Girls Will Be Boys


Book Description

2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.




Women and Mixed Race Representation in Film


Book Description

This book uses a black/white interracial lens to examine the lives and careers of eight prominent American-born actresses from the silent age through the studio era, New Hollywood, and into the present century: Josephine Baker, Nina Mae McKinney, Fredi Washington, Lena Horne, Dorothy Dandridge, Lonette McKee, Jennifer Beals and Halle Berry. Combining biography with detailed film readings, the author fleshes out the tragic mulatto stereotype, while at the same time exploring concepts and themes such as racial identity, the one-drop rule, passing, skin color, transracial adoption, interracial romance, and more. With a wealth of background information, this study also places these actresses in historical context, providing insight into the construction of race, both onscreen and off.




A Gentleman and a Thief


Book Description

Catch Me If You Can meets The Great Gatsby meets Cary Grant in To Catch a Thief in this captivating Jazz Age true-crime caper about "the greatest jewel thief who ever lived" (Life Magazine), Arthur Barry, who charmed celebrities and millionaires—everyone from Rockefellers to members of the royal family—while simultaneously planning and executing the most audacious and lucrative heists of the 1920s. “A master of narrative nonfiction. In this mesmerizing tale about a Jazz Age gentlemanly thief, Jobb has found his own perfect jewel.” ―DAVID GRANN, #1 New York Times bestselling author of The Wager and Killers of the Flower Moon “An enthrallingly propulsive, unpredictably twisty biography of one of the most fascinating criminals of the 20th Century. I was hooked from the very first heist.” ―MICHAEL FINKEL, New York Times bestselling author of The Art Thief and The Stranger in the Woods A skilled con artist and one of the most successful burglars in history, Arthur Barry was adept at slipping in and out of bedrooms undetected, even when his victims slept only inches away. He became a folk hero, a gentleman bandit touted in the press as the “Prince of Thieves” and an “Aristocrat of Crime.” Think Cary Grant in To Catch a Thief. In a span of seven years, Barry stole pearls, diamonds, and other precious gems worth almost $60 million today. Among his many victims were a Rockefeller, an heiress to the Woolworth Department Store fortune, an oil magnate, Wall Street bigwigs, a top executive of automotive giant General Motors, and a famous polo player. He befriended the Prince of Wales, Harry Houdini, and other luminaries. The rollicking, caper-filled rise and dramatic downfall of this master thief is a high-speed ride told in stylish prose. A Gentleman and a Thief is also a love story. Barry confessed to dozens of burglaries to protect his wife, Anna Blake (and was the prime suspect in scores of others on Long Island and across Westchester County). Sentenced to a twenty-five-year term, he staged a dramatic prison break—triggering a bloody inmates' riot—when Anna became seriously ill, so they could be together for a few more years as fugitives. Page-turning, escapist, and sparkling with insight into the allure of gemstones and our fascination with well-planned heists and the suave, clever criminals who pull them off, A Gentleman and a Thief is perfect for true crime fans who relish the exploits of con artists and high-class crooks.




Claire Trevor


Book Description

Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.




The Forrest J Ackerman Oeuvre


Book Description

Although he is most remembered for his vast collection of science fiction memorabilia; his influential magazine, Famous Monsters of Filmland; and his frequent sci-fi convention appearances, Forrest J Ackerman (1916-2008) also left a sizeable body of work in print. An introductory biographical section traces Ackerman's early enthusiasm for pulp magazines and film productions of a fantastic nature, his rise to prominence in "fandom," his acquisition of memorabilia, his work as a literary agent, the founding of his landmark magazine in 1958, and his friendship with a number of performers and personnel from genre films. The extensive bibliography includes listings of books, published letters, articles, fiction, verse, speeches, screenplays, comics, discography, liner notes, and periodicals edited and published by Ackerman. A thorough filmography, a selected listing of nationally televised appearances, and rare photographs of Ackerman throughout his lifetime complete this definitive catalog of one of science fiction's most interesting personalities.




The Plot to Perpetuate Slavery


Book Description

In the aftermath of the September 1862 Battle of Antietam, President Abraham Lincoln issued the most significant presidential decree in American history, the Emancipation Proclamation, which would forever free all slaves in territory not under Union control. Nevertheless, his chief military commander in the field, Major General George B. McClellan, was outraged. Within days, two former Union officers nefariously crossed the lines into rebeldom, an initiative resulting in an elaborate subterfuge to scam Lincoln into withdrawing the Proclamation in return for nebulous promises of peace. This book tells the story, obscured in a veil of secrecy for 150 years, of the cloak and dagger chess match between Union detectives and Southern operatives in the months before emancipation become effective. Despite an ominous warning by author Herman Melville five years before, the scheme to perpetuate slavery almost succeeded, for it was engineered by a man the National Police Gazette once declared the "King of the Confidence Men."




The Color Revolution


Book Description

A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford's all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting—not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.







American Paintings


Book Description