The Divining Heart


Book Description

Building on the principles and practices presented in The Divining Mind (Richard Wright's first book on dowsing, coauthored by T. Edward Ross II), authors Richard and Pat Wright define dowsing as the "process of uncovering information through the medium of the self." The Wrights believe, as do many dowsers, that the ability to dowse is innate, but they also feel that its proper development is contingent upon the parallel unfoldment of the spiritual qualities in our nature. Through this process, the dowser becomes increasingly cognizant of the interconnectedness of all aspects of life and begins to play his or her part as an agent of healing and positive change. Includes detailed information on: • Responsibility in dowsing • Practical dowsing • Earth energies • Planetary stewardship • Healing and prayer • The supersensory worlds An indispensable guide for the advanced dowser as well as a beginner's sourcebook.




The Art of Michael Whelan


Book Description

Award-winning artist Whelan has illustrated the work of almost every major author in speculative fiction. Here are featured all the artist's major recent paintings, as well as a series of 25 never-before-seen works produced especially for this book. Over 100 full-color reproductions.




The Divining Mind


Book Description

Learn how to dowse beginning with water and other easily verifiable and traditional subjects, moving toward accessing information of every kind, working beyond the confines of space and time. Instructions are given in the use of various dowsing devices as well as remote healing.




Essays


Book Description







Nature


Book Description




Nature


Book Description




Looking for the Other Side


Book Description

If you're going to write a book about worlds with no answers, phenomenon that scientists can't explain and skeptics can't fathom--you'd better do it with the right equipment--the eye of a journalist, the voice of a novelist, an open mind and compassionate heart. In Looking for the Other Side, writer Sherry Suib Cohen is perfectly outfitted with these tools in her exploration of the world of the occult. It all begins when Cohen, a journalist, takes an assignment to try and contact the spirit of her deceased mom. In her searching, she meets astrologers, past-life channelers, numerologists, psychics, and a host of other practitioners eager to put her in touch with her past, her future, and her heretofore unexplored spiritual self. "Cohen will hook readers with her determination, wit, generosity and astonishing willingness to try anything. In the end, her personal odyssey becomes ours, and even the most devoted skeptics will find themselves rethinking what might and what might not be possible." --Betsy Carter, Editor-in-Chief, New Woman magazine "When I saw the words know thyself carved above the Oracle's gate at Delphi, I shivered--and didn't understand why. Now, I understand. Knowing myself would mean suspending judgment, would mean tapping into banks of information I never before thought relevant to my pragmatic lifestyle. Well, I've tapped. This book is the result," writes Sherry Suib Cohen. And in a spirited narrative, Cohen tells us about her experiences wherein she confronts death, blame, forgiveness, faith, truth, and family, in addition to Mom. When readers finish this personal odyssey and guidebook into the unknown, they may decide, just as Cohen did, that there's something to these otherwordly spheres after all.




Country Gentleman


Book Description




When the Bad Bleeds


Book Description

Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.