Author : Mark Polish
Publisher : Houghton Mifflin Harcourt
Page : 340 pages
File Size : 50,70 MB
Release : 2005
Category : Performing Arts
ISBN : 9780156029520
Critically acclaimed, award-winning independent filmmakers Mark and Michael Polish offer this practical guide to writing, shooting, editing, scoring, promoting, and distributing short and feature films--an indispensable resource for anyone interested in filmmaking.
Author : Geoff King
Publisher : Routledge
Page : 274 pages
File Size : 25,88 MB
Release : 2013
Category : Performing Arts
ISBN : 0415684285
Edited and written by leading authors in the field, this book offers an examination of American independent cinema through four sections that range in focus from broad definitions to close focus on particular manifestations of independence.
Author : Vladan Nikolic
Publisher : Taylor & Francis
Page : 292 pages
File Size : 31,1 MB
Release : 2016-12-01
Category : Art
ISBN : 1317383443
Independent Filmmaking and Digital Convergence: Transmedia and Beyond offers a comprehensive analysis of the technological changes of the past few decades in independent film and media-making, and explores new strategies and practices in media production, exhibition and distribution for independent producers and content creators. The book examines how independent filmmaking concepts have merged with digital and online technologies to create new hybrid multi-platform content creations. It explores key questions like how to reach an audience at a time when media conglomerates and their products dominate the market, and simultaneously, there is an overabundance of content competing for viewer time. The book investigates what kind of stories we tell and why; how the audience has changed, and what their expectations are; what the various niche markets are for independent producers and creators in new media; and new models for media financing and distribution. The content found in this book: Bridges the gap between professional media-makers and amateurs by focusing on new and emerging media models and practices. Provides a holistic view of the new media landscape, and practical advice on producing content in the new multi-platform media environment. Demonstrates how to create financially sustainable models for independent producers and creators in a shifting and unstable environment, providing many challenges, but also opportunities for independents. The author's website (http://www.filmconvergence.com/) supports this book with case studies, news and updates.
Author : Ashvin Immanuel Devasundaram
Publisher : Routledge
Page : 338 pages
File Size : 44,61 MB
Release : 2016-06-10
Category : Performing Arts
ISBN : 1317290739
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Author : Michael Z. Newman
Publisher : Columbia University Press
Page : 314 pages
File Size : 33,36 MB
Release : 2011
Category : Business & Economics
ISBN : 0231144652
By locating the American indie in the historical context of the Sundance-Miramax era, the author considers indie cinema as an alternative American film culture.
Author : Yannis Tzioumakis
Publisher : Edinburgh University Press
Page : 353 pages
File Size : 11,28 MB
Release : 2017-09-01
Category : Performing Arts
ISBN : 1474416837
A comparative analysis of key Islamic ity platforms and their debates.
Author : Sarah E.S. Sinwell
Publisher : Rutgers University Press
Page : 204 pages
File Size : 40,29 MB
Release : 2020-08-14
Category : Art
ISBN : 1978814690
Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance's creation of digital shorts and web series intended for cell phone viewing.
Author : Scott MacKenzie
Publisher : University of California Press
Page : 674 pages
File Size : 50,83 MB
Release : 2021-01-21
Category : Performing Arts
ISBN : 0520377478
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author :
Publisher :
Page : 748 pages
File Size : 43,5 MB
Release : 2005
Category : Experimental films
ISBN :
Author : Kim Wilkins
Publisher : Bloomsbury Publishing USA
Page : 225 pages
File Size : 36,99 MB
Release : 2019-02-21
Category : Performing Arts
ISBN : 1501336924
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
