The Decorative Art of the Amur Tribes - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




DECORATIVE ART OF THE AMUR TRI


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Decorative Art of the Amur Tribes, Volume 7


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Decorative Art of the Amur Tribes Volume 7, Pt. 1


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...being ornamentally conventionalized. Fig. 6, Plate x1v, represents a paper pattern showing a design for embroidering a shirt. In the centre is a circle, around which are grouped four tortoises (a), strongly conventionalized. Around it, on both sides, two bands forming four circles and two ellipses are symmetrically arranged. In every circle there is a roe Cervus capreolus L.), b; two snakes (muiki), d; and a bird (V), called tewerko, the species of which I have not yet been able to determine. Each ellipse contains a frog (Jiana temporaries L.), e; two spiders (atkomama), f; and two gadflies (shigaxtd), g. Outside of these f1gures a number of animals are represented standing along the edges of the pattern. There are four mosquitoes, h; four chimney-swallows (Hirundo rustica L.), i; four snakes, d; four stags (Ccrvus claphus L.), j; and four fawns (Cervus capreolus L.), k. In the paper pattern shown in Fig. 20 the same picture is represented eight times. In it the following animals are represented: a jumping tiger (a) with open jaws, the fore-legs with paws outstretched, with only one hind-leg, and tail upturned; an eagle grasping a fish in its beak (d), this conception being very likely derived from the cock holding the same little creature in its beak; a flying wild duck (c); a musk-deer with a design of a conventionalized bipartite fish on its body (d); a fox lying in ambush (V); frogs (./ andg); a horse and its rider (//); an eagle flapping its wing and having a foot with three outstretched claws (z); what is said to be a glutton (/&). Fig. 21 represents nearly one-fourth part of a paper pattern that is divided again into two symmetrical parts. The ornaments are distributed over four large and twenty-six small quadrangular and ten...







Memoirs of the American Museum of Natural History, Vol. 7


Book Description

Excerpt from Memoirs of the American Museum of Natural History, Vol. 7: The Decorative Art of the Amur Tribes What is necessary, first of all, to sift out, is the ornamental art of the Man chu, and those Chinese peoples in the northern part of the Celestial Kingdom bordering on Siberia. The source from which the Amur peoples have drawn may be discovered there. After all, it is clearly too intricate a problem, thus far, to distinguish accurately between what of their art the Amur tribes owe to their masters, and what to themselves. A great many features should be attributed to direct Chinese transmission. On the whole, therefore, the standpoint to be taken, in a consideration of the decorative art of these tribes, must for the present be one that looks upon it as an independent branch of East Asiatic art, which sprang from the sino-japanese cultural centre. The exact historical posi tion of this domain of art in the grand framework of this culture has yet to be ascertained. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Decorative Art of the Amur Tribes - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.