The dual heritage of Joseph Conrad


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The Dawn Watch


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“Enlightening, compassionate, superb” —John Le Carré Winner of the 2018 Cundhill History Prize A New York Times Book Review Notable Book of 2017 One of the New York Times 100 Notable Books of 2017 A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.




The French Face of Joseph Conrad


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A large-scale account of Conrad's extensive involvement with the French literary tradition, Yves Hervouet's book is a milestone in our understanding of his work. It will have a major impact on Conrad scholarship and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.




Joseph Conrad: Betrayal and Identity


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Through attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.




Conrad and Religion


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Karain: A Memory


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You will love Joseph Conrad's disturbing and harrowing tale of European colonialism. The author of Heart of Darkness does not shy away from its ugly truths and paints imperialism's horrific nature in glorious and terrifying natural and visceral imagery.




The Life and the Art


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The Life and the Art: A Study of Conrad's Under Western Eyes has a twofold origin. Over the past ten years, as an associate editor of the prospective Cambridge Edition of Under Western Eyes, the author, Keith Carabine, has worked on the genesis and composition of the novel in its several versions and on its literary, ideological, social, and historical contexts. At the same time during these years he has taught seminar courses on Conrad for undergraduates and on Conrad and Dostoevsky for postgraduates. This interpenetration of teaching and research constantly reminded the author that his many hours devoted to textual minutiae and manuscript variations or to a study of Conrad's Polish background should result not only in a scholarly edition of the novel in a book that will demonstrate the ways in which Conrad's life and his protracted, uncertain composition of the Under Western Eyes enrich his art; and the title of this book deliberately invokes Conrad's belief in the inseparability of the art and the life. This study's six chapters concentrate in different ways and with differing emphases on the complex inter-relations between the art and the life, on the intersections between Conrad's personal preoccupations, fictional aesthetic, and working practices with regard to what he described as without doubt ... the most deeply meditated novel that came from under my pen.




Heart of Darkness "Annotated"


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Joseph Conrad (born Teodor Józef Konrad Korzeniowski, 3 December 1857 - 3 August 1924) was a Polish-born novelist. Some of his works have been labelled romantic: Conrad's supposed "romanticism" is heavily imbued with irony and a fine sense of man's capacity for self-deception. Many critics regard Conrad as an important forerunner of Modernist literature. Conrad's narrative style and anti-heroic characters have influenced many writers, including Ernest Hemingway, D.H. Lawrence, Graham Greene, Joseph Heller and Jerzy Kosiński, as well as inspiring such films as Apocalypse Now (which was drawn from Conrad's Heart of Darkness).




Lord Jim


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Published in 1900, Conrad’s Lord Jim can in many ways be seen as the first ‘modern’ novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad’s masterpiece. John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad’s writing. It also considers the novel’s technical innovations, including Conrad’s ‘impressionism’ and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel’s critical reception since its first publication. This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad’s place in the development of modern fiction.