Early American Pattern Glass


Book Description

The Early American Pattern Glass Society, with the help of a committee of eight experienced pattern glass collectors and dealers from across the United States, has completely reviewed and revised the content of this wonderful book originally compiled in the 1950s and 1960s by Alice Hulett Metz. Considered by many collectors as the "Bible" of collecting, Metz's Early American Pattern Glass has been dubbed the "only book needed to buy, sell, or collect." Nine hundred black and white photographs of approximately 1,500 patterns from Aberdeen to Zephyr are shown. Clear pictures, authoritative reproduction information, uses, rarities, bargain patterns, plate numbers from standard texts, and accurate indexing are provided. The original format and commentary have been left intact, and updated information has been supplied where appropriate. Collectors will be pleased with the resurrection of this essential guide to early American pattern glass.




Early American Pattern Glass


Book Description

Covers nearly 350 patterns for Pattern Glass pieces with alternate names, original production numbers, and reproduction information. Features more than 20,000 listings with detailed descriptions including size, inscriptions, color, appearance, dates, and values.




American Glass


Book Description

"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.




Glass in Early America


Book Description

This study of 17th-, 18th- and 19th-century American glass is based upon the Henry Francis du Pont collection in the Winterthur Museum. Categories include ornamental vases, lighting devices and bottles. Most objects are shown life-size and each carries a physical description and brief history.




Collector's Guide to American Pressed Glass, 1825-1915


Book Description

Provides an overview of the history of American pressed glass, offers advice on collecting, storing, and displaying pressed glass, and looks at representative pieces and patterns




Early American Pattern Glass Cake Stands & Serving Pieces


Book Description

This is the first book on identifying Early American Pattern Glass cake stands. It features 1,150 photographs, mostly color, of cake plates and their pedestals, as well as descriptions of the patterns themselves. Its easy-to-use format presents pattern names listed alphabetically by popular name. Measurements, colors, stains or decorations, dates made, manufacturers' names, and values are included. The index reflects all known names with the popular name listed in bold print. Included are 465 patterns from Actress to Zipper Cross, plus 29 that are unidentified, and 64 manufacturers dating from 1872: Cambridge, Fostoria, Heisey, Riverside, U.S. Glass, and others, and misconceptions about U.S. Glass patterns are clarified. 2009 values.




In the Looking Glass


Book Description

The evolving technology of the looking glass -- First glimpses : mirrors in seventeenth-century New England -- Looking glass ownership in early America -- Reliable mirrors and troubling visions : nineteenth-century white -- Understandings of sight -- Fashioning whiteness -- Mirrors in black and red -- Epilogue







Art Market Research


Book Description

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.




Makers


Book Description

Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.