The Dunes Hotel and Casino: The Mob, the connections, the stories


Book Description

"The intent behind this book is to record classic Las Vegas history that would be lost forever if not memorialized." The Dunes operation was a spectrum of information that is intricate and mysterious at times, protected by a shroud of secrecy and intrigue that is virtually impossible to decipher. It featured different operators and Mob characters who, at various times in the history of the hotel, were involved in various ventures, including gambling, bookmaking, real estate investment, and many other business arrangements. There are more than 390 footnotes and an index. I have been working on this book for almost four years, which included many hours of research and the development of a timeline. My research helped bring forth answers to questions regarding notable gambling operators, Mafia chiefs, U.S. Senators, Governors, and memorable events. One such event solves a mystery of a bomb assassination plot and a shooting; politicians were compromised, Hoffa pulled strings, and there are heretofore undisclosed facts that involve President Kennedy's assassination. I never dreamed these details would ever be uncovered.




The Prince of Providence


Book Description

COP: “Buddy, I think this is a whorehouse.” BUDDY CIANCI: “Now I know why they made you a detective.” Welcome to Providence, Rhode Island, where corruption is entertainment and Mayor Buddy Cianci presided over the longest-running lounge act in American politics. In The Prince of Providence, Pulitzer Prize–winning journalist Mike Stanton tells a classic story of wiseguys, feds, and politicians on a carousel of crime and redemption. Buddy Cianci was part urban visionary, part Tony Soprano—a flawed political genius in the mold of Huey Long and James Michael Curley. His lust for power cost him his marriage, his family, and close friendships. Yet he also revitalized the city of Providence, where ethnic factions jostle with old-moneyed New Englanders and black-clad artists from the Rhode Island School of Design rub shoulders with scam artists from City Hall. For nearly a quarter of a century, Cianci dominated this uneasy melting pot. During his first administration, twenty-two political insiders were convicted of corruption. In 1984, Cianci resigned after pleading guilty to felony assault, for torturing a man he suspected of sleeping with his estranged wife. In 1990, in a remarkable comeback, Cianci was elected mayor once again; he went on to win national acclaim for transforming a dying industrial city into a trendy arts and tourism mecca. But in 2001, a federal corruption probe dubbed Operation Plunder Dome threatened to bring the curtain down on Cianci once and for all. Mike Stanton takes readers on a remarkable journey through the underside of city life, into the bizarre world of the mayor and his supporting cast, including: • “Buckles” Melise, the city official in charge of vermin control, who bought Providence twice as much rat poison as the city of Cleveland, which was at the time four times as large, and wound up increasing Providence’s rat population. During a garbage strike, Buckles sledgehammered one city employee and stuck his thumb in another’s eye. Cianci would later describe this as “great public policy.” • Anthony “the Saint” St. Laurent, a major Rhode Island bookmaker and loan shark, who tried to avoid prison by citing his medical need for forty bowel irrigations a day, thus earning himself the nickname “Public Enema Number One.” • Dennis Aiken, a celebrated FBI agent and public corruption expert, who asked to be sent to “the Louisiana of the North,” where he enlisted an undercover businessman to expose the corrupt secrets of Cianci’s City Hall. The Prince of Providence is a colorful and engrossing account of one of the most tragicomic figures in modern American life—and the city he transformed.




Las Vegas Babylon


Book Description

What happens in Vegas doesn't necessarily stay in Vegas and the proof is in this lively and entertaining compilation of stories chronicling decades of decadence, celebrity shenanigans, and political corruption, as well as the glitz and glamour of the casinos that pass for everyday life in Las Vegas. Underneath the city's present success lies many infamous tales of excess and debauchery. Using new information from recently released FBI documents, Jeff Burbank brings to life the Vegas mob in its heyday, recounting never-before-heard tales of the mobsters who made Vegas what it is today. But mobsters aren't the only ones with skeletons in Las Vegas' closet. Over the years, Hollywood stars have had their share of the limelight. Burbank has uncovered the many fateful, and often amusing, incidents that have befallen the glamorous and here he recalls the details of the darkest moments in the lives of the famous and foolish: Marilyn Monroe's quickie divorce; boxer Sonny Liston's secret heroin deal just before his death; The Doors singer Jim Morrison's arrest for fighting on the Strip; and the hookers who trick-rolled comedian Tommy Smothers in his hotel room. With fast-paced and entertaining prose, Burbank captures the true stories from Las Vegas' seedy underbelly that have led to America's 100-year fascination with the aptly named Sin City.




At the Sands: The Casino That Shaped Classic Las Vegas, Brought the Rat Pack Together, and Went Out With a Bang


Book Description

The lights are coming down. Frank, Dean, and Sammy are about to take the stage. This is the moment we remember, when Las Vegas became classic. And it was at the Sands. Built in 1952 over the ashes of Hollywood Reporter publisher Billy Wilkerson's last chance in Las Vegas, the Sands was a collective effort. Underworld figures like Meyer Lansky, Doc Stacher, and Frank Costello provided the cash. Beloved Texas gambler Jake Freedman was the public face. Manhattan nightclub king Jack Entratter kept the Copa Room filled and made the party happen, every night. Carl Cohen, esteemed as the greatest casino manager in the history of the business, made the team complete.No matter how well your casino is run, you need a good hook to get the gamblers through the door. Casino owners were learning that entertainment was a pretty fair hook. Entratter, who broke into the entertainment business as a bouncer at the Stork Club, had risen to become manager of the Copacabana, one of Manhattan's hottest hot spots, before heading to Las Vegas. At the Sands, "Mr. Entertainment" brought many of the brightest stars of the day to the casino's showroom, named the Copa Room. The Copa was the hottest ticket in America and, for performers, one of the most coveted stages in the nation. Headlining at the Sands-or even opening there-meant that you had made it.For gamblers, the Sands was paradise. For tourists, it was a chance to see some sophistication-and maybe run into a famous singer or actor. The resort itself became a celebrity. Early on, the Sands hosted numerous radio and television broadcasts, bringing the casino into American households coast to coast when gambling was still not entirely reputable. Las Vegas is a city built on public relations, and the Sands' Al Freeman was one of its early masters.The Sands did more than showcase stars: it made them shine brighter. In 1960, while filming Ocean's 11, the Rat Pack (though they were never called that in those days) came together onstage at the Sands, creating a cultural icon that would define the era. Behind the scenes, Davis and Sinatra resisted the prevailing segregationist mindset of Las Vegas and helped to overturn Jim Crow on the Strip. With Sinatra as its star, the Sands reached its highest point, hosting everyone from John F. Kennedy to Texas oilmen to Miami bookmakers.Yet the Sands wasn't all comps and curtain calls. Behind the scenes, the casino's connection with reputed mobsters made it a target. For years, the FBI tried to penetrate the casino, including a disastrous wiretapping operation that turned into a public embarrassment for the Bureau. And Frank Sinatra-at one point a 10 percent owner of the Sands-would divest his interests after a highly-publicized feud with Nevada gaming regulators over his friendship with alleged Chicago mob kingpin Sam Giancana.thanksAfter Howard Hughes bought the Sands in 1967 (with Frank Sinatra explosively departing soon after) the Sands lost some of its allure, but the casino soldiered on under Hughes and other owners before being sold to Sheldon Adelson, who closed the property in 1996 to make way for the Venetian mega-resort, along the way doing for conventions what Jack Entratter had done for entertainment in Las Vegas four decades earlier.In the end, the Sands went out with a bang-an implosion that brought down its hotel tower. It had a wild 44 year run. Along the way, a host of characters, including the Rat Pack (and their many friends) in all their glory, author Mario Puzo, Apollo astronauts, wealthy arms dealer Adnan Khashoggi, and President Ronald Reagan passed through the Sands' doors.At the Sands tells the story of how one of the most fondly remembered classic Las Vegas casinos beat the odds to become a success, staged some of the Strip's most memorable spectaculars, and paved the way for the next generation of Las Vegas resorts. The Sands may be gone, but it did not fade away.




The Strip


Book Description

The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.




Elvis in Vegas


Book Description

*The inspiration for the CNN original series Vegas: The Story of Sin City* “Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.




Boardwalk of Dreams


Book Description

During the first half of the twentieth century, Atlantic City was the nation's most popular middle-class resort--the home of the famed Boardwalk, the Miss America Pageant, and the board game Monopoly. By the late 1960s, it had become a symbol of urban decay and blight, compared by journalists to bombed-out Dresden and war-torn Beirut. Several decades and a dozen casinos later, Atlantic City is again one of America's most popular tourist spots, with thirty-five million visitors a year. Yet most stay for a mere six hours, and the highway has replaced the Boardwalk as the city's most important thoroughfare. Today the city doesn't have a single movie theater and its one supermarket is a virtual fortress protected by metal detectors and security guards. In this wide-ranging book, Bryant Simon does far more than tell a nostalgic tale of Atlantic City's rise, near death, and reincarnation. He turns the depiction of middle-class vacationers into a revealing discussion of the boundaries of public space in urban America. In the past, he argues, the public was never really about democracy, but about exclusion. During Atlantic City's heyday, African Americans were kept off the Boardwalk and away from the beaches. The overly boisterous or improperly dressed were kept out of theaters and hotel lobbies by uniformed ushers and police. The creation of Atlantic City as the "Nation's Playground" was dependent on keeping undesirables out of view unless they were pushing tourists down the Boardwalk on rickshaw-like rolling chairs or shimmying in smoky nightclubs. Desegregation overturned this racial balance in the mid-1960s, making the city's public spaces more open and democratic, too open and democratic for many middle-class Americans, who fled to suburbs and suburban-style resorts like Disneyworld. With the opening of the first casino in 1978, the urban balance once again shifted, creating twelve separate, heavily guarded, glittering casinos worlds walled off from the dilapidated houses, boarded-up businesses, and lots razed for redevelopment that never came. Tourists are deliberately kept away from the city's grim reality and its predominantly poor African American residents. Despite ten of thousands of buses and cars rolling into every day, gambling has not saved Atlantic City or returned it to its glory days. Simon's moving narrative of Atlantic City's past points to the troubling fate of urban America and the nation's cultural trajectory in the twentieth century, with broad implications for those interested in urban studies, sociology, planning, architecture, and history.




The Magic of Jimmy Grippo


Book Description




Drugs, Oil, and War


Book Description

Peter Dale Scott's brilliantly researched tour de force illuminates the underlying forces that drive U.S. global policy from Vietnam to Colombia and now to Afghanistan and Iraq. He brings to light the intertwined patterns of drugs, oil politics, and intelligence networks that have been so central to the larger workings of U.S. intervention and escalation in Third World countries through alliances with drug-trafficking proxies. This strategy was originally developed in the late 1940s to contain communist China; it has since been used to secure control over foreign petroleum resources. The result has been a staggering increase in the global drug traffic and the mafias associated with it_a problem that will worsen until there is a change in policy. Scott argues that covert operations almost always outlast the specific purpose for which they were designed. Instead, they grow and become part of a hostile constellation of forces. The author terms this phenomenon parapolitics_the exercise of power by covert means_which tends to metastasize into deep politics_the interplay of unacknowledged forces that spin out of the control of the original policy initiators. We must recognize that U.S. influence is grounded not just in military and economic superiority, Scott contends, but also in so-called soft power. We need a 'soft politics' of persuasion and nonviolence, especially as America is embroiled in yet another disastrous intervention, this time in Iraq.




Lost Las Vegas


Book Description

Lost Las Vegas traces the cherished places in the city that time and the brutal forces of economics have swept aside before the National Register of Historic Places could save them from the wrecker's ball or, in the case of Las Vegas, before the Neon Boneyard can claim them.Organised chronologically starting with the earliest losses and ending with the latest, the book details the many hotels and casinos that failed to move with the times and got swept away for something bigger, better and brighter.Legendary names in the field of entertainment have come and gone - the Sands hotel featured many of the rapack in residence, but the casino is long gone. Howard Hughes and the mob featured heavily in Vegas history but neither could sustain their success for very long. Today, it is the showgirl who is under threat. That Vegas institution is under threat from the big setpiece shows such as Cirque du Soleil.Losses include: Arizona Club, El Portal Theater, Clark County Courthouse, Hotel Nevada, First State Bank, Las Vegas Rail depot, El Dorado Club, Old Ice House, Atomic Tourism, Helldorado on Fremont Street, The Green Shack, El Rancho Vegas, Hotel Last Frontier, Desert Inn, Sands, Sahara, The Thunderbird, The Mint, Royal Nevada, Stardust, Showboat, Hotel Biltmore, Dunes, Hacienda, Moulin Rouge, Tally Ho, Paddlewheel/Debby Reynold’s. Silver Slipper, Tam O’Shanter, Bonanza, Boardwalk Casino, Old Las Vegas Convention Center, Landmark Hotel, Aladdin, La Concha, Westward Ho!, Castaways