The Distant Sound


Book Description

Told that he recently attempted suicide, a man awakens in an insane asylum with no memory of his actions, or even of his own name...




Distant Sound of Wisdom, The


Book Description

Besides finances and the economy, the topic of health is constantly in the media. Reports on advancements in medicine, new diets, beneficial foods, and exercise tips are commonplace. Of specific interest for Christians is that many reports are urging people to adopt healthful practices that God prescribed as the best methods to achieve optimum health. In The Distant Sound of Wisdom, Warren A. Shipton argues that the human race was created for a purpose, which includes the enjoyment of life. The natural laws governing life and well-being include the mind and the body—physical, mental, and spiritual health. Within this volume, Shipton examines the factors that contribute to physical health, including the benefits of a plant-based diet, which is a significant determinant of a long and healthy life. He then moves into a discussion of mental and social health and how individuals can improve in those areas. Finally, he focuses on the importance of spiritual health and a relationship with the Creator of life. The book contains extensive documentation of scientific studies and current research in the areas of health while presenting corresponding biblical truths that affirm the authority of the Bible.




A Distant Sound of Thunder


Book Description

It had not taken Rebecca long to fall wildly in love with Piers St. Clair—not much longer, in fact, than it had taken her to discover that he was married. So, all too swiftly, that idyll on a romantic Pacific island had had to come to an end. Now, three years later and back on the other side of the world, Rebecca had found a new life. But she had not found a new love, although young Paul Victor was doing his best to make her look his way. Nothing would ever make her forget Piers, she knew—and when, through Paul, Piers suddenly came back into her life again, Rebecca knew that she had never stopped loving him. But it was only too obvious that Piers felt nothing for her now but bitterness. Could she ever free herself, now, of this love that so clearly had no future?




The Sound of Distant Thunder (The Amish of Weaver's Creek Book #1)


Book Description

Katie Stuckey and Jonas Weaver are both romantics. Seventeen-year-old Katie is starry-eyed, in love with the idea of being in love, and does not want to wait to marry Jonas until she is eighteen, despite her parents' insistence. So much can happen in a year. Twenty-year-old Jonas is taken in by the romance of soldiering, especially in defense of anti-slavery, even though he knows war is at odds with the teachings of the church. When his married brother's name comes up in the draft list, he volunteers to take his brother's place. But can the commitment Katie and Jonas have made to each other survive the separation? From the talented pen of Jan Drexler comes this brand new Amish series set against the backdrop of the Civil War. She puts her characters to the test as they struggle to reconcile their convictions and desires while the national conflict threatens to undermine and engulf their community.




Music of a Distant Drum


Book Description

The 132 poems, most of which here make their English-language debut, represent the three major languages of medieval Islam--Arabic, Persian, and Turkish--with the remainder from Hebrew. They span more than a thousand years, from the seventh to the early eighteenth century, when poetry, like so much else, was shattered and reshaped by the impact of the West. They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.




A Distant Sound Of Thunder


Book Description

It had not taken Rebecca long to fall wildly in love with Piers St. Clair –– not much longer, in fact, than it had taken her to discover that he was married. So, all too swiftly, that idyll on a romantic Pacific island had had to come to an end. Now, three years later and back on the other side of the world, Rebecca had found a new life. But she had not found a new love, although young Paul Victor was doing his best to make her look his way. Nothing would ever make her forget Piers, she knew –– and when, through Paul, Piers suddenly came back into her life again, Rebecca knew that she had never stopped loving him. But it was only too obvious that Piers felt nothing for her now but bitterness. Could she ever free herself, now, of this love that so clearly had no future?




Sound and Affect


Book Description

"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--




A Distant Mirror


Book Description

A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary




Lalani of the Distant Sea


Book Description

“Fast-paced and full of wonder, this is a powerful, gripping must-read.”—Kirkus (starred review) “A lush and mysterious fable, full of beauty, full of wonder.”—Rebecca Stead, Newbery Medal–winning author of When You Reach Me Newbery Medalist Erin Entrada Kelly’s debut fantasy novel is a gorgeous, literary adventure about bravery, friendship, self-reliance, and the choice between accepting fate or forging your own path. When Lalani Sarita’s mother falls ill with an incurable disease, Lalani embarks on a dangerous journey across the sea in the hope of safeguarding her own future. Inspired by Filipino folklore, this engrossing fantasy is for readers who loved Grace Lin’s Where the Mountain Meets the Moon and Disney’s Moana. Life is difficult on the island of Sanlagita. To the west looms a vengeful mountain, one that threatens to collapse and bury the village at any moment. To the north, a dangerous fog swallows sailors who dare to venture out, looking for a more hospitable land. And what does the future hold for young girls? Chores and more chores. When Lalani Sarita’s mother falls gravely ill, twelve-year-old Lalani faces an impossible task—she must leave Sanlagita and find the riches of the legendary Mount Isa, which towers on an island to the north. But generations of men and boys have died on the same quest—how can an ordinary girl survive the epic tests of the archipelago? And how will she manage without Veyda, her best friend? Newbery Medalist and New York Times–bestselling author Erin Entrada Kelly’s debut fantasy novel is inspired by Filipino folklore and is an unforgettable coming-of-age story about friendship, courage, and identity. Perfect for fans of Lauren Wolk’s Beyond the Bright Sea and Kelly Barnhill’s The Girl Who Drank the Moon.




The Order of Sounds


Book Description

This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.