The Dark Room Chronicles: A Collection of Poetry


Book Description

The Dark Room Chronicles: A Collection of Poetry is a book which came about through his harsh experiences in prison. The reader can expect inspirational, motivational, and relatable imagery through the form of word. My poetry also deals with life struggles, self-consciousness, hope, faith, and determination. I chose the title of the book because a dark room can be a very lonely place and in the dark many images are formed.




The Dark Room and Other Poems


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Dark Room


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The Dark Room


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In The Dark Room: Letters to Krista, Ruth Stacey and Krista Kay write a collaborative love letter to time and loss, a call and response that echoes through the spaces where our collective understanding of public tragedy collides with the vestiges of personal memory. Juxtaposing Stacey's taut prose with Kay's darkly evocative photographs (many of which document her friendship with tragic grunge-era lovers Layne Staley and Demri Parrott), The Dark Room offers a moving meditation on the relationships between memory, death, and the traces we leave in our wake. - Alissa Bennett Ruth Stacey writes in The Dark Room, "only a loved one could take these photographs" and that feeling also pervades in her poetic letters and on every turn of the page of this lovely, haunting, and deeply felt book. - Kevin Sampsell




The Dark Room


Book Description

This book is both a meditation on our formative experiences and a celebration of life in the face of death. The 'dark room' of the title refers to the womb with all its potential, and to death, not only the black despair felt by the bereaved but also the darkness that may wait beyond our 'reach of light'.




The Darkroom


Book Description

In this masterful collection of poetry, Dr. Anna Cates showcases her extraordinary prowess with open form and free verse. This collection represents the darker side of Cates's voice, perhaps the reader's most beloved side of any poet, with themes like poverty, insanity, crime, and war. This is a collection that belongs in any serious library of poetry today.




Darkroom


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The Wall: (Intimacy) and Other Stories


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One of Sartre’s greatest existentialist works of fiction, The Wall contains the only five short stories he ever wrote. Set during the Spanish Civil War, the title story crystallizes the famous philosopher’s existentialism. 'The Wall', the lead story in this collection, introduces three political prisoners on the night prior to their execution. Through the gaze of an impartial doctor—seemingly there for the men's solace—their mental descent is charted in exquisite, often harrowing detail. And as the morning draws inexorably closer, the men cross the psychological wall between life and death, long before the first shot rings out. This brilliant snapshot of life in anguish is the perfect introduction to a collection of stories where the neurosis of the modern world is mirrored in the lives of the people that inhabit it . This is an unexpurgated edition translated from the French by Lloyd Alexander.




The Collected Stories


Book Description

This gathering of all Dylan Thomas's stories, ranging chronologically from the dark, almost surrealistic tales of Thomas's youth to such gloriously rumbustious celebrations of life as A Child's Christmas in Wales and Adventures in the Skin Trade, charts the progress of "The Rimbaud of Cwmdonkin Drive" toward his mastery of the comic idiom.




Nightwood (New Edition)


Book Description

The fiery and enigmatic masterpiece—one of the greatest novels of the Modernist era. Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.