The Decorative Art of Limoges


Book Description

The porcelain industry in Limoges, France, involves potters, kings, an emperor, and a revolution. This beautiful book is a valuable reference with over 1,100 photographs of Limoges porcelain objects and boxes, a section on the makers and identifying marks from 1860 to the present, an index, and price guide.




The Grove Encyclopedia of Decorative Arts


Book Description

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.




Western Decorative Arts: Volume 1


Book Description

This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.




The Robert Lehman Collection, Volume XV: European and Asian Decorative Arts


Book Description

This volume catalogues more than 400 decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewellery, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the 20th century.




Enamels of Limoges


Book Description

Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.




Catalogue of Glass and Limoges Painted Enamels


Book Description

The collections of glassware and Limoges painted enamels acquired by Sir Richard Wallace may at first glance seem unlikely bedfellows. Yet both are 'arts of fire' and both are 'vitreous art', albeit with rather different aesthetic ends. Moreover, the collections are, broadly speaking, contemporaneous in date of manufacture, from the late 15th to the 17th centuries. Much of the exquisite glassware in the collection was made in Venice or elsewhere in the Venetian style (façon de Venise).







Enamels of Limoges


Book Description




The Frick Collection


Book Description

The unique and internationally celebrated atmosphere of The Frick Collection has as much to do with the decorative arts as with its iconic collection of old master paintings. As the sumptuous house Henry Clay Frick constructed at 70th Street took shape between 1912 and 1914, he recognised the need for furnishings of a calibre that matched his painting collection. Together with later acquisitions and gifts, Frick's purchases of enamels, clocks and watches, furniture, gilt bronzes, porcelain, ceramics, silver and textiles are the equals of the works on canvas and far exceed them in number. Included here are carefully selected blocs of decorative arts from stunning collections of Limoges enamels and Sevres porcelain to French eighteenth-century furniture and an extraordinary collection of clocks and watches. Long overdue, this handbook - the first devoted to the decorative arts in the Frick's collection - provides a valuable introduction to this area. AUTHOR: Charlotte Vignon is the Curator of Decorative Arts at The Frick Collection. SELLING POINTS: * The only handbook available on the decorative arts collection of The Frick Collection in New York, which receives nearly 300,000 visitors a year * Makes a great companion volume to the popular book 'The Frick Collection: Handbook of Paintings' 160 colour