The Dead Beggar


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Beggar among the dead


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Indebted to Change


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The date, the time, the place are obscure, but of what we can be certain is that the Beggar Poet is in no position to call himself a "noble person" or a "superior man." He lives his life as would a mendicant writer or a solitary seeker--one who has tasted love, joy, and the depths of human despair. Like most of us, really. In fashioning his life to the changes of the I Ching, each of the sixty-four hexagrams, he is faced with challenges and riddles, thresholds to broach, subtle variations of insight from which, by living through them sincerely and with an unrelenting gaze, he can be said to be living an evolving revelation of consciousness. Anyone who has taken time to turn the pages of the I Ching will realize that as well as discovering uplifting and spiritually profound moments, there are those we truly fear and spend our lives trying to avoid. Instead of trying to maintain constantly a higher spiritual eminence--a perfect sense of proportion--we come to know by experience, if Heaven wills and for only brief interludes in an otherwise fulfilling life, its opposite, making our luminous spiritual flights all the more poignant and precious.




I Am the Beggar of the World


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I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.




A Beggar's Wallet


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The Beggar, Or, The Dead Dog


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In 'The Beggar', a beggar dares to speak the truth to an emperor when the emperor descends to complain about the smell. It was neither produced nor published during the author's lifetime.




A Beggar in Jerusalem


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When the Six-Day War began, Elie Wiesel rushed to Israel. "I went to Jerusalem because I had to go somewhere, I had to leave the present and bring it back to the past. You see, the man who came to Jerusalem then came as a beggar, a madman, not believing his eyes and ears, and above all, his memory." This haunting novel takes place in the days following the Six-Day War. A Holocaust survivor visits the newly reunited city of Jerusalem. At the Western Wall he encounters the beggars and madmen who congregate there every evening, and who force him to confront the ghosts of his past and his ties to the present. Weaving together myth and mystery, parable and paradox, Wiesel bids the reader to join him on a spiritual journey back and forth in time, always returning to Jerusalem.




Holy Bible (NIV)


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The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.




The Beggar's Opera


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The first volume in the atmospheric and suspenseful Inspector Ramirez series In beautiful, crumbling Old Havana, Canadian detective Mike Ellis hopes the sun and sand will help save his troubled marriage. He doesn’t yet know that it’s dead in the water—much like the little Cuban boy last seen begging the Canadian couple for a few pesos on the world famous Malecon. For Inspector Ricardo Ramirez, head of the Major Crimes Unit of the Cuban National Revolutionary Police, finding his prime suspect isn’t a problem—Cuban law is. He has only seventy-two hours to secure an indictment and prevent a vicious killer from leaving the island. But Ramirez also has his own troubles to worry about. He’s dying of the same dementia that killed his grandmother, an incurable disease that makes him see the ghosts of victims of unsolved murders. As he races against time, the dead haunt his every step...




The Beggar's Hope


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Emperor Tiberius rules a Rome where patrician life is reaching its luxurious zenith. But after the Emperor’s nephew is violently murdered in the streets, the aristocratic lifestyle immediately becomes hazardous. The relentless partying of the wealthy is suddenly interrupted. Someone is targeting the nobles of Rome. The casualties begin to mount, and the perpetrators seem impossible to catch. The gossips dub them “The Palatine Bandits” and a true crime wave begins. Pontious Pilate, the Emperor’s watchdog and newly commissioned commander of Rome’s Urban Cohorts, is called in to put a stop to this continuing crime wave, and he immediately puts the city on lockdown. With the city boiling over with stress, and the Palatine Bandits remaining at large, Pilate wants appointed the new government post – Prefect of Judea – as a reward for ending the crime wave. But Lucius Quinteros, the richest man in Rome, also wants the Judean post, and sets off on his own to solve the mystery. Using his own private resources – including a championship, gladiatorial team – to help him probe the crimes, Lucius embarks on his own investigation. Lucius also initiates his bid for the Judean post using his own brand of politicking. Meanwhile, the slums of Rome are teaming with millions of lost souls. Life there is a struggle just to survive, and even the basest essentials are doled out sparingly and used as weapons of manipulation. Thrust into this world is Darius, a youthful innocent who was raised from birth in a brothel. When Darius meets Poppaea, stunningly beautiful ward of Lucius Quinteros, she tries to convince him that their way to happiness is love. But is Poppaea’s love aiming too high for a boy from the ghetto, or will his own pride be his stumbling block? Meet these, and many more characters in this fast-paced, tightly woven tale of 1st century Rome.