The End of Love


Book Description

Western culture has endlessly represented the ways in which love miraculously erupts in people’s lives, the mythical moment in which one knows someone is destined for us, the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before. In The End of Love, Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one’s will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down “unloving.” While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve. Particularly striking is the role that capitalism plays in practices of non-choice and “unloving.” The unmaking of social bonds, she argues, is connected to contemporary capitalism which is characterized by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex. The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.




Dance Me to the End of Love


Book Description

10 years ago, Welcome Books published the star of its Art & Poetry Series, Dance Me to the End of Love, a deliriously romantic song by Leonard Cohen that was brilliantly visualized through the sensual paintings of Henri Matisse. Now for its 10-year anniversary, Welcome is thrilled to present the entirely re-imagined and redesigned Dance Me to the End of Love. With the art of Matisse and the words of Cohen still at the heart of the book, the new look and feel of this Art & Poetry book is overwhelmingly beautiful. Cohen's song is a lyrical tribute to the miracle of love, the grace it bestows on us and its healing, restorative power. Originally recorded on his Various Positions album, and featured in Cohen's anthology, Stranger Music, this poetic song is gloriously married to the art works by Henri Matisse, perhaps the greatest artist of the twentieth century. "I had this dance within me for a long time," Matisse once said in describing one of his murals. Dance Me to the End of Love is the perfect book for art lovers, song lovers, and all other lovers as well.




In The End, It Was All About Love


Book Description

The narrator arrives in Berlin, a place famed for its hedonism, to find peace and maybe love; only to discover that the problems which have long haunted him have arrived there too, and are more present than ever. As he approaches his fortieth birthday, nearing the age where his father was killed in a brutal revolution, he drifts through this endlessly addictive and sometimes mystical city, through its slow days and bottomless nights, wondering whether he will ever escape the damage left by his father's death. With the world as a whole more uncertain, as both the far-right and global temperatures rise at frightening speed, he finds himself fighting a fierce inner battle against his turbulent past, for a future free of his fear of failure, of persecution, and of intimacy. In The End, It Was All About Love is a journey of loss and self-acceptance that takes its nameless narrator all the way through bustling Berlin to his roots, a quiet village on the Uganda-Sudan border. It is a bracingly honest story of love, sexuality and spirituality, of racism, dating, and alienation; of fleeing the greatest possible pain, and of the hopeful road home.




The End of the World Is Bigger than Love


Book Description

A breathtakingly original novel about love and destruction, from an award-winning Australian children’s author.




Fearing the Black Body


Book Description

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.




So This Is the End


Book Description

What happens when you find your soulmate, but you only have one day to live? Perfect for fans of Jojo Moyes’ Me Before You and Jill Santopolo’s The Light We Lost, comes a powerful romance What if doctors could revive you from death—and give you an extra 24 hours of life? One more day. One more chance to tell your family how much you love them. One more chance to say goodbye to friends, listen to your favorite song, throw an epic party, feel the grass beneath your feet, or watch the sunset. How would you spend your time? So This Is The End follows Nora Hamilton as she navigates her final 24 hours. She’s determined to do something meaningful and make every moment count. Enter: Renzo. Ren, for short. Strong, compassionate, unfairly attractive, with a face that makes Nora’s stomach explode into stars. Their connection is immediate, with white-hot intensity. Nora is wracked with bittersweet joy and confusion as she realizes, “I’ve finally met the love of my life… on the last day of my life.” Should she tell Ren the truth about her condition—tell him she doesn’t have much time left? How will he react? Is it unethical to allow yourself to fall in love with someone when there’s no possibility of a future together? Or is love a precious gift, no matter how long it lasts, even if it’s just for one day? What happens next is a story about taking chances, making your own rules, and the power of living like there’s no tomorrow. A moving romantic drama: Early readers call So This Is The End "a breath of fresh air," "moving and beautiful," "an amazing wake-up call," a book you'll be "unable to put down," with a story that makes you "fall in love the instant you start reading."




Love after the End


Book Description

Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.




Letters to the End of Love


Book Description

In a coastal village in Cork in 1969, a Russian painter and his Irish novelist wife write letters to one another as they try to come to terms with a fatal illness. On Australia's west coast in 2011, a bookseller writes to her estranged partner in an attempt to understand what has happened to their relationship. In Bournemouth in 1948, a retired English doctor writes letters to the love of his life, a German artist he lived with In the Vienna during the 1930s. The simple three domestic lives of these three couples are set against conversations about intimacy, art, war and loss.




The End of Our Story


Book Description

Every love story has a breaking point... From the author of Paperweight comes the star-crossed romance of two high school friends in a tale rife with deeply buried secrets and shocking revelations. BEFORE: Bridge and Wil have been entangled in each other’s lives for years. Under the white-hot Florida sun, they went from kids daring each other to swim past the breakers to teenagers stealing kisses between classes. But when Bridge betrayed Wil during their junior year, she shattered his heart and their relationship along with it. AFTER: When Wil’s family suffers a violent loss, and Bridge rushes back to Wil’s side. As they struggle to heal old wounds and start falling for each other all over again, Bridge and Wil discover just how much has changed in the past year. Though they once knew each other’s every secret, they aren’t the same people they used to be. Bridge can’t imagine life without Wil, but sometimes love isn’t enough. Can they find their way back to each other, or will this be the end of their story?




Be Here to Love Me at the End of the World


Book Description

"This emotionally resonant dystopian succeeds at turning the end of the world into a new beginning." - Publishers Weekly A love story set in a bad dream about America, concerning permanent debt, secret police, making dinner, and unpaid invoices—right up until the end of the world. It’s Brooklyn. It’s winter. It’s so cold outside you could execute billionaires in the street about it. Sam lives with Eleanor and they are in love. He has three or four outstanding invoices that would each cover rent for a month. At some point, the President is going to make some absolutely wild announcements that will only end in doom. In a surreal, funny, and heart-breaking version of reality, Sasha Fletcher’s highly anticipated first novel occupies that rare register that manages to speak to an increasingly incomprehensible world. Through scenes that poetically transform the mundane into the sublime and the absurd into the tragic, Be Here to Love Me at the End of the World is about the exquisite beauty of being in love in a world that is falling apart.