examples are used to illustrate ways in which worship in regular services as well as in specially designed spaces inside and outside the church building can be designed and delivered for spiritual formation and mission.




Ways of Curating


Book Description

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.