The Drama Is Coming Now


Book Description

This engrossing book presents the first collection in more than three decades of one of America’s finest drama critics. Richard Gilman chronicles a major period in American theater history, one that witnessed the birth or spread of Off-Broadway, regional theater, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. His writing, however, is more than a revealing look at an era. It is criticism for the ages. Insightful, provocative, and impassioned, the articles represent the full range of Gilman’s interests. There are essays, profiles, and book reviews dealing with such topics as the “new naturalism” in theater, Brecht’s collected plays, and the legacy of Stanislavski. There is also a generous sampling of Gilman’s comments on plays by O’Neill, Miller, Chekhov, Albee, Ibsen, Anouilh, Beckett, Ionesco, Pinter, Fugard, and many others.




The Making of Modern Drama


Book Description

This critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater. A new introduction by the author assesses developments of recent years.




An Idea of the Drama


Book Description

"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.







Break My Heart and Make Me Dance


Book Description

When I was young, I knew God loved me. I followed Him. Being His child was natural and easy. Then I hit puberty, and my world changed. There were things I saw that I wanted, things that I thought He might not want me to have. I started to wander. Still, I was not stupid. I knew I still needed Him as Savior; it was His Lordship that gave me pause. Eventually I stripped Him of His Lordship and went to live in the fallen world. I kept Him as my Savior, but I made no effort to follow Him. I loved my life in the fallen world. Still, it had its challenges. There were times I would find myself in the dreaded Valley of the Shadow of Death. I knew somehow He was responsible. It was in the Valley that I would find myself needing Him. Eventually I would have to call on Him. And rescue me He would, but I refused anything but temporary rescue. I would be thankful for a few days, but the desire for my old life in the fallen world would soon reclaim me, and I would put Him back on the shelf. There was so much out there to grab for, and the fallen world did push and encourage me to go for happy. There was a problem with that: I was created to be filled with joy, His joy. Happy was just a temporary, dim simulation. I finally had to face the questions. Does He really love me? Is He really to be trusted? Is He really the God of the Bible? If the answer to these questions was yes, could I really have enough confidence in Him to make Him my center and follow Him?




Leute, echte Liebe jetzt !


Book Description

Past democracy ? Placebo democracy ? Where people take to the streets, to give vent to their pressure, with a growing administration the efficiency missed, dangers and their mechanisms in current situations the population, rural areas, economy and socio-cultural problems remain unspoken ? Who will learn to understand facts in the future ? geopolitics, philosophy, literature, Latin and the latter to master the modern language ? The West is becoming cognitively assimilated, to a disappearing mass of education, which is actually the mainstay a future society should be.




The Athenaeum


Book Description




The Allegory of Quest


Book Description

A deep sense of social consciousness is an intrinsic tenet of Arthur Miller s tragic stance but beyond that his plays are universal tragedies. Miller makes the allegorical theatre creating the protagonist in search , his Everyman in whom be dramatizes the struggle of contemporary man with the forces of his age . With this basic contention in view, Dr. Kumar s The Allegory of Quest analyses and explicates Miller s dramatic corpus as an allegory of quest, as an appropriate structure for a moral exploration of modem man s dilemma. The present book seeks to examine Miller s plays as a continuation of the metaphysical tradition of American dramatic literature which began with Eugene O Neill. In fact, Miller is concerned with the existential dilemma of human life and the relevance of values to human beings. In the process his plays make powerful explorations into the depth of human misery, the crisis of human identity and the vast panorama of immense anarchy and futility. Allegorically divided into seven chapter, the book is, in fact, an in-depth study of Miller s drama as an allegory of quest, as a kind of Morality theatre tracing its roots into the 15th century drama and into the international tradition emerging form various part of the west in the modern times.




The Drama


Book Description




Delphi Collected Works of G. P. R. James (Illustrated)


Book Description

A disciple of Sir Walter Scott, George Payne Rainsford James was a bestselling historical novelist of the early Victorian period. Masterpieces such as ‘Richelieu’, ‘Agincourt’ and ‘The Smuggler’ are noted for their polished prose, spice of adventure and scholarly attention to historical detail. This eBook presents James’ collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to James’ life and works * Concise introductions to the novels and other texts * 41 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare poetry available in no other collection * Easily locate the poems or short stories you want to read * Includes James’ non-fiction study of ‘The History of Chivalry’ * Includes a brief biography * Ordering of texts into chronological order and genres CONTENTS: The Novels Richelieu (1829) Darnley (1830) De l’Orme (1830) Philip Augustus (1831) Bertrand de la Croix (1831) Delaware (1833) Mary of Burgundy (1833) The Life and Adventures of John Marston Hall (1834) The Gypsy (1835) One in a Thousand (1835) Attila (1837) The Robber (1838) Henry of Guise (1839) The Huguenot (1839) Charles Tyrrell (1839) The King’s Highway (1840) The Man at Arms (1840) Corse de Leon (1841) Morley Ernstein (1842) Forest Days (1843) Agincourt (1844) Arabella Stuart (1844) Rose d’Albret (1844) Arrah Neil (1845) The Smuggler (1845) Beauchamp (1846) Heidelberg (1846) The Castle of Ehrenstein (1847) A Whim and Its Consequences (1847) The Convict (1847) Gowrie (1848) The Forgery (1849) The Woodman (1849) Henry Smeaton (1851) The Fate (1851) Revenge (1852) Agnes Sorel (1853) Ticonderoga (1854) The Old Dominion (1856) Leonora d’Orco (1857) Lord Montagu’s Page (1858) The Shorter Fiction The Desultory Man (1836) The Poetry Adra, or The Peruvians and Other Poems (1829) The Non-Fiction The History of Chivalry (1830) The Biography George Payne Rainsford James (1900) by John Andrew Hamilton