The Danes, Vol. 1 of 3


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Excerpt from The Danes, Vol. 1 of 3: Sketched by Themselves; A Series of Popular Stories by the Best Danish Authors I was of course destined to be bound hand and foot with the counting-house chains; but before putting them on I obtained leave to take a month's holiday in the country, and visit my uncles and my aunts in various parts of Zealand. One fine after noon in the month of September, I sought out a common conveyance, such as is used by the pea santry, to take me the first few miles of my journey; and with my knapsack in my hand I was stand ing in the court-yard of the inn ready to step into the rustic carriage, when a servant entered the court and asked if there were any opportunity for Kne. That person standing there is going straight to Kjoge, ' said the ostler of the inn. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




MY DANISH SWEETHEART


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Gesta Danorum


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Saxo was probably a canon of Lund Cathedral, at that period a Danish cathedral, and lived at the end of the twelfth century. He was in the service of Archbishop Absalon, who encouraged him to write a history of his own country from the beginnings up to his own time, with a strong Christian bias. Starting with the myths and heroic tales of primitive Scandinavia, he devoted the first nine of his sixteen books to legendary material before dealing with the first kings of the Viking age and finished in 1285, after relating the earlier exploits of King Cnut Valdemarsson. The activities of the Danish kings were intimately bound up with the monarchies of Norway and Sweden; Cnut the Great, one of Saxo's heroes, whose empire stretched as far as Britain and Iceland, was ruler of both these countries. In the last books Saxo took particular concern to describe the campaigns of Valdemar the Great and his warrior archbishop, Absalon, against the Wends of North Germany. The work is a prosimetrum, that is, in six of the first nine books he inserts poems, which are intended to parallel specimens of old Danish heroic poetry in Latin metres. Saxo's Latin prose style is often complex, based as it is on models like Valerius Maximus and Martianus Capella, but he is a lively and compelling story-teller, often displaying a rather sly sense of humour, and an interest in the supernatural. He is the first author to give a full account of Hamlet, whose adventures he relates at some length, the elements of which in a great many respects correspond surprisingly closely with the characters and incidents of Shakespeare's play. Volume I of Saxo Grammaticus contains an introduction from the editor, and the first ten books of Saxo's work.




Volume 7, Tome III: Kierkegaard and His Danish Contemporaries - Literature, Drama and Aesthetics


Book Description

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome III is dedicated to the diverse Danish sources that fall under the rubrics "Literature, Drama and Aesthetics." The Golden Age is known as the period when Danish prose first established itself in genres such as the novel; moreover, it was also an age when some of Denmark's most celebrated national poets flourished. Accordingly, this tome contains articles on Kierkegaard's use of the great Danish poets and prose writers, whose works are frequently quoted and alluded to throughout his writings. Kierkegaard regularly attended dramatic performances at Copenhagen's Royal Theater, which was one of Europe's leading playhouses at the time. In this tome his appreciation for the art of Denmark's best-known actors and actresses is traced. Finally, this tome features articles on the leading literary critics and aesthetic theorists of the Golden Age, who served as foils for Kierkegaard's own ideas.




Gesta Danorum - Deeds of the Danes


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Gesta Danorum - Deeds of the Danes In the early years of the thirteenth century the Danish writer Saxo Grammaticus provided his people with a History of the Danes, an account of their glorious past from the legendary kings and heroes of Denmark to king Gorm. It is one of the major sources for the heroic and mythological traditions of northern Europe, though the complex Latin style and the wide range of material brought together from different sources have limited its use.







Volume 7, Tome I: Kierkegaard and his Danish Contemporaries - Philosophy, Politics and Social Theory


Book Description

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome I is dedicated to exploring the sources that fall under the rubrics, "Philosophy, Politics and Social Theory." With regard to philosophy, Kierkegaard read the works of all the foremost Danish thinkers of the time and their German antecedents, in particular Kant, Schilling and Hegel. While he was sympathetic to individual ideas offered by this tradition, he was generally keen to criticize the German model of philosophy and to propose a new paradigm for philosophical thought that was more in tune with lived existence. Kierkegaard also experienced the dynamic period in history that saw the great upheavals throughout Europe in connection with the revolutions of 1848 and the First Schleswig War. While it has long been claimed that Kierkegaard was not interested in politics, recent research supports a quite different picture. To be sure, he cannot be regarded as a political scientist or social theorist in a traditional sense, but he was nonetheless engaged in the issues of his day, and in his works one can certainly find material that can be insightful for the fields of politics and social theory.




Antarctic Cirripedia


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Volume 7, Tome II: Kierkegaard and His Danish Contemporaries - Theology


Book Description

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome II is dedicated to the host of Danish theologians who played a greater or lesser role in shaping Kierkegaard's thought. In his day there were a number of competing theological trends both within the church and at the Faculty of Theology at the University of Copenhagen, and not least of all in the blossoming free church movements. These included rationalism, Grundtvigianism and Hegelianism. In this quite dynamic period in Danish ecclesial history, Kierkegaard was also exercised by a number of leading personalities in the church as they attempted to come to terms with key issues such as baptism, civil marriage, the revision of the traditional psalm book, and the relation of church and state.




The Popes and the Baltic Crusades 1147-1254


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The Popes and the Baltic Crusades examines the extension of the crusading idea from the Holy Land to the Baltic region. Highlighting the interplay between canon law, missionary ideas and politics, it shows how papal policy on the campaigns against the pagan peoples of north-eastern Europe developed from Pope Eugenius III’s proclamation of a crusade against the Slavs in 1147 to the end of Innocent IV’s pontificate in 1254. It also discusses the interaction between Rome and the princes and bishops of the Baltic region and demonstrates how these local leaders influenced papal crusading policy. The volume shows the variety of the crusading movement of the central Middle Ages and offers a contribution to the ongoing debate about the nature and definition of crusading.