1979-1990


Book Description




Eric Gill


Book Description

A prolific engraver, sculptor, letter-cutter and typographer, Eric Gill (1882 - 1940) chose to be remembered on his grave simply as a stone carver. He carved his first figural sculpture in 1909, and his distinctive, serene figures, such as his famous Stations of the Cross carving in Westminster Cathedral, have since become familiar landmarks and also appear in public and private collections throughout the world. This beautifully illustrated book is the first ever complete survey of Eric Gill's figural sculpture. With an extensive essay on his works and 300 detailed catalog entries, it is a significant contribution to contemporary art history. The 350 accompanying photographs, many from the sculptor's own collection, reveal Eric Gill to be one of the major artists of the twentieth century and afford us a fascinating insight into the creativity of this eccentric genius.







Annual Report


Book Description

Reports for 1980-19 also include the Annual report of the National Council on the Arts.




Eric Gill


Book Description

A gorgeous new edition of Fiona MacCarthy's ground-breaking biography of the artist- craftsman, typographer, and lettercutter, master wood-engraver, and sculptor: Eric Gill. 'Fascinating on the work and fair to the man; a brilliant biography.' Independent 'Scrupulous and sensitive . . . A wise and foolish English eccentric in full glory.' Observer 'Full of insight and interest . . . A considerable addition to modern biography.' Times Eric Gill was the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving. He was a devoted family man and key figure in three Catholic art and craft communities: yet he also believed in complete sexual freedom. In her controversial, landmark biography, originally published in 1989, celebrated biographer Fiona MacCarthy delves into the complex, dark, and contradictory sides of the man and the artist for the first time - and the result is his definitive portrait.










Collecting the Imagination


Book Description

The Harry Ransom Humanities Research Center at the University of Texas at Austin is one of the world's preeminent institutions for the study of literature, photography, and the humanities. The Ransom Center is renowned for its remarkable collections of literary manuscripts, rare books, photographs, art, and film and performing arts materials. Founded in 1957 with a core collection of rare books, the Ransom Center has expanded its holdings at a phenomenal rate, so that it now houses 36 million leaves of manuscripts, 1 million rare books, 5 million photographs, and one hundred thousand works of art. Among its most famous holdings are a Gutenberg Bible; the Helmut Gernsheim Collection, a major photohistorical archive that contains the world's first photograph (ca. 1826); the Carl H. Pforzheimer Library of Early English Literature; the Watergate papers of Bob Woodward and Carl Bernstein; the archive and costume collection of Robert De Niro; and the personal literary archives of hundreds of major twentieth-century writers, from Samuel Beckett and James Joyce to Tom Stoppard and Norman Mailer. This volume celebrates the fiftieth anniversary of the Harry Ransom Center. Staff members describe the Center's founding, the remarkable growth of its collections as part of a thoughtful and deliberate acquisition plan, and its extensive outreach to scholars, students, and the general public. They pay tribute to the leadership of Harry Ransom, who conceived the idea of a research center in the humanities that would be for the state of Texas what the Bibliothèque Nationale is for France. The authors also tell fascinating stories of how individual collections and archives were acquired, as well as some of the controversies and myths that have arisen as a result of the Ransom Center's liberal spending and rapid growth. Photographs of treasures from the Ransom Center and key figures in its history round out this lovely and authoritative volume.