Texas Vision


Book Description

This catalogue is occasioned by the first exhibition of the ground-breaking art collection of Nona and Richard Barrett of Dallas, on display November 21, 2004 - January 30, 2005 at the Meadows Museum. The Barretts’ collection is one of the best in the Southwest, featuring Texas art and that of Switzerland. The volume contains 95 color plates of works in their collection and another 23 black and white photographs of other works referenced in the essays. Richard R. Brettell’s brilliant essay, "Provincial Cosmopolitanism” (describing Swiss art and its analogues in Texas art), and Michael Ennis's "Texas Visions: Through the Looking Glass of History" (describing the history of an indigenous Texas art) anchor the volume, which also contains an appreciation of the Barretts as his patrons by Texas artist Bill Komodore, a member of the SMU Meadows art faculty, and an essay by Kate Sheerin, associate curator of the exhibition, who grapples with a definition of Texas art. In addition, the volume contains brief biographies of 126 Texas artists and 7 Swiss and European artists.







Art for History's Sake


Book Description

The book is an encyclopedia of early artists from 1840-1940 who had a Texas influence. The book provides a strong reference section, bibliography section and is well foot-noted. If you collect Texas Art, this book is a must, especially for the price. One drawback is that except for the feature plates in the beginning of the book, all others are in black and white.







The Art of Texas


Book Description

Critic Michael Ennis stated twenty-five years ago that there has never been more than a cursory overview of Texas art from the nineteenth century to the present. The Art of Texas: 250 Years now tells a deeper story, beginning with Spanish colonial paintings and moving through two and a half centuries of art in Texas. By the twentieth century, most Texas artists had received formal training and produced work in styles similar to European and other American artists. Written by noted scholars, art historians, and curators, this survey is the first attempt to analyze and characterize Texas art on a grand scale.




Making the Unknown Known


Book Description

In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.




Dictionary of Texas Artists, 1800-1945


Book Description

Presents an alphabetical listing of artists who have lived, worked, and exhibited in Texas between 1800 and 1945; features color reproductions of one or more of each artist's works; and includes tables of the major exhibitions and competitions in Texas during the late nineteenth and early twentieth century.




Smashing Statues: The Rise and Fall of America's Public Monuments


Book Description

A leading expert on the past, present, and future of public monuments in America. An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? Which ones should stay up and which should come down? Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues. She lays bare the turbulent history of American monuments and its abundant ironies, from the enslaved man who helped make the statue of Freedom that tops the United States Capitol, to the fervent Klansman fired from sculpting the world’s largest Confederate monument—who went on to carve Mount Rushmore. And she explores the surprising motivations behind contemporary flashpoints, including the toppling of a statue of Columbus at the Minnesota State Capitol, the question of who should be represented on the Women’s Rights Pioneers Monument in Central Park, and the decision by a museum of African American culture to display a Confederate monument removed from a public park. Written with great verve and informed by a keen sense of American history, Smashing Statues gives readers the context they need to consider the fundamental questions for rebuilding not only our public landscape but our nation as a whole: Whose voices must be heard, and whose pain must remain private?