The Beadle Collection of Dime Novels


Book Description

The Beadle Collection of Dime Novels is a huge listing of which books fell into the "dime novel" category. One finds names and authors and data about publication, all neatly classified for anyone who wishes to find any favorite book.







Certainty and Ambiguity in Global Mystery Fiction


Book Description

Mystery fiction as a genre renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold. In contrast to other volumes which examine morality in crime fiction through the lenses of personal guilt and personal justice, Certainty and Ambiguity in Global Mystery Fiction analyzes the effect of moral imagination on the moral structures implicit in the genre. In recent years, public awareness has attended to the relationship between social structures and justice, and this collection centers on how personal ethics and social ethics are bound together amidst the shifting moral landscapes of mystery fiction. Contributors discuss the interplay between personal guilt and social guilt – considering morality and justice on an individual level and at a societal level – using frameworks of certainty and ambiguity. They show how individual characters in works by Agatha Christie, Gabriel García Márquez, Natsuo Kirino, F.H. Batacan, and Stephen King, among others, may view their moral standing with certainty but clash with the established mores of their culture. Featuring essays on Japanese, Filipino, Indian, and Colombian mystery fiction, as well as American and British fiction, this volume analyzes social guilt and justice across cultures, showing how individuals grapple with the certainty, and, at times, the moral ambiguity, of their respective cultures.







The Whole Story


Book Description

This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.




The Art of Alibi


Book Description

In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London