The Encyclopedia of Oil Painting Techniques


Book Description

Find out what you can do with oil paints. Make brushwork more expressive and add shadows. Try a full complement of creative techniques. Breathtaking examples of finished paintings, analyzed in detail, guide you through a range of themes, including architecture, figures, and landscapes.




Timeless Techniques for Better Oil Paintings


Book Description

Browning's step-by-step approach helps artists strengthen their understanding of the fundamentals of oil painting. Includes thorough demonstrations exploring the entire painting process from conception through completion.




The Encyclopedia of Pastel Techniques


Book Description

A comprehensive A-Z directory of pastel techniques and a step-by-step guide to their use.--Cover.




The Encyclopedia of Art Techniques


Book Description

This information-packed and comprehensive visual encyclopedia is your key to mastering a whole range of artistic skills. Guided by the expert advice of top professionals, you'll investigate the practicalities of all the most popular painting and drawing mediums and explore the full gamut of subject areas, from landscapes and portraits to flowers and still life. An inspirational one-stop guide to mastering great art. Book jacket.




The Grove Encyclopedia of Materials and Techniques in Art


Book Description

"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."




Oil Painting Techniques and Materials


Book Description

Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials — paints, varnishes, oils and mediums, grounds, etc. — a painter's training, more. 64 photos. 5 line drawings.







Everything You Ever Wanted to Know about Oil Painting


Book Description

Collects excerpts from 14 books, thus presenting a compendium of approaches to materials and preparation, color, techniques, light and shadow, landscape painting, figure and portrait painting, and still life. The selections are all abundantly illustrated with reproductions (mostly of the authors' paintings) and photos showing techniques, and the illustrations are extensively captioned by the editor. No bibliography. Annotation copyright by Book News, Inc., Portland, OR




Painting Materials


Book Description

The combined training and experience of the authors of this classic in the varied activities of painting conservation, cultural research, chemistry, physics, and paint technology ideally suited them to the task they attempted. Their book, written when they were both affiliated with the Department of Conservation at Harvard's Fogg Art Museum, is not a handbook of instruction. It is, instead, an encyclopedic collection of specialized data on every aspect of painting and painting research. The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and Inert Materials (over 100 entries from alizarin to zinnober green); Solvents, Diluents, and Detergents (acetone, ammonia, carbon tetrachloride, soap, water, etc.); Supports (academy board, dozens of different woods, esparto grass, gesso, glass, leather, plaster, silk, vellum, etc.); and Tools and Equipment. Coverage within each section is exhaustive. Thirteen pages are devoted to items related to linseed oil; eleven to the history and physical and chemical properties of pigments; two to artificial ultramarine blue; eleven to wood; and so on with hundreds of entries. Much of the information — physical behavior, earliest known use, chemical composition, history of synthesis, refractive index, etc. — is difficult to find elsewhere. The rest was drawn from such a wide range of fields and from such a long span of time that the book was immediately hailed as the best organized, most accessible work of its kind. That reputation hasn't changed. The author's new preface lists some recent discoveries regarding pigments and other materials and the pigment composition chart has been revised, but the text remains essentially unchanged. It is still invaluable not only for museum curators and conservators for whom it was designed, but for painters themselves and for teachers and students as well.




What Painting is


Book Description

Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.