The European Collection


Book Description

THREE FULL-LENGTH NOVELS. THE EYE OF MAKARIOS - 1974: From the USA to Russia, from the Middle East to Europe, the chase is on to find The Eye of Makarios before the world explodes into chaos. THE MESRINE CONCLUSION - 1978: Can French Public Enemy Number One Jacques Mesrine retrieve the stolen dark secret of the British Royal House of Windsor before his hunters track him down? THE WINDSOR SECRET - 1997: The dark secret of the British Royal House of Windsor leads to the death of Princess Diana in Paris. Who did it? And why? PLUS BONUS SHORT STORY: SHADE - There are no such things as ghosts...




Collecting Ancient Europe


Book Description

In order to understand our past, we need to understand ourselves as archaeologists and our discipline. This volume presents recent research into collecting practices of European Antiquities by national museums, institutes and individuals during the 19th and early 20th-century, and the 'Ancient Europe' collections that resulted and remain in many museums.This was the period during which the archaeological discipline developed as a scientific field, and the study of the archaeological paradigmatic and practical discourse of the past two centuries is therefore of importance, as are the sequence of key discoveries that shaped our field.Many national museums arose in the early 19th century and strived to acquire archaeological objects from a wide range of countries, dating from Prehistory to the Medieval period. This was done by buying, sometimes complete collections, exchanging or copying. The networks along which these objects traveled were made up out of the ranks of diplomats, aristocracy, politicians, clergymen, military officials and scholars. There were also intensive contacts between museums and universities and there were very active private dealers.The reasons for collecting antiquities were manifold. Many, however, started out from the idea of composing impressive collections brought together for patriotic or nationalistic purposes and for general comparative use. Later on, motives changed, and in the Dutch National Museum of Antiquities became more scientifically oriented. Eventually these collections fossilized, ending up in the depots. The times had changed and the acquisition of archaeological objects from other European countries largely came to an end.This group of papers researches these collections of 'Ancient Europe' from a variety of angles. As such it forms an ideal base for further researching archaeological museum collection history and the development of the archaeological discipline.




The European in India


Book Description




Central European Drawings, 1680-1800


Book Description

Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Providing the first available survey of drawings of the period in English, the illustrated introduction to the catalogue considers the works in historical and artistic context. The book includes important drawings by artists such as Cosmas Damian Asam, Egid Quirin Asam, Matthus Gnther, and Adrian Zingg. Published for the first time are unique drawings by such important sculptors as Georg Raphael Donner and Franz Xaver Messerschmidt. The fully illustrated catalogue contains 105 entries, many of which deal with major issues of art of the time and treat the drawings exhibited in relation to works elsewhere. Biographies are presented for all the artists exhibited.













European Silver in the Collection of Her Majesty the Queen


Book Description

This catalogue raisonné is the first study of this area of the Royal Collection for more than a hundred years. Extensive research has uncovered much new information relating to the European silver in the Collection since the last publication on the subject in the early twentieth century. The catalogue discusses more than 350 objects of pre-twentieth-century silver made in France, Germany, the Netherlands and Russia, with a smaller collection of pieces from Italy, Scandinavia, Spain, Portugal and the Austro-Hungarian empire. An introduction on the history of collecting European silver is followed by catalogue entries on silver objects used for dining and drinking, tea, coffee and chocolate wares; toilet services; desk accessories and church plate. Highlights include the German Kunstzkammer objects acquired by George IV, and items formerly belonging to Napoleon which have subsequently entered the Royal Collection.




The Bernard and Mary Berenson Collection of European Paintings at I Tatti


Book Description

Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons' intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons' friends, family, and colleagues at I Tatti as well as the couple's diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons' collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot's murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America. Contents: Preface Lino Pertile; Acknowledgments - Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: "Bernard and Mary Collect: Pictures Come to I Tatti" - Carl Brandon Strehlke; Essay II: "The Berensons and Siena" (working title) - Machtelt Israëls; Essay III: "Passions Intertwined: Art and Photography at I Tatti" - Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century - Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni - Gianni Mazzoni; Entries: Fakes - Plates 112 to 116; Section III: Roger Fry; Essay V: "Roger Fry and Bernard Berenson" - Caroline Elam; Entry: Fry - Plate 117; Section IV: René Piot; Essay VI: "A Failure: René Piot and the Berensons" - Claudio Pizzorusso; Entries: Piot - Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits - Plates 132 to 138; Entries: Miscellanea - Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons - Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.