The Conjuring


Book Description

In 2013 an apparently simple, back-to-basics scary movie transformed horror cinema for the rest of the decade. Based on the allegedly true story of the Perron family haunting and subsequent investigation by ghost hunters Ed and Lorraine Warren, The Conjuring has to-date spawned six sequels and prequels, making up a Conjuring ‘universe’ that has taken over a billion dollars around the world. The New York Times called The Conjuring ‘a fantastically effective haunted-house movie’ which, following his earlier film Insidious, established director James Wan as a force in horror cinema. In this Devil’s Advocates, horror scholar Kevin Wetmore examines what elements in the film are truly terrifying, how the filmmakers’ claims of being based on a true story hold up against the actual history of the haunting and the Warrens, and the relationship between The Conjuring and the many films in its universe. Along the way this book also considers how games, toys and dolls play an important role in the series, offers a critique of gender roles in the films, and asks the question, what is actually ‘conjured’ in The Conjuring? The delightful result is an in-depth, close reading of a film that uses standard horror tropes masterfully to create a truly scary film.




Hoodoo, Voodoo, and Conjure


Book Description

Hoodoo, voodoo, and conjure are part of a mysterious world of African American spirituality that has long captured the popular imagination. These magical beliefs and practices have figured in literary works by such authors as Toni Morrison, Alice Walker, and Ishmael Reed, and they have been central to numerous films, such as The Skeleton Key. Written for students and general readers, this book is a convenient introduction to hoodoo, voodoo, and conjure. The volume begins by defining and classifying elements of these spiritual traditions. It then provides a wide range of examples and texts, which illustrate the richness of these beliefs and practices. It also examines the scholarly response to hoodoo, voodoo, and conjure, and it explores the presence of hoodoo, voodoo, and conjure in popular culture. The volume closes with a glossary and bibliography. Students in social studies classes will use this book to learn more about African American magical beliefs, while literature students will enjoy its exploration of primary sources and literary works.




The Witch Who Conjured Up A Spirit


Book Description

A witch is a practitioner of witchcraft. The most obvious characteristic of a witch was the ability to cast a spell which is a word used to signify the means employed to carry out a magical action. A spell could consist of a set of words, a formula or verse, or a ritual action, or any combination of these. Spells traditionally were cast by many methods and two methods are by the immolation or binding of a wax or clay image of a person to affect him or her magically and by gazing at mirrors, swords or other speculas for purposes of divination. The Witch of Endor who had conjured up a spirit is mentioned in this book, and also, the witch is mentioned in the book of Samuel. Other types of witchcraft that are included in this book are: Folk Magic, Voodoo, Hoodoo, Roots Working, Séance, and more. This book will entertain and mesmerize its readers.




Possessed By the Devil


Book Description

In 1711, in County Antrim, Ireland, eight women were put on trial accused of bewitching and demonically possessing young Mary Dunbar, amid an attack by evil spirits on the local community and the supernatural murder of a clergyman's wife. Mary Dunbar was the star witness in this trial, and the women were, by the standards of the time, believable witches – they dabbled in magic, they smoked, they drank, they had disabilities. A second trial targeted a final male 'witch' and head of the Sellor 'witch family'. With echoes of the Salem witch-hunt, this is a story of murder, of a community in crisis, and of how the witch hunts that claimed over 50,000 lives in Europe played out on Irish shores. It plunges the reader into a world were magic was real and the power of the devil felt, with disastrous consequences.




Doctoring the Devil


Book Description

In this “great starting point for those hoping to practice Appalachian folk magic” (Publishers Weekly), conjure man Jake Richards shares the root work practices and traditional magic he learned from his family as he grew up in the hills and hollers of Appalachia. Who were the old conjurors and witches of Appalachia? What were their practices and beliefs? How can you learn the ways of conjuring for yourself? Appalachian folk magic and conjure are little known today, but forty or fifty years ago just about every person you might ask in Appalachia either knew something about it themselves or knew someone who did it. These practices and “superstitions” are at the core of Appalachian culture. In Doctoring the Devil, Jake Richards speaks to those questions and more, offering the various ways of rooting out the “devil”—any unfriendly spirit bringing bad luck, poor health, and calamities of all sorts. Like the blue smoky mists that glide up the Appalachians, Jake leads his readers up the hillsides too, introducing us to folks along the way—hunters, farmers, blacksmiths, faith healers, preachers, and root-diggers. We’ll also meet the local spirits and learn root ways. Further up the hill, we delve into Jake’s notebooks—a personal collection of tried-and-true Appalachian recipes and roots for conjuring love, money, justice, and success.







Conversations with the Devil


Book Description

New York Times bestselling author Jeff Rovin has held readers in breathless suspense with his Tom Clancy’s Op-Center novels. He has created compelling characters with vividly rendered emotions and actions. His page-turning thrillers have addressed questions of good and evil in our times. Now, Rovin confronts the question of Good and Evil on the ultimate battleground. A human soul hangs in the balance, and thousands of years of religious teachings depict only the beginning of the fight for dominion over man. Psychologist Sarah Lynch is stunned when one of her young patients hangs himself. Evidence reveals that Fredric had become a Satanist. Intending to solve the puzzle of Fredric’s death, Sarah attempts to conjure the devil—surely then she will understand what the teenager was thinking. Sarah knows that belief in God and the Devil is a construct of the human mind and that people contain within them both good and evil. Her own family is the perfect example. Sarah’s mother is still in denial about her dead husband’s alcoholism, but acts as a wonderful grandparent to the son of the family’s live-in housekeeper. Her alcoholic brother bounces from girlfriend to girlfriend and job to job, but is always there when Sarah needs him. And Sarah herself? She lost her faith more than a decade ago, during a personal crisis. But she is dedicated to giving others the help she did not receive. Even the nun who is Sarah’s best friend cannot break through Sarah’s shield of cynicism. But Satan can. The Devil himself rises in Sarah’s office, sometimes a being of dark smoke and sometimes a creature of all-too-perfect, seductive flesh. Most disturbing is Satan’s claim that only by following him can people find real happiness. In the Devil’s theology, God is a brutal, jealous bully. And as God and Satan battle for Sarah’s soul, Sarah comes to believe him. She forgets that he is the Master of Lies . . . .




The Devil and the Sacred in English Drama, 1350–1642


Book Description

John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.







Predator: Eyes of the Demon


Book Description

A brand-new anthology with fifteen exclusive short stories offering taut and dramatic tales set on Earth and in dark reaches of space, featuring the ultimate hunters, the Yautja—also also known as Predators. The diverse lineup of authors includes Stephen Graham Jones, Linda Addison, Jonathan Maberry, Scott Sigler, Peter Briggs, and many more. Fifteen original, never-before-seen short stories set in the expanded Predator universe from the first film, featuring the ultimate hunters, the Yautja from the movie Predator. Set in the recent past, the present, and the future, these edge-of-your-seat adventures by many of today's top SF and horror authors take place on Earth and in the dark, unforgiving reaches of space. The diverse, multi-ethnic group of authors includes New York Times bestsellers, Stoker Award winners, and acclaimed contributors to the Alien and Predator universes. Included in this volume are Native American award-winning horror author Stephen Graham Jones, Linda Addison— the first African American to win the Stoker Award, Peter Briggs, screenwriter for Hellboy, New York Times bestselling author and visionary podcaster Scott Sigler (Aliens: Phalanx), award-winning author Ammar Habib (The Heart of Aleppo), New York Times bestseller Jonathan Maberry, Emmy nominated writer Joshua Pruett of Mystery Science Theater 3000, Tim Lebbon, author of the Aliens vs. Predators “Rage War”, and many more. Featuring Stephen Graham Jones, Linda Addison, Jonathan Maberry, Scott Sigler, Peter Briggs, Tim Lebbon, Nancy A. Collins, A. R. Reddington, Robert Greenberger, Ammar Habib, Gini Koch, Kim May, Yvonne Navarro, Joshua Pruett and Bryan Thomas Schmidt. © 2021 20TH CENTURY STUDIOS