The Drama of Saint Helena


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The Tragedy of St. Helena


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Reproduction of the original: The Tragedy of St. Helena by Walter Runciman




Kissing Under the Mistletoe


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Regan, skeptical about love after learning that her fiancé is already married, moves with her daughter to Napa for her dream job, but when the scorned wife's brother tries to drive her from town, sparks begin to fly between the two.




Finding Napoleon


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“Rodenberg inventively uses Bonaparte’s own unfinished novel to tell the story of the despot’s rise to power, which she juxtaposes against the story of his last love affair. Told creatively and with excellent research!” —Stephanie Dray, New York Times and USA Today best-selling author of America's First Daughter and The Women of Chateau Lafayette “Beautiful and poignant.” —Allison Pataki, New York Times best-selling author of The Queen’s Fortune With its delightful adaptation of Napoleon Bonaparte’s real attempt to write romantic fiction, Finding Napoleon: A Novel offers a fresh take on Europe’s most powerful man after he’s lost everything—except his last love. A forgotten woman of history—the audacious Countess Albine—helps narrate their tale of intrigue, desire, and betrayal. After the defeated Emperor Napoleon goes into exile on tiny St. Helena Island in the remote South Atlantic, he and his lover, Albine de Montholon, plot to escape and rescue his young son. Banding together enslaved Africans, British sympathizers, a Jewish merchant, a Corsican rogue, and French followers, they confront British opposition—as well as treachery within their own ranks—with sometimes subtle, sometimes bold, but always desperate action. Amid his passions and intrigues, Napoleon finishes his real novel Clisson that he started writing as a young man. Now it's a father's message to the young son whom his enemies took from him, but how can they get it to the boy? When Napoleon and Albine break faith with one another, ambition and Albine’s husband threaten their reconciliation. To succeed, Napoleon must learn whom to trust. To survive, Albine must decide whom to betray. This elegant, richly researched novel reveals the Napoleon history conceals and the Countess Albine history has forgotten.




The Black Room at Longwood


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Like his subject, Napoleon, author Jean-Paul Kauffmann has experienced captivity, as a three-year hostage in Beirut. He brings his insider's knowledge to this moving account of the most famous French soldier's last years in seclusion on a tropical island. After his defeat at Waterloo in 1815, Napoleon was exiled and imprisoned by the British on the island of St. Helena. He became increasingly withdrawn, surviving on a diet of memories that he recounted to the few people around him. But the book -- part history, part travelogue -- portrays the leader as a prisoner also of his mind, poisoned by nostalgia for his triumphs and grief over his defeats. "A haunting, unforgettable book....Kauffmann captures the desolate atmosphere of Napoleon's last home with evocative precision." -- Boston Globe




The Living Wood


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The author reconstructs the atmosphere of fourth-century Rome in this story of intrigue, romance, and power politics revolving around Helena, mother of Constantine, the first Christian emperor.




Napoleon and Doctor Verling on St Helena


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Many books have been written about St Helena and its most famous resident, the exiled Emperor Napoleon Bonaparte. The episode has been so intensively researched that it is rare for a fresh, unpublished account to come to light. Yet Dr James Verling's St Helena journal is just such a source. Verling was based on St Helena during Napoleon's imprisonment and he was even appointed as Napoleon's official physician. Throughout his stay, this young doctor kept a vivid diary of his experiences. Through Verling's eyes we get a fresh view of daily life on the island and of the suspicion-filled society that grew up around Napoleon during his last years.







Renaissance Drama on the Edge


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Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.




Proceedings


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