The Dramatists Guild Resource Directory


Book Description

The 2008 Dramatists Guild Resource Directory???????????????????????? is the official annual reference for playwrights put out by the Dramatists Guild. This up-to-date directory is the authoritative reference for any serious or casual playwright. It contains a number of useful resources for playwrights, all in one place. This invaluable resource is sure to assist the playwright in many facets, freeing up more time for writing.




The Dramatists Guild Resource Directory, 2012


Book Description

This is the only annual professional reference guide for working playwrights, composers, lyricists and librettists. It is the official reference for the Dramatists Guild and is now available through Focus Publishing to the general playwriting public. It contains listings of programs in playwriting, playwriting opportunities (with dates and addresses) for the calendar year 2012, theaters, and more. New or updated in the 2012 edition: Philanthropic Theatre Opportunities: Giving Back Updated Books on Writing for the Stage: Art, Craft, Theory and Business Independent Bookstores Theatre for Young Audiences Updated Educational Opportunities and MFA programs Special Interest Opportunities: Women Dramatist Also Included: Suggested Formats for Plays and Musicals Career Development Professionals: Accountants, Agents and Attorneys, Commercial Producers, Publishers Career Development Opportunities: Colonies & Residencies, Conferences & Festivals, Contests, Grants & Fellowships, Theaters Educational Opportunities: Colleges and Universities, Workshops Writer Resources: Emergency Funds, Membership & Service Organizations Special Interests: Independent Bookstores, Books on Writing for the Stage Submission Calendar







The Dramatists Guild Resource Directory 2014


Book Description

"The Dramatists Guild Resource Manual" is the only annual publication that contains current resources, listings, theaters, and opportunities for playwrights in America. It is the official publication of the Dramatists Guild of America and is given annually to all members of the guild, but it is also available for sale through Focus.




The Dramatists Guild Resource Directory 2013


Book Description

The Dramatists Guild Resource Manual is the only annual publication that contains current resources, listings, theaters, and opportunities for playwrights in America. It is the official publication of the Dramatists Guild of America and is given annually to all members of the guild, but it is also available for sale through Focus.




The Subversive Copy Editor


Book Description

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.




2018 Dramatists Guild Resource Directory


Book Description

The Dramatists Guild Resource Directory is the only annual professional reference guide for working playwrights, composers, lyricists and librettists. It is the official reference for the Dramatists Guild and contains over 300 pages of listings of theaters, playwriting opportunities, writer resources, programs in playwriting, and more.




The Elements of Playwriting


Book Description

Louis Catron imbued experienced and fledgling playwrights with inspiration, guidance, and a passport to maximizing their writing skills as well as their overall ability to transform written words into a stage production. He understood that being a playwright is more than putting pen to paper. It involves expressing a personal point of view, bringing a vision to life, developing dimensional characters, structuring a play’s action, and finding producers, directors, and actors to bring the work to life. In the second edition Norman Bert infuses the enduring merits of Catron’s original work with examples, technological developments, and trends geared to today’s readers. Bert’s play references are familiar to contemporary students, including examples from plays written since 2000. He includes useful information on web-based research and the electronic submission process. A new chapter focuses on the playwright’s responsibility to lay the groundwork for production elements like casting, design, theatre architecture as it impacts audience–performer relationships, staging modes, and the uses and expectations of stage directions. Also new to this edition are reading resources for delving deeper into topics discussed.