The Reign of Louis XIV


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Corps and Clienteles


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"This title was first published in 2003. Few historians would deny that Louis XIV's France dominated the political, cultural and military landscape of late seventeenth century Europe. Yet, the financial foundations on which French hegemony were based remain open to question. Traditionally the regime has been viewed as the archetypal centralizing monarchy in which warfare was the main motor driving reform. Yet recent research has pointed to a more subtle interpretation in which power was negotiated and interests balanced between the crown and members of the elite. Corps and Clienteles offers a unique approach to this debate by focusing on the intersection between institutions and personal relationships in the financial strategies surrounding Louis XIV's final two wars. It argues that, in appealing to the elite for financial support to wage war, Louis in return stabilised many of the structures on which the elite stood, entrenched elements of privilege throughout the political landscape, and devolved power to provincial institutions. Especially with the participation of privileged corps as financial intermediaries, the politics of war finance in the last twenty five years of Louis' reign profoundly influenced the direction in which absolutism developed through the remainder of the Old Regime. The book situates the period 1688 to 1715 as a crucial stage in the development of absolutism; tying the choices available to Louis XIV with the structures and institutions that he inherited from his predecessors, while setting his approach apart. By also measuring the impact of financial negotiations between crown and corps on the later state, it is argued that absolutism under Louis was neither ossified nor in crisis, as the latter half of his reign is often described, but rather dynamic and flexible as it sought to meet the financial costs of warfare."--Provided by publisher.




The Sun King at Sea


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This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.




Cultivated Power


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Cultivated Power explores the collection, cultivation, and display of flowers in early modern France at the historical moment when flowering plants, many of which were becoming known in Europe for the first time, piqued the curiosity of European gardeners and botanists, merchants and ministers, dukes and kings. Elizabeth Hyde reveals how flowers became uniquely capable of revealing the curiosity, reason, and taste of those elite men who engaged in their cultivation. The cultural and increasingly political value of such qualities was not lost on royal panegyrists, who seized upon the new meanings of flowers in celebrating the glory of Louis XIV. Using previously unexplored archival sources, Hyde recovers the extent of floral plantations in the gardens of Versailles and the sophisticated system of nurseries created to fulfill the demands of the king's gardeners. She further examines how the successful cultivation of those flowers made it possible for Louis XIV to demonstrate that his reign was a golden era surpassing even that of antiquity. Cultivated Power expands our knowledge of flowers in European history beyond the Dutch tulip mania, and restores our understanding of the importance of flowers in the French classical garden. The book also develops a fuller perspective on the roles of gender, rank, and material goods in the age of the baroque. Using flowers to analyze the movement of culture in early modern society, Cultivated Power ultimately highlights the influence of curious florists on the taste of the king, and the extension of the cultural into the realm of the political.




Louis XIV and Absolution


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The Cambridge Companion to French Music


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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.