Art Market Research


Book Description

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.




Guide to Reprints


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Guide to Reprints, 1985


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Subject Guide to Reprints


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National Union Catalog


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Includes entries for maps and atlases.







Japanese Design Motifs


Book Description

Definitive catalogue of Japanese heraldic crests featuring almost unlimited variety of plant, animal, bird, and geometric forms, from "wild goose" to "folding fan" to "mountain and mist," each with dozens of variations. 4,260 illustrations.




Japanese Illustration


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Strong Women, Beautiful Men


Book Description

Shin-hanga, literally meaning ‘new prints’, was the name given to a Japanese print artists’ movement in the early years of the twentieth century. It sought to revive the traditional style of Ukiyo-e woodblock prints of the Edo period (1603-1868). The connection between shin-hanga and the Toledo Museum of Art began when Yoshida Hiroshi, one of the leaders of the movement, and his artist wife met J. Arthur MacLean and Dorothy Blair, at that time connected to the John Herron Art Museum in Indianapolis. When Mr. MacLean and Miss Blair established Toledo’s Asian Art Department in 1927-28, they decided to collaborate with their friends the Yoshidas on two exhibitions of modern Japanese prints, which took place in 1930 and 1936. This book accompanies the Museum’s exhibition, Strong Women, Beautiful Men, which explores the concept of the human form in Japanese woodblock prints. Many of the works in the extensive Toledo collection deal with the genre of popular figures, such as Kabuki actors in famous roles and bijin-ga, images of beautiful women.