The Ethics of Survival in Contemporary Literature and Culture


Book Description

The Ethics of Survival in Contemporary Literature and Culture delves into the complex problems involved in all attempts to survive. The essays analyze survival in contemporary prose narratives, short stories, poems, dramas, and theoretical texts, but also in films and other modes of cultural practices. Addressing diverse topics such as memory and forgetting in Holocaust narratives, stories of refugees and asylum seekers, and representations of war, the ethical implications involved in survival in texts and media are brought into a transnational critical discussion. The volume will be of potential interest to a wide range of critics working on ethical issues, the body, and the politics of art and literature.




The Ethics of Survival in Contemporary Literature and Culture


Book Description

The Ethics of Survival provides us with a kaleidoscope of intellectually inquisitive, intriguing and invariably topical perspectives on human suffering, trauma and testimony in close dialogue with the increasingly urgent challenges of both individual and collective care and responsibility. The fourteen original essays expertly assembled here by Freiburg and Bayer reinvigorate and indeed rewrite the global ethics agenda for scholarly debate and critical analysis across the disciplines of literature, philosophy and cultural history, problematizing contemporary quandaries against the background of the Holocaust's enduringly horrific legacy. The volume launches a thought-provoking intervention into extremely sensitive and controversial terrain where humanity must confront its own fallibility, destructiveness and pain beyond humanism's much-vaunted catalogue of traditional ideals. -Prof. Berthold Schoene, Faculty Head of Research and Knowledge Exchange for Arts and Humanities, Manchester Metropolitan University, UK The Ethics of Survival in Contemporary Literature and Culture delves into the complex problems involved in all attempts to survive. The essays analyze survival in contemporary prose narratives, short stories, poems, dramas, and theoretical texts, but also in films and other modes of cultural practices. Addressing diverse topics such as memory and forgetting in Holocaust narratives, stories of refugees and asylum seekers, and representations of war, the ethical implications involved in survival in texts and media are brought into a transnational critical discussion. The volume will be of potential interest to a wide range of critics working on ethical issues, the body, and the politics of art and literature Rudolf Freiburg is Professor of English literature at the Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany. He is co-editor and editor of several books, including Swift: The Enigmatic Dean (1998), "But Vindicate the Ways of God to Man": Literature and Theodicy (2004), Kultbücher (2004), Literatur und Holocaust (2009), Träume (2015), Unendlichkeit (2016), D@tenflut (2017), Sprachwelten (2018) and Täuschungen (2019). He has written many articles on eighteenth-century literature (Joseph Addison, Jonathan Swift, Samuel Johnson), and contemporary literature (John Fowles, Julian Barnes, Ian McEwan, Sebastian Barry). Gerd Bayer is Professor of English literature and culture at the Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany. He has published on contemporary and early modern literature, including Novel Horizons: The Genre Making of Restoration Fiction (2015) and on Holocaust literature and film, most recently as guest editor of a special issue for Holocaust Studies (UK).




The Comedy of Survival


Book Description




The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction


Book Description

The working hypothesis of the book is that, since the 1990s, an increasing number of Anglophone fictions are responding to the new ethical and political demands arising out of the facts of war, exclusion, climate change, contagion, posthumanism and other central issues of our post-trauma age by adapting the conventions of traditional forms of expressing grievability, such as elegy, testimony or (pseudo-)autobiography. Situating themselves in the wake of Judith Butler’s work on (un-)grievablability, the essays collected in this volume seek to cast new light on these issues by delving into the socio-cultural constructions of grievability and other types of vulnerabilities, invisibilities and inaudibilities linked with the neglect and/or abuse of non-normative individuals and submerged groups that have been framed as disposable, exploitable and/or unmournable by such determinant factors as sex, gender, ethnic origin, health, etc., thereby refining and displacing the category of subalternity associated with the poetics of postmodernism.




The Ethics and Aesthetics of Vulnerability in Contemporary British Fiction


Book Description

This book visits vulnerability in contemporary British fiction, considering vulnerability in its relation to poetics, politics, ethics, and trauma. Vulnerability and risk have become central issues in contemporary culture, and artistic productions have increasingly made it their responsibility to evoke various types of vulnerabilities, from individual fragilities to economic and political forms of precariousness and dispossession. Informed by trauma studies and the ethics of literature, this book addresses such issues by focusing on the literary evocations of vulnerability and analyzing various aspects of vulnerable form as represented and performed in British narratives, from contemporary classics by Peter Ackroyd, Pat Barker, Anne Enright, Ian McEwan, and Jeanette Winterson, to less canonical texts by Nina Allan, Jon McGregor, and N. Royle. Chapters on romance, elegy, the ghost story, and the state-of-the-nation novel draw on a variety of theoretical approaches from the fields of trauma studies, affect theory, the ethics of alterity, the ethics of care, and the ethics of vulnerability, among others. Showcasing how the contemporary novel is the privileged site of the expression and performance of vulnerability and vulnerable form, the volume broaches a poetics of vulnerability based on categories such as testimony, loss, unknowing, temporal disarray, and performance. On top of providing a book-length evocation of contemporary fictions of vulnerability and vulnerable form, this volume contributes significantly to considerations of the importance of Trauma Studies to Contemporary Literature.




Sarah Waters and Contemporary Feminisms


Book Description

Sarah Waters and Contemporary Feminisms presents ten readings of Sarah Waters’s fictions published to date in relation to feminism and contemporary feminist theory. The analysis offered in the collection investigates how Waters engages with recent debates on women and gender and how her writings reflect the different concerns of contemporary feminist theories. In particular, the collection includes new and innovative readings of how Waters’s novels address issues of patriarchy, female confinement, madness and misogyny, exploitation and oppression, repression and subordination, abortion, marriage and spinsterhood alongside passionate portrayals of female agency, desire, aesthetics, female sexual expression, and, of course, lesbianism.




The Comedy of Survival


Book Description

With imagination and flair, the author also introduces the idea of a play ethic, as opposed to a work ethic, and demonstrates the importance of play as a necessary and desirable component of the comic spirit. The Comedy of Survival is a book for literary critics, environmentalists, human ecologists, philosophers, and anthropologists. General readers, too, will find much to ponder in the author's clear explication of how all of us might become better stewards of this, our home planet Earth.




Trauma, Gender and Ethics in the Works of E.L. Doctorow


Book Description

This project approaches four of E. L. Doctorow’s novels—Welcome to Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and City of God (2000)—from the perspectives of feminist criticism and trauma theory. The study springs from the assumption that Doctorow’s literary project is eminently ethical and has an underlying social and political scope. This crops up through the novels’ overriding concern with injustice and their engagement with the representation of human suffering in a variety of forms. The book puts forward the claim that E.L. Doctorow’s literary project—through its representation of psychological trauma and its attitude towards gender—may be understood as a call to action against both each individual’s indifference and the wider social and political structures and ideologies that justify and/or facilitate the injustices and oppression to which those who are situated at the margins of contemporary US society are subjected.




The Palgrave Handbook of Incarceration in Popular Culture


Book Description

The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.




Creative Dialogues


Book Description

This volume is the outcome of work done in the groundbreaking field of Narrative Medicine by an interdisciplinary research team based at the University of Lisbon Centre for English Studies (ULICES) and devoted to the international project Narrative and Medicine since 2009. The articles and essays gathered here, heterogeneous as they may be (such is the natural outcome of research carried out across disciplines), are not only of high caliber when read individually, but also constitute an inval ...