Shelburne Essays


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The Nation


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Taming the Chaos


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Alone among artists, poets are at once blessed and burdened by the inherent semantic component and the tarnishing social employment of their linguistic medium. In an effort to define the mysterious and attractive power of poetic discourse, Emerson Marks undertakes a comparison of successive attempts to explain the phenomenon. TAMING THE CHAOS is an ambitious study of poetic language.




Hebrew and Hellene in Victorian England


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Hebrew and Hellene explores the intellectual and personal relations among John Henry Newman, Matthew Arnold, and Walter Pater, three figures important in the development of nineteenth-century English thought and culture. Fundamentally concerned with the humanistic vision of Arnold and Pater, especially as they adapted the traditional religious culture to the needs of their generation, David DeLaura also recognizes Newman's central role. To a far greater degree than has been realized, Newman assumed a commanding position in the thought of the two younger men. DeLaura seeks to define the mechanics of the process by which the conservative religious humanism of Newman could be exploited in the fluid, relativistic, and "aesthetic" humanism of Pater. The careers of Arnold and Pater are viewed as a continuing effort to reconcile the opposing forces of one of the central modern myths, the great cultural struggle between religious and secular values—Arnold's Hebraism and Hellenism. DeLaura traces this important movement in nineteenth-century culture by studying the development of key phrases and ideas in the writings of the three men: the secularization of Newman's ideal of "inwardness" in Arnold's "criticism" and "culture" and in Pater's "impassioned contemplation"; the shared emphasis on an elite culture; the growing tendency to identify culture with the functions of traditional religion. Newman, as the supreme apologist of both religious orthodoxy and the older Oxonian tradition, offered a rich arsenal to the defenders of a literary culture increasingly threatened by the utilitarian spirit (!nd by a rising scientific naturalism. Moreover, with the appearance of his Apologia in 1864, the "mystery" and the "miracle" of Newman's personality intrigued a new literary generation. In Hebrew and Hellene DeLaura looks beyond the debates of the Late Victorians, the immediate inheritors of this legacy, to the continuing twentieth-century discussion of the nature of literature, its place in the humanizing process, and its role in a science-dominated civilization. He finds the problems faced by Pater, Arnold, and Newman—and some of their solutions—surprisingly relevant to unfinished contemporary debate.










Aesthetic Origins


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While it is gaining in academic prominence, discussion of the imagination is too often neglected. Society is dangerously unaware of the intimate relationship between culture and politics, ethics and aesthetics. Challenging this, Jay Patrick Starliper examines the imagination through the lens of the work of Peter Viereck and other likeminded thinkers. The result is a philosophical deconstruction that demonstrates why books are bullets.In 1941, before Nazi barbarism was public knowledge, a young Peter Viereck published Metapolitics: From Wagner and the German Romantics to Hitler. In it, Viereck attacked the diabolical spiritual foundations of National Socialism. He made the ostensibly absurd claim that a certain shade of romanticism was the ethical foundation of a German revolt against decency. According to Viereck, Nazism was the culmination of over a century and a half of bad culture, the result of an idyllic imagination. Starliper warns that the same diseased imagination that culminated in gas chambers and guillotines is subtly affecting the way millions of people view the world today and that, without the inspiration of an elevated aesthetic, civilization will not survive.In the spirit of Edmund Burke and Irving Babbitt, Viereck's insight into the ethical and political force of aesthetics provides a much needed critique of contemporary civilization.




Rousseau and Romanticism


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