The English Rogue - described in the life of Meriton Latroon a witty extravagant being a complete history of the most eminent cheats of both sexes


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When it first appeared, The English Rogue was declared a forbidden book on account of its gross indecency. Copies were printed secretly and sold furtively at alehouses until 1665 when it was properly licensed. When requested, the author, Richard Head, declined to produce a second volume as it was his belief that the text had been interpreted as autobiographical and his reputation had suffered as a consequence. Francis Kirkman, who had acquired the rights to the work, set about the endeavour himself and wrote the remaining volumes, publishing them in 1671. This is a reprint of the 1928 reissue containing Head's original book and two of Kirkman's added volumes.




The English Rogue: Described in the Life of Meriton Latroon, A Witty Extravagant Continued in the Life of Meriton Latroon and Other Extravagants (Complete)


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When this piece was first published it was ushered into the World with the usual ceremony of a Preface, and that a large one, whereby the Authour intended and endeavoured to possess the Reader with a belief, that what was written was the Life of a Witty Extravagant, the Authours Friend and Acquaintance. This was the intent of the Writer, but the Readers could not be drawn to this belief, but in general concurred in this opinion, that it was the Life of the Authour, and notwithstanding all that hath been said to the contrary many still continue in this opinion. Indeed the whole story is so genuine and naturally described without any forcing or Romancing that all contained in it seems to be naturally true, and so i’le assure you it is, but not acted by any one single person, much less by the Authour, who is well known to be of an inclination much different from the foul debaucheries of the Relations, & if the Readers had read the Spanish Rogue, Gusman; the French Rogue, Francion; and several other by Forraign Wits, and have upon examination found that the Authors were persons of great eminency and honour, and that no part of their own writings were their own lives; they had happily changed their opinion of the Authour of this; but they holding this opinion caused him to desist from prosecuting his story in a Second Part, and he having laid down the Cudgels I took them up, and my design in so doing was out of three considerations, the first and chiefest was to gain ready money, the second I had an itch to gain some Reputation by being in Print, and thereby revenge my self on some who had abused me, and whose actions I recited, and the third was to advantage the Reader and make him a gainer by acquainting him with my experiences. This were the reasons for my engaging in the Second part, and the very same reason induced me to joyn with the Authour in composing and Writing a third and fourth Part, in which we have club’d so equally, and intermixt our stories so joyntly, that it is some difficulty for any at first sight to distinguish what we particularly Writ and now having concluded the Preface, which should never have been begun but that I had a blank page, and was unwilling to be so ill a husband for you, but that you should have all possible content for your money, and withal to tell you that I would not have you as yet to expect any more parts of the book, for although a fifth and last part is design’d, yet i’le assure you there is never a stitch amiss, nor one line Written of it, and if you desire that, you must give me encouragement by your speedy purchasing of what is already Written; and thereby you will ingage




The English Rogue


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The English Rogue


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The English Rogue: Described in the Life of Meriton Latroon, a Witty Extravagant


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The English Rogue: Described in the Life of Meriton Latroon, a Witty Extravagant' stands as a monumental work in the landscape of English literature, emblematic of the picaresque narrative tradition. This anthology, comprising varied literary styles, weaves through the adventures and misadventures of its protagonist with an audacity and wit that highlight the diversity and dynamism of the human condition. The collection's significance is underpinned by its broad spectrum of themes, ranging from deceit and survival to the intricacies of human moralities, revealing a rich tapestry of life in the 17th century. The work of Richard Head and Francis Kirkman in compiling and contributing to this anthology represents a pivotal moment in literary history, inviting readers into a world that mirrors the complexity and vibrancy of its era. As authors and editors, Head and Kirkman bring forward a corpus that not only entertains but also offers critical insights into the socio-cultural undercurrents of their time. This collection, aligning with the larger cultural and literary movements of the Restoration period, showcases a deep understanding of narrative versatility and human psychology. The anthology stands as a testament to the collective genius of its contributors, whose backgroundsspanning from dramaturgy to novel writingenrich the text with a multiplicity of voices and perspectives. 'The English Rogue' is an essential read for those interested in exploring the depths of narrative form, the evolution of literary styles, and the socio-cultural dialogues of the 17th century. It offers readers a unique opportunity to immerse themselves in a world where the rogue's journey elucidates broader themes of morality, identity, and survival. This collection is not merely an anthology; it is an invitation to witness the convergence of history, literature, and the human experience through the lens of one of the era's most captivating narratives.







'The Damned Fraternitie': Constructing Gypsy Identity in Early Modern England, 1500–1700


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'The Damned Fraternitie': Constructing Gypsy Identity in Early Modern England, 1500–1700 examines the construction of gypsy identity in England between the early sixteenth century and the end of the seventeenth century. Drawing upon previous historiography, a wealth of printed primary sources (including government documents, pamphlets, rogue literature, and plays), and archival material (quarter sessions and assize cases, parish records and constables's accounts), the book argues that the construction of gypsy identity was part of a wider discourse concerning the increasing vagabond population, and was further informed by the religious reformations and political insecurities of the time. The developing narrative of a fraternity of dangerous vagrants resulted in the gypsy population being designated as a special category of rogues and vagabonds by both the state and popular culture. The alleged Egyptian origin of the group and the practice of fortune-telling by palmistry contributed elements of the exotic, which contributed to the concept of the mysterious alien. However, as this book reveals, a close examination of the first gypsies that are known by name shows that they were more likely Scottish and English vagrants, employing the ambiguous and mysterious reputation of the newly emerging category of gypsy. This challenges the theory that sixteenth-century gypsies were migrants from India and/or early predecessors to the later Roma population, as proposed by nineteenth-century gypsiologists. The book argues that the fluid identity of gypsies, whose origins and ethnicity were (and still are) ambiguous, allowed for the group to become a prime candidate for the 'other', thus a useful tool for reinforcing the parameters of orthodox social behaviour.




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The Novel: An Alternative History, 1600-1800


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Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).