The Dean and Canons’ Houses of St George’s Chapel, Windsor


Book Description

The College of St George at Windsor Castle was founded by Edward III in 1348 to support the newly created Order of the Garter, and to this day fulfills the same primary purpose. The domestic buildings provided for the Warden, Canons and Priest-Vicars – now the Deanery and Canons Cloister – are an astonishing survival: despite enlargement and alteration over the centuries, a significant amount of the mid-fourteenth-century fabric survives, though often hidden from view. A recent program of refurbishment and conservation revealed much hitherto unknown evidence for the way the buildings were constructed, their fittings and decoration and their subsequent evolution. The author maintained a continuous ‘watching brief’ throughout the refurbishment works, the results of which are published here for the first time. The archaeological evidence is supplemented by the excellent survival of documentation, both for the initial construction of the buildings and their subsequent development: we know the precise date of each stage of construction, the cost and even the names of the workmen involved. The post-medieval history of the buildings is also highly significant, and for this period we have the benefit of knowing more about the deans and canons who influenced the ways their dwellings developed, and of a continued wealth of documentary evidence.




An Episcopal Dictionary of the Church


Book Description

A comprehensive, quick reference for all Episcopalians, both lay and ordained. This thoroughly researched, highly readable resource contains more than 3,000 clearly entries about the history, structure, liturgy, and theology of the Episcopal Church—and the larger Christian church worldwide. The editors have also provided a helpful bibliography of key reference works and additional background materials. “This tool belongs on the shelf of just about anyone who cares for, works in or with, or even wonders about the Episcopal Church.”—The Episcopal New Yorker




The Chapter Acts of the Dean and Canons of Windsor: 1430, 1523-1672


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Canon Revisited


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Given the popular-level conversations on phenomena like the Gospel of Thomas and Bart Ehrman’s Misquoting Jesus, as well as the current gap in evangelical scholarship on the origins of the New Testament, Michael Kruger’s Canon Revisited meets a significant need for an up-to-date work on canon by addressing recent developments in the field. He presents an academically rigorous yet accessible study of the New Testament canon that looks deeper than the traditional surveys of councils and creeds, mining the text itself for direction in understanding what the original authors and audiences believed the canon to be. Canon Revisited provides an evangelical introduction to the New Testament canon that can be used in seminary and college classrooms, and read by pastors and educated lay leaders alike. In contrast to the prior volumes on canon, this volume distinguishes itself by placing a substantial focus on the theology of canon as the context within which the historical evidence is evaluated and assessed. Rather than simply discussing the history of canon—rehashing the Patristic data yet again—Kruger develops a strong theological framework for affirming and authenticating the canon as authoritative. In effect, this work successfully unites both the theology and the historical development of the canon, ultimately serving as a practical defense for the authority of the New Testament books.







Critical Theory And The Literary Canon


Book Description

Kolbas stakes out new territory in assessing the war over literary canon formation, a subject that contemporary polemicists have devoted much ink to. Throughout this succinct manuscript, Kolbas ranges through the sociology and politics of culture, aesthetic theory, and literary theory to develop his point that texts not only must should be situated in the historical and material conditions of their production, but also evaluated for their very real aesthetic content. One reason the is an important issue, Kolbas contends, is that the canon is not simply enclosed in the ivory tower of academia; its effects are apparent in a much wider field of cultural production and use. He begins by critiquing the conservative humanist and liberal pluralist positions on the canon, which either assiduously avoid any sociological explanation of the canon or treat texts as stand-ins for particular ideologies. Kolbas is sympathetic to the arguments of Bourdieu et. al. regarding positioning the canon in a wider "field of cultural production" than the university, but argues that theirs are purely sociological explanations of aesthetics (i.e., there is no objective aesthetic content) that ignore art's autonomous realm, which he argues -- a la Adorno -- exists (if only problematically). Ultimately, he argues that critical theory, particularly the arguments of Adorno on aesthetics, offers the most fruitful path for evaluating the canon, despite the approach's clear flaws. His vision is a sociological one, but one that treats the components of the canon as possessing objective aesthetic content, albeit content that shifts in meaning over history.




Fasti Wyndesorienses


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Cannons


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