Wicked Enchantment


Book Description

A voice for justice, anti-racism, and equality—here is the greatest and most powerful work of the people’s poet, Wanda Coleman. One of the most talked about literary collections of the year is this collection by a beat-up, broke, and Black woman who wrote with anger, humor, and clarity about her life on the margins. Wicked Enchantment: Selected Poems is a selection of 130 of Coleman’s poems spanning four decades, edited and introduced by Terrance Hayes. Although Coleman was rejected by the literary elites during her lifetime, here’s what people are saying now about Wicked Enchantment: “Wanda Coleman is not just wickedly wise, she is transcendent.” —The Washington Post “These poems are wildly fun and inventive . . . and frequently hilarious; they seem to cover every human experience and emotion.” —The New York Times “Wanda Coleman’s work has that ineffable quality that accompanies poetry you understand in your belly and your head. . . . It is an unmistakable style that propels a Coleman poem, and draws us into it.” —Reginald Dwayne Betts “Wicked Enchantment has words to crack you open and heal you where it counts—hateful and hilarious, heartbroke and hellbent.” —Mary Karr, New York Times bestselling author “One of the greatest poets ever to come out of L.A.” —The New Yorker “One of the most exciting, original, deliciously dangerous voices of the 20th century.” —The Irish Times “Required Reading” —Bustle “Best Poetry of 2020” The New York Times, The Washington Post, The Irish Times Winner California Independent Booksellers Alliance’s 2020 Golden Poppy Award for Poetry




The Enchantment of Poetry


Book Description

The Enchantment of Poetry marks an intriguing collaboration between an artist and a poet. Dr Georgios D. Kordis, a professor, theologian, and important artist of his time, created the fine art drawings. A renowned, world-class iconographer in the Byzantine tradition, Kordis has introduced surrealistic and impressionistic influences that create amazing images that add to Byzantine art traditions. In this volume, the works of Kordis are accompanied by the ideologies and scenarios presented by poetess and muse Lady Sarah Paris. Her poems topics range from historical and religious subjects to romantic and mythical imagery. Lady Pariss poetry encompasses her insights, opinions, fantasies, research, and experiences to realize the depth of the connection between Kordiss art and her writings. Finding inspiration in the Master Painter, Lady Paris has written very special poems, songs, and stories referencing these wonderful fine art treasures. The Enchantment of Poetry brings together two art forms that benefit from the presence of the other in this enchanting illustrated collection.




Poetic Inquiry


Book Description

In the tradition of a decade of bi-annual gatherings of the International Symposium on Poetic Inquiry, this volume serves as the fifth refereed symposium anthology. Enchantments of Place celebrates poetry and poetic voices--theorizing and exploring poetic inquiry as an approach, methodology, and/or method for use in contemporary research practices. Poetic inquiry has increased in prominence as a legitimate means by which to collect, assimilate, analyze, and share the results of research across many disciplines. With this collection, we hope to continue to lay the groundwork internationally, for researchers, scholars, graduate students, and the larger community to take up poetic inquiry as a way to approach knowledge generation, learning, and sharing. This volume specifically works to draw attention to the ancient connection between poetry and the natural world with attention to broadening the ecological scope and impact of the work of poetic inquirers.




Poetic Inquiry


Book Description

Poetic Inquiry: Vibrant Voices in the Social Sciences, co-edited by Monica Prendergast, Carl Leggo and Pauline Sameshima, features many of the foremost scholars working worldwide in aesthetic ways through poetry.




The Book of Taliesin


Book Description

The great work of Welsh literature, translated in full for the first time in over 100 years by two of its country's foremost poets Tennyson portrayed him, and wrote at least one poem under his name. Robert Graves was fascinated by what he saw as his work's connection to a lost world of deeply buried folkloric memory. He is a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the British Isles; a bridge between old Welsh mythologies and the new Christian theology; a 6th-century Brythonic bard; and a legendary collective project spanning the centuries up to The Book of Taliesin's compilation in 14th-century North Wales. He is, above all, no single 'he'. The figure of Taliesin is a mystery. But of the variety and quality of the poems written under his sign, of their power as exemplars of the force of ecstatic poetic imagination, and of the fascinating window they offer us onto a strange and visionary world, there can be no question. In the first volume to gather all of the poems from The Book of Taliesin since 1915, Gwyneth Lewis and Rowan Williams's accessible translation makes these outrageous, arrogant, stumbling and joyful poems available to a new generation of readers.




Romantic Fiat


Book Description

In the Romantic period's economics of 'fiat' money the legacy of romanticism involves absolutist gestures of verbal fiat. Focused on William Wordsworth, but in constant range of his poet-successors and modern critics, Romantic Fiat presents an argument for a double romantic signature of 'let there be' and 'let be.'




Can Poetry Matter?


Book Description

Can Poetry Matter? is an important book, and anyone who professes to care about the state of American poetry will have to take it into account. --World Literature Today.




The Varieties of Enchantment


Book Description

Varieties of Enchantment: Early Greek Views of the Nature and Function of Poetry




Hotel Almighty


Book Description

Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.




The Making of Poetry


Book Description

Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.