The Cambridge Companion to Science Fiction


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Table of contents




The Modern Magazine


Book Description

The last ten years of magazine publishing have been a period of rapid innovation, providing a vital record of the era's diverse visual trends. The Modern Magazine features the best editorial design, looking in particular at how magazines have adapted to respond to digital media. Encompassing mainstream and independent publishing, and graphic and editorial design, The Modern Magazine explores the issues now facing the industry, examining changes to the basic discipline of combining text and image for the global, Internetsavvy consumer. The book looks at key developments in the field, interviewing a broad range of specialists to discover their understandings of the current state of the industry and how different areas of publishing influence each other. Incorporating great visuals and genuine insight into the process of their creation, The Modern Magazine chronicles these exciting changes, providing a resource for designers, with interviews with major figures, summaries of new developments and trends, links to blogs, and more.




Friday Black


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A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America.




Seasons of Life


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Just like A YEAR consists of many different seasons; Similarly, our life is made up of small experiences and feelings which lead us to our destination of prime. We encounter winters like coldness, spring-like warmth plus new colours, and summer-like excitement in our day-to-day life. Do you want to live the seasons of life along with me? If yes, then this poetry book is for you.




Photo-era Magazine


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Pink Ink


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The tapping of typewriters first lifted the secrecy around homosexuality, and a vibrant array of voices was soon heard. The publishers of gay magazines and newspapers were a diverse and lively lot. Some wanted to publicise where the best parties were held; some to fight the political battle; and others to show new ways for lesbians and gay men to live their lives. The story of these magazines and newspapers is the story of society’s changing attitudes, and indeed, the changing gay world. This book traces the evolution of Australia’s gay and lesbian publications from smudgy porn sold in brown paper bags to glossy coffee-table magazines proudly on display; from gestetnered newsletters to an industry publishing millions of newspapers each year – that is, until the Internet changed it all.




The Happy Reader


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For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles. The book of the winter will be the original 'sex and shopping' novel, Au Bonheur des Dames by Emile Zola. With its vivid portrayal of greedy customers and gossiping staff, its lavish descriptions and sense of theatre, this is a rich and exciting novel about a glittering Paris department store and the capitalist society we live in. Our cover star will be revealed at publication.




Hagar’s Daughter


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Hagar’s Daughter is Pauline Elizabeth Hopkins’s first serial novel, published in the Boston-based Colored American Magazine (1901-02). The novel features concealed and mistaken identities, dramatic revelations, and extraordinary plot twists, including a high-profile murder trial, an abduction plot, and a steady succession of surprises as the young black maid Venus Johnson assumes male clothing to solve a series of mysteries. Because Hagar’s Daughter demonstrates Hopkins’s keen sense of history, use of multiple literary genres, emphasis on gender roles, and political engagement, it provides the perfect introduction to the author and her era. In the appendices to this Broadview Edition, advertising, other writing by Hopkins and her contemporaries, and reviews situate the work within the popular literature and political culture of its time.




Breaking News


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The first newspaper arrived in England in 1620 and sparked a huge demand for up-to-the minute reports on domestic and world events. Men and women in Renaissance England were addicted to news, whether from the battlefields of Europe, or the scandal-filled salons of its courtiers. Newspapers commented on politics, crime, omens, bad weather, natural disasters, and strange apparitions. Breaking News traces the development of the newspaper in England, from its origins in manuscript letters and imported corantos in ShakespeareÕs England, to the introduction of daily newspapers, regional journals, and specialist magazines around 1700, as well as the first stirrings of American journalism. The examples of early journalism illustrated here reveal the indelible mark the early English newspaper has left on modern news culture. Chris R. Kyle is associate professor of history at Syracuse University. Jason Peacey is lecturer in history at University College London.




Right to Ride


Book Description

Through a reexamination of the earliest struggles against Jim Crow, Blair Kelley exposes the fullness of African American efforts to resist the passage of segregation laws dividing trains and streetcars by race in the early Jim Crow era. Right to Ride chronicles the litigation and local organizing against segregated rails that led to the Plessy v. Ferguson decision in 1896 and the streetcar boycott movement waged in twenty-five southern cities from 1900 to 1907. Kelley tells the stories of the brave but little-known men and women who faced down the violence of lynching and urban race riots to contest segregation. Focusing on three key cities--New Orleans, Richmond, and Savannah--Kelley explores the community organizations that bound protestors together and the divisions of class, gender, and ambition that sometimes drove them apart. The book forces a reassessment of the timelines of the black freedom struggle, revealing that a period once dismissed as the age of accommodation should in fact be characterized as part of a history of protest and resistance.