The Downtown Pop Underground


Book Description

“McLeod’s deft and generous book tells of a constellation of avant-garde squatters, divas, and dissidents who reinvented the world.” —Jonathan Lethem, New York Times-bestselling author of Motherless Brooklyn The 1960s to early ’70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and filmmaking. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn’t become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce—and changed the cultural landscape of not just the city but the world. “The story of underground artists of the 1960s and ’70s, an amalgam of bustling radical creativity and fearless groundbreaking work in art, music, and theater.” —Tim Robbins “Breathes new fire into a familiar history and is a must-read for anyone who wants to know how American bohemia really happened.” —Ann Powers, critic, NPR Music “Honors those who were at the forefront of a movement that transformed our understandings of sexuality and artistic freedom.” —Lily Tomlin




Women Behind Bars


Book Description

"In this hilarious satire on B-movies of the 1950's, Mary Eleanor, an innocent duped into crime, lands in the Greenwich Village Woman's House of Detention, presided over by a massive matron with a taste for sadism and female flesh as our heroine, now Caged in the Big House, learns about life The Hard Way." -- Publisher's description




Peace Eye


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High on Rebellion


Book Description

The definitive oral history—with a foreword by Lou Reed—of the center of New York’s 1960s and ’70s underground culture. From its opening in December 1965 on Park Avenue South, Max’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York’s underground art, music, literary, film, and fashion scenes. Max’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max’s was the place to see and be seen among the city’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.




Life and Death on the New York Dance Floor, 1980–1983


Book Description

As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.




Love Goes to Buildings on Fire


Book Description

This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.




Beauty & the Beast


Book Description

Even more innovative than his last, Robert Sabuda will captivate all with his latest pop-up masterpiece, Beauty & the Beast! True love blooms in this three-dimensional adaptation of a beloved fairy tale. Amazing paper structures and classically styled artwork lead readers through a magical tale. Magnificent pop-ups of a life-like Beast, a mysterious castle and a spectacular rose garden make this all-new pop-up masterpiece a must-have for your family's library.




Meet Me in the Bathroom


Book Description

Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.




A to Z


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No Wave


Book Description

Music.