The Eighth International Art Exhibition of Japan 1965
Author : International Art Exhibition of Japan (8, 1965, Tōkyō u.a.)
Publisher :
Page : pages
File Size : 39,86 MB
Release : 1965
Category :
ISBN :
Author : International Art Exhibition of Japan (8, 1965, Tōkyō u.a.)
Publisher :
Page : pages
File Size : 39,86 MB
Release : 1965
Category :
ISBN :
Author :
Publisher :
Page : 220 pages
File Size : 42,90 MB
Release : 1965
Category : Art, Modern
ISBN :
Author : Mainichi Newspapers (Japon).
Publisher :
Page : pages
File Size : 49,23 MB
Release : 1965
Category :
ISBN :
Author :
Publisher :
Page : 454 pages
File Size : 39,53 MB
Release : 1979
Category : Japan
ISBN :
Author : David Kung
Publisher : Honolulu : East-West Center Press
Page : 188 pages
File Size : 21,80 MB
Release : 1966
Category : Art
ISBN :
Author : Anita Chung
Publisher : Yale University Press
Page : 266 pages
File Size : 16,13 MB
Release : 2011
Category : Art
ISBN :
Published on the occasion of an exhibition held at the Cleveland Museum of Art, Oct. 16, 2011-Jan. 8, 2012 and at the Metropolitan Museum of Art, N.Y., Jan. 30-Apr. 29, 2012.
Author : Bert Winther-Tamaki
Publisher : University of Hawaii Press
Page : 228 pages
File Size : 21,72 MB
Release : 2001-01-01
Category : Art
ISBN : 9780824824006
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.
Author :
Publisher :
Page : 250 pages
File Size : 10,46 MB
Release : 1966
Category : Education
ISBN :
Author : Martha Drexler Lynn
Publisher : Yale University Press
Page : 433 pages
File Size : 36,24 MB
Release : 2015-01-01
Category : Art
ISBN : 0300212739
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
Author : Ming Tiampo
Publisher : University of Chicago Press
Page : 259 pages
File Size : 27,81 MB
Release : 2011-03-15
Category : Art
ISBN : 0226801667
Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.