The Diegesis
Author : Robert Taylor
Publisher :
Page : 460 pages
File Size : 14,20 MB
Release : 1834
Category : Rationalism
ISBN :
Author : Robert Taylor
Publisher :
Page : 460 pages
File Size : 14,20 MB
Release : 1834
Category : Rationalism
ISBN :
Author : Robert Taylor
Publisher : Health Research Books
Page : 526 pages
File Size : 36,25 MB
Release : 1997-11
Category : Religion
ISBN : 9780787308575
1894 Being a discovery of the origin, evidences, and early history of Christianity never yet before of elsewhere so fully and faithfully set forth. Rev. Taylor felt fully justified in his position of retaliation for the shameful manner of the treatment.
Author : Annette Kuhn
Publisher : OUP Oxford
Page : 530 pages
File Size : 39,13 MB
Release : 2012-06-21
Category : Performing Arts
ISBN : 0191034657
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Author : Peter Hühn
Publisher : Walter de Gruyter
Page : 312 pages
File Size : 22,11 MB
Release : 2009
Category : Language Arts & Disciplines
ISBN : 3110218909
Stories do not actually exist in the world but are created and structured- modeled- through the process of mediation, i.e. through the means and techniques by which they are represented. This is an important field, not only for narratology but a
Author : Allan Casebier
Publisher : Cambridge University Press
Page : 184 pages
File Size : 48,49 MB
Release : 1991-10-25
Category : Performing Arts
ISBN : 9780521411325
Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.
Author : Clive Myer
Publisher : Columbia University Press
Page : 322 pages
File Size : 28,16 MB
Release : 2011
Category : Performing Arts
ISBN : 1906660379
Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.
Author : Dario Martinelli
Publisher : Springer Nature
Page : 293 pages
File Size : 42,32 MB
Release : 2020-01-01
Category : Art
ISBN : 3030325946
What You See Is What You Hear develops a unique model of analysis that helps students and advanced scholars alike to look at audiovisual texts from a fresh perspective. Adopting an engaging writing style, the author draws an accessible picture of the field, offering several analytical tools, historical background, and numerous case studies. Divided into five main sections, the monograph covers problems of definitions, history, and most of all analysis. The first part raises the main problems related to audiovisuality, including taxonomical and historical questions. The second part provides the bases for the understanding of audiovisual creative communication as a whole, introducing a novel theoretical model for its analysis. The next three part focus elaborate on the model in all its constituents and with plenty of case studies taken from the field of cinema, TV, music videos, advertising and other forms of audiovisuality. Methodologically, the book is informed by different paradigms of film and media studies, multimodality studies, structuralism, narratology, “auteur theory” in the broad sense, communication studies, semiotics, and the so-called “Numanities.” What You See Is What You Hear enables readers to better understand how to analyze the structure and content of diverse audiovisual texts, to discuss their different idioms, and to approach them with curiosity and critical spirit.
Author : Guido Heldt
Publisher : Intellect (UK)
Page : 312 pages
File Size : 34,98 MB
Release : 2013
Category : Music
ISBN :
Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.
Author : Karsten Keuchler
Publisher : GRIN Verlag
Page : 109 pages
File Size : 17,77 MB
Release : 2014-09-02
Category : Literary Collections
ISBN : 3656732922
Examination Thesis from the year 2009 in the subject American Studies - Miscellaneous, grade: 1,0, TU Dortmund, language: English, abstract: This book gives an up-to-date insight into the world of professional wrestling, its history, its mechanisms, and its cultural importance both globally and nationally in the US. The author depicts the diegetic world of the WWE as a genre of its own, a genre that requires expertise from the viewer in order to be interpreted accurately. Accordingly, this paper analyses the way the WWE makes use of semiotic tools and narrative elements. Moreover key issues concerning gender, sexuality, authenticity, politics, ideology, and the fans' role and perspective are addressed. There is also a special focus on how the WWE has been playfully dealing with reality / real events within its fictional, diegetic world since the legendary Montral Screwjob from 1997 - the latter being an aspect which sets professional wrestling, which is widely regarded as part of postmodern "trash culture", apart from other, similar sorts of entertainment. All in all, "Wrestling Literacy" is a wonderful guide for anyone who happens to switch to one of WWE's weekly TV shows (such as Raw, Smackdown, or NXT) without having the slightest idea of what he sees. "Wrestling Literacy" is also a good read for all academics of culture and media studies in general. But "Wrestling Literacy" is a must-read for all wrestling fans, especially those with some degree of academic interest in the subject matter.
Author : Ben McCann
Publisher : Columbia University Press
Page : 304 pages
File Size : 16,30 MB
Release : 2011
Category : Performing Arts
ISBN : 1906660301
Ben McCann is senior lecturer in French Studies at the University of Adelaide --