Antonin Artaud


Book Description

Discusses Artaud's influence over theatre and investigates why his theories and the questions he asked still reverberate in contemporary culture.




Artaud's Theatre Of Cruelty


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The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.




Cruelty and Desire in the Modern Theater


Book Description

Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only sheds a light on the precise intentions behind Artaud's project, it also maps out the structural parallels and dichotomies between the Theatre of Cruelty and the literary genre of tragedy.




Collected Works


Book Description

Drama. Antonin Artaud is one of the two or three most influential innovators of the twentieth centruy, whose theoried, production ideas along with his writings and plays have broght a new poetic impulse and dynamic intensity to the stage, replacing the naturalistic theatre that preceded his own. In this volume of COLLECTED WORK, we see Artaud's early formulations of his theories on theatre in general, and the genesis of the theatre of cruelty. In particular, the volume contains the famous manifestos of the revolutionary Alfred Jarry Theatre, productions plans, notes and critical articles. Also included is a series of articles on literature and the plastic arts, written during the same period. The variety and humour of such a wide range of work certainly constitutes a fertile source for those seeking a new approach to theatre and its allied arts. Translated and with an introduction by Victor Corti.




The theater and its double


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Artaud on Theatre


Book Description

This revised and updated edition contains all of Artaud's key writings on theatre and cinema from 1921 to his death in 1948, including new selections never before in English. Artaud's ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. One of the great daring mapmakers of consciousness in extremis.-Susan Sontag.




Antonin Artaud’s Alternate Genealogies


Book Description

Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography. In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud. His book will be much appreciated by theatre scholars, Artaud specialists, Freudians, Lacanians and both theorists and practitioners of life writing.




Antonin Artaud's Writing Bodies


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Twentieth-Century European Drama


Book Description

This volume offers critical and theoretical perspectives on some of the major figures in European drama in the twentieth century. There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame. These specially commissioned essays combine contemporary theory with a discussion of the dramatic work of the playwrights who created modern drama in Europe.