Early Modern English Poetry


Book Description

This text features 28 essays written by important international scholars on the major poems of the English Renaissance. It offers scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire, to women's religious verse, the place of homoeroticism and Cavalier poetry.




Here's A Little Poem


Book Description

This exuberant celebration of poetry is an essential book for every young one’s library and a gorgeous gift to be both shared and treasured. Sit back and savor a superb collection of more than sixty poems by a wide range of talented writers, from Margaret Wise Brown to Gertrude Stein, Langston Hughes to A. A. Milne. Greeting the morning, enjoying the adventures of the day, cuddling up to a cozy bedtime — these are poems that highlight the moments of a toddler’s world from dawn to dusk. Carefully gathered by Jane Yolen and Andrew Fusek Peters and delightfully illustrated by Polly Dunbar, Here's a Little Poem offers a comprehensive introduction to some remarkable poets, even as it captures a very young child’s intense delight in the experiences and rituals of every new day.




Rebellion in Rhyme


Book Description

Early poetry of John Henrik Clarke originally published in the 1950s




Early Poems


Book Description

Fine selection of early verse by influential ("no ideas but in things") American poet includes "Peace on Earth," "Willow Poem," "Queen-Anne's-Lace," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Portrait of a Lady," "The Widow's Lament in Springtime," many more.




Early Poems


Book Description

A treasure for Edna St. Vincent Millay fans — and anyone who loves poetry. The collection includes the complete selection of poems from her first three books: Renascence and Other Poems, A Few Figs from Thistles, and Second April.




The Mooring Of Starting Out


Book Description

Most critics would agree that John Ashbery is one of 20th-century American poetry's finest voices. Perhaps his most admired book is Self-Portrait in a Convex Mirror, a culmination of themes, styles, and forms with which the poet experimented over the course of two decades. Now, the poet's devoted readers can trace his development through the first five books of his poetry, collected here in one handy volume. The Mooring of Starting Out represents Ashbery's work from 1956 through 1972, comprising Some Trees, his first book; The Tennis Court Oath, written while he was living in Paris.




The Poetry of the Early Tang


Book Description

Originally published to great acclaim by Yale University Press, this volume offers the full original text with the following features: Older Wade-Giles transliteration fully updated and revised to the current Pinyin standard, fully re-typeset and proofed for typographical errors and inconsistencies, and a new expanded Index.




Early Works


Book Description

Dylan Steven Geick is an 18 year old from Chicago committed to both athletics and the arts in equal measure. He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.




Early Poems


Book Description




Country Music


Book Description

A compilation of powerful and moving poems from early in the poet's career. Co-winner of the 1983 National Book Award for Poetry, Country Music is comprised of eighty-eight poems selected from Charles Wright's first four books published between 1970 and 1977. From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.