Benezit Dictionary of British Graphic Artists and Illustrators


Book Description

This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.







The Dictionary of British Women Artists


Book Description

The most comprehensive volume of its kind, Gray's Dictionary of British Women Artists offers extensively-researched biographies of some of the most significant female contributors to British art.This volume will make a valuable contribution to the study of art history. It will also provide readers with significant insight into a long-neglected aspect of history - the lives and achievements of women artists. Each entry provides key biographical information, as well as (where possible) commentaryon the artist's studies, lifestyle, travels and family. Entries also detail significant works, exhibitions and membership of societies. Gray's introduction provides a useful context to the biographies.







Music and British Culture, 1785-1914


Book Description

This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.




A Biographical Dictionary of British and Irish Engravers, 1714-1820


Book Description

The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.




A Checklist of Painters, C1200-1994 Represented in the Witt Library, Courtauld Institute of Art, London


Book Description

The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.