The Effects of Learning Tonal Harmonic Function on the Sight Singing Skill of High School Students


Book Description

Abstract: Sight singing has long been a challenge for performing choral ensembles. Sight singing is defined as the ability to reproduce music symbols vocally at first sight by converting them into actual pitch sounds. Using the movable do system has provided many teachers with a method with which to teach sight singing in a choral setting. However, although many students have success with the movable do system there are still many strides to make in the teaching of sight singing. Prior research has suggested that students perform sight singing exercises more successfully with the addition of harmonic accompaniment to traditional movable do exercises. It has been hypothesized that knowledge of tonal harmonic function would improve students chances of sight singing success. This experiment was designed to teach twenty-six high school students using two different methods of instruction. Both groups received traditional sight singing instruction using movable do solfege and harmonic accompaniment. The treatment group received additional instruction in the form of tonal harmonic theory. Students were randomly assigned to each group and performed a pretest consisting of eight measures written in common time. Students then received ten weeks of instruction, consisting of two lessons a week for twenty minutes each lesson. At the conclusion of the instruction students performed a posttest similar to the pretest. After the experiment was concluded, two independent evaluators judged the pretests and posttests. Evaluators listened to tapes of the students' pretest and posttest performances and judged the number of pitches sung correctly by each student. There was no significant difference between groups on either the pretest or the posttest. However, when the groups were combined, there was a significant difference between the pretest and posttest performances.




Choral Pedagogy, Third Edition


Book Description

Choral Pedagogy, Third Edition, is the ideal text for voice teachers, choral conductors, church musicians, and professional and amateur singers who wish to develop strategies for lifelong singing. It concisely and clearly presents the principles of voice pedagogy from the perspective of both conducting and voice science in a user-friendly fashion, including helpful charts and simple anatomic diagrams. In addition, it offers teaching methods from history and philosophy, medical and voice science, and pedagogical concepts from active musical experts. Special attention is given to the needs of amateur singers and conductors. Topics covered include choral diction, posture and seating, rehearsal practices, and matters of vocal health. For the third edition, the authors have completely revised the text, updating the medical information and expanding the exercises. They have also added three new chapters: A chapter entitled "Singing in the 21st Century" that considers the vocal/choral demands of the choral repertoire being written in this century.A chapter on teaching young boys to sing written by Vic Oakes, the conductor of the Chattanooga Boys Choir.A chapter entitled "The Value of Lifelong Singing." With its updates and additions, Choral Pedagogy, Third Edition, is a valuable resource for students of choral conducting, music education, church music, and choral singing.




Vocal Health and Pedagogy


Book Description

Now in one convenient volume, Vocal Health and Pedagogy: Science, Assessment, and Treatment, Third Edition answers every question you've ever had about the voice, from the physics of sounds, to vocal technique, to medications, to performance anxiety. It presents anatomical, physiological, and neurological considerations, as well as covers critical issues related to patient history, laryngeal function, the physical examination, and historical perspectives of vocal pedagogy. The first part of the book introduces basic concepts of voice science, assessment, and training. It focuses on the science behind the common problems that afflict voice users and enables understanding of the medical approach to problem analysis. The second part of the book contains additional information on the specific health and performance conditions that affect the voice and their assessment and treatment. It considers the medical and nonmedical issues affecting the human voice, including diagnosis and treatment of voice problems, the effects of physical injury, posture, pollutants and irritants, psychological effects, voice therapy, medication, and more. New to this edition: New chapters on topics such as pedagogy for children, the importance of studying music, laryngeal issues involving wind instrument performance, high-speed digital imaging, the evolution of technology, pediatric voice disorders, thyroid disorders, the vocal effects of birth control medications, and autoimmune disorders.Many chapters have been extensively revised to update previous content and add new information on material such as choral pedagogy for geriatric singers, World Trade Center syndrome, and laryngeal effects of asbestos exposure.Chapters on medications for performers have been revised to delete medications no longer used frequently and to add various medications and drug classes that were not included previously, as well as information on alternative and complementary medicines.References have been updated throughout to include discussion of new studies and a review of the latest literature, while also retaining the classic literature.Includes the most recent practices and techniques, the latest information on surgical and adjunctive therapy, and important changes in criteria and strategy. Vocal Health and Pedagogy: Science, Assessment, and Treatment, Third Edition is ideal for courses in vocal pedagogy and speech-language pathology. Additionally, it is a valuable resource for professional and amateur performers and their teachers.




Sight-singing


Book Description

"The purpose of this research was to determine the effectiveness of research-designed high school choral sight-sing exercises that include researcher-designed basic keyboard skills exercises. Fifteen weeks of SATB and SSA sight-singing exercises and basic keyboard skill exercises based on Georgia Music Educators Association Large Group Performance Evaluation guidelines were created and implemented with high school choral students (N= 66). An experimental group (N= 43) received instruction with sight-singing exercises and basic keyboard exercises. A control group (N= 23) received instruction in sight-singing. Students self-administered Vocal Sight-Reading Inventory (VSRI) Form A created by Henry (1999). Following the 15 weeks researcher-designed sight-singing exercises instruction, students self-administered Form B of the VSRI by Henry (1999). The researcher calculated a t-test to determine that the groups were fundamentally the same (t = 1.975, p = .053). Pre-test and post-test mean scores were compared using ANOVA. A significant effect was found for the difference in methods of the experimental and control groups (F (n,64) = 5.230, p = .026). A follow-up t-test was used to examine the mean scores of the post-test. Significance was established at







Treatment of Voice Disorders, Second Edition


Book Description

Treatment of Voice Disorders, Second Edition presents the entire range of behavioral, medical, and surgical voice treatment options from the perspective of a variety of specialist practitioners with exceptional breadth and clarity. As suggested in the opening chapter, contemporary treatment of voice disorders draws on interdisciplinary expertise, and the book is true to that perspective. The team approach to voice treatment is realized through the contributions of laryngologists, speech-language pathologists, singing voice specialists, nurses, physiotherapists, acting voice trainers, and others. The reader will find discussion of various treatment procedures, including surgical, pharmacological, and behavioral. This text presents essential information that allows for the effective interaction of various specialties. For example, behavioral specialists can draw on the information that is given on surgery, trauma and injury, and medications. This book is at once a template for team-based treatment and a deep informational resource for treatment alternatives. Its scope and depth make it a book that the voice specialist will want to keep close at hand. New to this edition: New content on topics such as technology in the studio and pedagogy for children.Many topics have been expanded to highlight current practices, to include information published since the previous edition, and to present current management approaches.Chapters have been rewritten extensively to include the most current techniques and to reflect the latest beliefs and practices, as well as the most recent information from the evolving literature in this field.Chapter 16 on nutrition has been completely rewritten and includes important changes in criteria and strategy, reflecting developments in nutritional science over the past decade.New material on topics such as choral pedagogy for geriatric singers, laryngeal manipulation, and cosmetic procedures and their implications for voice professionals. Treatment of Voice Disorders, Second Edition is ideal for speech-language pathology students and clinicians and is suitable for classroom use as well as for reference. It is an essential volume for anyone concerned with voice disorders.




The Effect of Music Learning Theory on Sight-singing Ability of Middle School Students


Book Description

The purpose of the study was to determine if tonal and rhythm pattern instruction and ear training exercises improve middle school students' sight-singing ability. Participants (N=73) were designated to a control or experimental group based on class schedule. Both groups received sight-singing instruction using sight-singing examples accompanied by the piano. Additionally, the experimental group was given tonal and rhythm pattern instruction, and ear training activities based on Music Learning Theory. Solfege syllables and hand signs designed by Zoltan Kodaly and John Curwen were also incorporated in sight-singing instruction for the experimental group to help with pitch accuracy. Each participant sang the assigned sight-singing test twice with resulting audio samples of 219 pre-test and post-test recordings. The assessment procedures for both tests were identical and the measurement tool's Cronbach's Alpha reliability was .88. Evaluation was based on the abilities to sing in tune, sing correct rhythms, and sing correct solfege syllables. Results indicate that after two weeks of instruction, both groups improved their sight-singing ability. The pre-test mean results shows that the control group scored significantly lower than the experimental group. Due to that significance, the post-test improvements in the experimental group did not surpass the gains in the control groups mean scores. Possible time restrictions of the study may have inhibited the improvement of the experimental group's scores.




The Sight-Singer, Volume I, Student Edition


Book Description

A unique two-volume sight-singing method, with one edition designed for the junior high/middle school and a second edition for upper elementary/middle school treble voices. Voice parts are not duplicated, thereby ensuring reading independence. It's fun, exciting, logical and sequential. A great way to teach sight-singing.