The Essay At the Limits


Book Description

In the hands of such writers as Rebecca Solnit, Claudia Rankine, David Shields, Zadie Smith and many others, the essay has re-emerged as a powerful literary form for tackling a fractious 21st-century culture. The Essay at the Limits brings together leading scholars to explore the theory, the poetics and the future of the form. The book links the formal innovations and new voices that have emerged in the 21st-century essay to the history and theory of the essay. In so doing, it surveys the essay from its origins to its relation to contemporary cultural forms, from the novel to poetry, film to music, and from political articles to intimate lyrical expressions. The book examines work by writers such as: Theodor W. Adorno, Kwame Anthony Appiah, Francis Bacon, James Baldwin, Roland Barthes, Maurice Blanchot, Ta-Nehisi Coates, Annie Dillard, Brian Dillon, Jean Genet, William Hazlitt, Samuel Johnson, Karl Ove Knaussgaard, Ben Lerner, Audre Lorde, Oscar Wilde, Michel de Montaigne, Zadie Smith, Rebecca Solnit, Wallace Stevens, Eliot Weinberger and Virginia Woolf.




Ritual and Its Consequences


Book Description

Drawing on examples from many places and times, this work argues for the continuing tension across historical contexts between movements emphasizing ritual and movements emphasizing sincerity. It contends that our contemporary age has, at great risk, downplayed the importance of ritual.




Music at the Limits


Book Description

_______________ 'Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS 'There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it. Said was one' - Daily Telegraph 'The sheer eloquence of Said's writings reminds us that with his untimely death we have lost one of our most distinguished music critics.' - Maynard Solomon, The Julliard School _______________ WITH A FOREWORD BY DANIEL BARENBOIM Music at the Limits brings together three decades of Edward W. Said's essays and articles on music. Addressing the work of a wide variety of composers and performers, Said analyses music's social and political contexts, and provides rich and often surprising assessments. He reflects on the censorship of Wagner in Israel; the relationship between music and feminism; and the works of Beethoven, Bruckner, Rossini, Schumann, Stravinsky and others. Always eloquent and often surprising, Music at the Limits reinforces Said's reputation as one of the most influential writers of the twentieth century. _______________ 'This fine collection by one of the most perceptive music critics of the last half-century is highly recommended' - Library Journal




The Essay At the Limits


Book Description

Part 1. The essay and the world. 1. Erin Plunkett (University of Hertfordshire, UK) The essay as phenomenology ; 2. James Corby (University of Malta) An essay on the post-literary ; 3. Neil Badmington (Cardiff University, UK) Brief scenes: Roland Barthes and the essay ; 4. Nicole B. Wallack (Columbia University, USA) The 'subversive Possibilitiesp of the essay for public intellectuals ; 5. Joseph Tabbi (University of Bergen, Norway) Is writing all over, or just dispersed? Digital essayism in TRINA, A DESIGN FICTION -- Part 2. The essay and the self ; 6. Ivan Callus (University of Malta) Tone and the essay ; 7. Jennifer Spinner (Saint Joseph's University, USA) What the periodical press made possible: women essayists in the eighteenth century ; 8. Rachel Baldacchino (University of Malta) Otherness and the essay in the pacifist work of Vernon Lee ; 9. Aaron Aquilina (Lancaster University, UK) Margins and marginality: Jean Genet and the queer essay ; 10. Michael Askew (University of East Anglia, UK) The essay and the 'I': Eliot Weinberger's Transformation of the authorial self -- Part 3. The essay, form and the essayistic. 11. R. Eric Tippin (Palm Beach Atlantic University, USA) At the limits of Fixité : The essay and the aphorism ; 12. Jason Childs (Independent scholar) Assaying the novel ; 13. Allen Durgin (Columbia University, USA) Wallace Stevens, Audre Lorde and the queer performativity of the essay ; 14. Maria Frendo (University of Malta) Transgression as transcendence: essayistic poetics in selected works by Dmitri Shostakovich and Joseph Vella ; 15. Bob Cowser Jr. (St. Lawrence University, USA) Hersey, resnais and representing Hiroshima: toward an essayistic historiography.




Laocoon


Book Description




Limits to Satisfaction


Book Description

At a time when the supply of resources is a problem, William Leiss analyses demand and consumption. Why do we need so much? Does the ability to choose from such a wide range of commodities give us more satisfaction? Why do we accept being pushed into buying products about which we know little because they promise to give us a particular characteristic - freshness, happiness, sex appeal?




Essays on the Essay


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Writing at the Limit


Book Description

"An examination of the relationship between contemporary fiction and new media from a narratological perspective"--




Classic and Romantic German Aesthetics


Book Description

This 2002 volume offers translations of major works of classic and romantic German aesthetics.




The Limits of Neoliberalism


Book Description

Brilliant...explains how the rhetoric of competition has invaded almost every domain of our existence." —Evgeny Morozov, author of To Save Everything, Click Here" "In this fascinating book Davies inverts the conventional neoliberal practice of treating politics as if it were mere epiphenomenon of market theory, demonstrating that their version of economics is far better understood as the pursuit of politics by other means." —Professor Philip Mirowski, University of Notre Dame "A sparkling, original, and provocative analysis of neoliberalism. It offers a distinctive account of the diverse, sometimes contradictory, conventions and justifications that lend authority to the extension of the spirit of competitiveness to all spheres of social life...This book breaks new ground, offers new modes of critique, and points to post-neoliberal futures." —Professor Bob Jessop, University of Lancaster Since its intellectual inception in the 1930s and its political emergence in the 1970s, neo-liberalism has sought to disenchant politics by replacing it with economics. This agenda-setting text examines the efforts and failures of economic experts to make government and public life amenable to measurement, and to re-model society and state in terms of competition. In particular, it explores the practical use of economic techniques and conventions by policy-makers, politicians, regulators and judges and how these practices are being adapted to the perceived failings of the neoliberal model. By picking apart the defining contradiction that arises from the conflation of economics and politics, this book asks: to what extent can economics provide government legitimacy? Now with a new preface from the author and a foreword by Aditya Chakrabortty.