The Draw of the Alps


Book Description

The Alps have exerted a hold over the German cultural imagination throughout the modern period, enthralling writers, artists, philosophers, scientists, and tourists alike. The Draw of the Alps interrogates the dynamics of this fascination. Though philosophical and aesthetic responses to Alpine space have shifted over time, the Alps continue to captivate at an individual and collective level. This has resulted in myriad cultural engagements with Alpine space, as this interdisciplinary volume attests. Literature, photography, and philosophy continue to engage with the Alps as a place in which humans pursue their cognitive and aesthetic limits. At the same time, individuals engage physically with the alpine environment, whether as visitors through the well-established leisure industry, as enthusiasts of extreme sports, or as residents who feel the acute end of social and environmental change. Taking a transnational view of Alpine space, the volume demonstrates that the Alps are not geographically peripheral to the nation-state but are a vibrant locus of modern cultural production. As The Draw of the Alps attests, the Alps are nothing less than a crucible in which understandings of what it means to be human have been forged.




The Draw of the Alps


Book Description

The Alps have exerted a hold over the German cultural imagination throughout the modern period, enthralling writers, artists, philosophers, scientists, and tourists alike. The Draw of the Alps interrogates the dynamics of this fascination. Though philosophical and aesthetic responses to Alpine space have shifted over time, the Alps continue to captivate at an individual and collective level. This has resulted in myriad cultural engagements with Alpine space, as this interdisciplinary volume attests. Literature, photography, and philosophy continue to engage with the Alps as a place in which humans pursue their cognitive and aesthetic limits. At the same time, individuals engage physically with the alpine environment, whether as visitors through the well-established leisure industry, as enthusiasts of extreme sports, or as residents who feel the acute end of social and environmental change. Taking a transnational view of Alpine space, the volume demonstrates that the Alps are not geographically peripheral to the nation-state but are a vibrant locus of modern cultural production. As The Draw of the Alps attests, the Alps are nothing less than a crucible in which understandings of what it means to be human have been forged.




The Alps


Book Description

Presents the history, geography, and ecology of the Alps.







The Alps


Book Description

These remarkable vintage map artworks, both hand drawn and painted, capture the beauty of the Alps more effectively than any camera or computer. As downhill skiing became popular in 20th-century Europe, resorts in the Austrian, German, French, and Swiss Alps commissioned paintings of their ski runs to turn into maps. The best of these paintings are now featured in this book showing the artists' ability to combine technical virtuosity, geographic information, and creative flair. Detailing scenes of the Alpine range from Slovenia to France, each of these images was created by hand from aerial photography, mostly shot by the artists on helicopter rides through the mountains. The paintings themselves cleverly combine multiple perspectives so that all trails, terrain, and mountain features are visible. In these exquisite reproductions, the paintings have been stripped of all references to the ski trails, allowing viewers to focus entirely on the beauty of the colors, composition, and detail. A joy to study and savor, these dramatic and vivid paintings recall a time when the human hand was the best means of translating the Alps' towering beauty to the general public.







The Alps and the Rhine


Book Description

Excerpt from The Alps and the Rhine: A Series of Sketches In the present work I have not designed to make a book of travels, but give a series of sketches of the Alpine portion of Switzerland, and the scenery along the Rhine. In writing of Switzerland, I have omitted almost altogether notices of the character of the people, except of those occupying the valleys of the Alps. Neither have I spoken of the chief cities and towns of the country, except to make a passing remark. I excluded all such matter, because I wished, if possible, to give a definite idea of the scenery of the Alps. Having an unconquerable desire from my boyhood to see the land of Tell and Winkelried, I had read everything I could lay hold of, that would give me clear conceptions of the wonderful scenery it embraces, yet I found that my imagination had never approached the reality. Hoping to do what others had failed in accomplishing, I confess, was the motive in my attempting these sketches. It always seemed strange to me, that such marked, striking features in natural scenery could fail of being caught and described. Such bold outlines, and such distinct figures, it seemed a mere pastime to reproduce before the eye. And even now, of all the distinct things memory recalls, none appear more clear and definite than the scenes of the Alps. But, notwithstanding all this, I need not add that I am as much dissatisfied with my own efforts as with those of others. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Italian Alps


Book Description

Excerpt from Italian Alps: Sketches in the Mountains of Ticino, Lombardy, the Trentino and Venetia I owe a double apology for the publication of this volume; in the first place to the public, secondly to my friends. Mountaineering' has been by this time fully de scribed by very competent writers. No new book is likely to have any chance of rivalling the popularity of the first series of Peaks, Passes, and Glaciers, ' or of the dramatic story of the Matterhorn, as told and illustrated by Mr. E. Whymper. There is no longer the least novelty in the small feats of gymnastics annually performed, or supposed to be performed, by members of the Alpine Club'. Few readers, I think, outside that body of enthusiasts, are eager to hear anything more of guides and glaciers, aretes and séracs, cols, couloirs and crevasses. Such subjects recur more often than I could wish in the following pages. But in attempting to give any adequate picture of a mountain region it is impossible to leave out the snow mountains. My object has been to keep them as far as possible in their proper place in the landscape. I could not, like some tourists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Rockies and the Alps


Book Description

With a feast of visual delights and new insights, this volume reveals how American and European artists from 1830 to the 1870s awoke to the power of mountain scenery, drawing upon a variety of sources to create monumental canvases powerful in national and religious symbolism. It features sixty works by artists including Albert Bierstadt, Alexandre Calame, Thomas Cole, Sanford R. Gifford, and Frederic Church, and photographers Carleton Watkins and Eadweard Muybridge. Katherine Manthorne is professor of Art History at the Graduate Center, CUNY. Tricia Laughlin Bloomis curator of American Art at the Newark Museum.




Book of the Alps


Book Description