The Dictator Novel


Book Description

The Dictator Novel: Writers and Politics in the Global South explores novels about dictators in the literatures of the Global South.




Dictator


Book Description

'Confirms Harris's undisputed place as our leading master of both the historical and contemporary thriller' Daily Mail There was a time when Cicero held Caesar's life in the palm of his hand. But now Caesar is the dominant figure and Cicero's life is in ruins. Cicero's comeback requires wit, skill and courage. And for a brief and glorious period, the legendary orator is once more the supreme senator in Rome. But politics is never static. And no statesman, however cunning, can safeguard against the ambition and corruption of others. 'The finest fictional treatment of Ancient Rome in the English language' Scotsman




I the Supreme


Book Description

I the Supreme imagines a dialogue between the nineteenth-century Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself and ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.” Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a darkly comic, deeply moving meditation on power and its abuse—and on the role of language in making and unmaking whole worlds.




The Dictator's Handbook


Book Description

Explains the theory of political survival, particularly in cases of dictators and despotic governments, arguing that political leaders seek to stay in power using any means necessary, most commonly by attending to the interests of certain coalitions.




Dictator Literature


Book Description

A Book of the Year for The Times and the Sunday Times ‘The writer is the engineer of the human soul,’ claimed Stalin. Although one wonders how many found nourishment in Turkmenbashi’s Book of the Soul (once required reading for driving tests in Turkmenistan), not to mention Stalin’s own poetry. Certainly, to be considered great, a dictator must write, and write a lot. Mao had his Little Red Book, Mussolini and Saddam Hussein their romance novels, Kim Jong-il his treatise on the art of film, Hitler his hate-filled tracts. What do these texts reveal about their authors, the worst people imaginable? And how did they shape twentieth-century history? To find out, Daniel Kalder read them all – the badly written and the astonishingly badly written – so that you don’t have to. This is the untold history of books so terrible they should have been crimes.




Orvie


Book Description

The literature on political machines of American mayors is rich and varied. Essentially undiscovered, however, is "Orvie," the most flamboyant and original of them all-and, on his home turf, arguably the most powerful. David L. Good describes the public and private life of Orville L. Hubbard, a man whose remarkable political career overlapped the terms of seven presidents. Hubbard was mayor of Dearborn, Michigan, home of the Ford Motor Company, from 1942 to 1978, ranking him as the second-longest-tenured mayor in U.S. history. He became a model for successful suburban leaders, establishing a reputation for outstanding municipal services and low taxes-as well as for the most notorious racist rhetoric north of the Mason-Dixon line. During his reign, Hubbard was compared with nearly all the tyrants of the twentieth century and some before. At his peak of some 350 pounds, Orvie was a blimp-shaped dreadnaught who set up a government in exile in Canada because sheriff's deputies were waiting to arrest him back home; was pictured in the newspapers on his way to the Republican National Convention disguised in a clown mask; and ordered his fire chief to take an axe to the office door of Henry Ford II. Acquitted in a federal civil rights case, Hubbard showed his appreciation to the jury by taking them out to dinner. After the 1967 riots in Detroit, Orvie threatened to "shoot looters on sight." Hubbard took over a town-the town run by the American legend Henry Ford-without a traditional party organization, extensive patronage, or other trappings of a political machine. The "Hubbard machine" was essentially a one-man operation, consisting of Hubbard himself who prevailed on the sheer force of his personality. David L. Good, who reported on Hubbard for eighteen years, bases his book on personal observation, public and private records, and interviews with Hubbard and family members. Although the book reads like the stuff of novels, Orvie: The Dictator of Dearborn is a serious study of one of the most controversial figures in American municipal government.




How to Be a Dictator


Book Description

'Brilliant' NEW STATESMAN, BOOKS OF THE YEAR 'Enlightening and a good read' SPECTATOR 'Moving and perceptive' NEW STATESMAN Mussolini, Hitler, Stalin, Mao Zedong, Kim Il-sung, Ceausescu, Mengistu of Ethiopia and Duvalier of Haiti. No dictator can rule through fear and violence alone. Naked power can be grabbed and held temporarily, but it never suffices in the long term. A tyrant who can compel his own people to acclaim him will last longer. The paradox of the modern dictator is that he must create the illusion of popular support. Throughout the twentieth century, hundreds of millions of people were condemned to enthusiasm, obliged to hail their leaders even as they were herded down the road to serfdom. In How to Be a Dictator, Frank Dikötter returns to eight of the most chillingly effective personality cults of the twentieth century. From carefully choreographed parades to the deliberate cultivation of a shroud of mystery through iron censorship, these dictators ceaselessly worked on their own image and encouraged the population at large to glorify them. At a time when democracy is in retreat, are we seeing a revival of the same techniques among some of today's world leaders? This timely study, told with great narrative verve, examines how a cult takes hold, grows, and sustains itself. It places the cult of personality where it belongs, at the very heart of tyranny.




The Infernal Library


Book Description

"A mesmerizing study of books by despots great and small, from the familiar to the largely unknown." —The Washington Post A darkly humorous tour of "dictator literature" in the twentieth century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse Since the days of the Roman Empire dictators have written books. But in the twentieth-century despots enjoyed unprecedented print runs to (literally) captive audiences. The titans of the genre—Stalin, Mussolini, and Khomeini among them—produced theoretical works, spiritual manifestos, poetry, memoirs, and even the occasional romance novel and established a literary tradition of boundless tedium that continues to this day. How did the production of literature become central to the running of regimes? What do these books reveal about the dictatorial soul? And how can books and literacy, most often viewed as inherently positive, cause immense and lasting harm? Putting daunting research to revelatory use, Daniel Kalder asks and brilliantly answers these questions. Marshalled upon the beleaguered shelves of The Infernal Library are the books and commissioned works of the century’s most notorious figures. Their words led to the deaths of millions. Their conviction in the significance of their own thoughts brooked no argument. It is perhaps no wonder then, as Kalder argues, that many dictators began their careers as writers.




Reasons of State


Book Description

One of the most significant novels in Latin American literature, written by Cuba's most important modern novelist—to win a bet with Gabriel Garcia Marquez. In the early 1970s, friends Gabriel García Márquez, Augusto Roa Bastos and Alejo Carpentier reached a joint decision: they would each write a novel about the dictatorships then wreaking misery in Latin America. García Márquez went on to write The Autumn of the Patriarch and Roa Bastos I, the Supreme. The third novel in this remarkable trinity is Reasons of State, hailed as the most significant novel ever to come out of Cuba. As with Garcia Marquez, Reasons of State is a bold story, boldly told --- daring in its perceptions, rich in lush detail, inventive in prose, and deadly compelling in its suspenseful plot. Inexplicably out of print for years, it tells the tale of the dictator of an unnamed Latin American country who has been living the life of luxury in high-society Paris. When news reaches him of a coup at home, he rushes back and crushes it with brutal military force. But returning to Paris he is given a chilly welcome, and learns that photographs of the atrocities have been circulating among his well-to-do friends. Meanwhile World War One has broken out, and another rebellion forces the dictator back across the ocean. As he struggles with the Marxist forces beginning to find footing in his own country, and Europe is devastated, Carpentier constructs a masterful and biting satire of the new world order.




The Dictator's Learning Curve


Book Description

In this riveting anatomy of authoritarianism, acclaimed journalist William Dobson takes us inside the battle between dictators and those who would challenge their rule. Recent history has seen an incredible moment in the war between dictators and democracy—with waves of protests sweeping Syria and Yemen, and despots falling in Egypt, Tunisia, and Libya. But the Arab Spring is only the latest front in a global battle between freedom and repression, a battle that, until recently, dictators have been winning hands-down. The problem is that today’s authoritarians are not like the frozen-in-time, ready-to-crack regimes of Burma and North Korea. They are ever-morphing, technologically savvy, and internationally connected, and have replaced more brutal forms of intimidation with subtle coercion. The Dictator’s Learning Curve explains this historic moment and provides crucial insight into the fight for democracy.