Dura-Europos


Book Description

Dura-Europos is one of Syria's most important archaeological sites. Situated on the edge of the Euphrates river, it was the subject of extensive excavations in the 1920s and 30s by teams from Yale University and the Académie des Inscriptions et Belles-Lettres. Controlled variously by Seleucid, Parthian, and Roman powers, the site was one of impressive religious and linguistic diversity: it was home to at least nineteen sanctuaries, amongst them a Synagogue and a Christian building, and many languages, including Greek, Latin, Persian, Palmyrene, and Hebrew which were excavated on inscriptions, parchments, and graffiti. Based on the author's work excavating at the site with the Mission Franco-Syrienne d'Europos-Doura and extensive archival research, this book provides an overview of the site and its history, and traces the story of its investigation from archaeological discovery to contemporary destruction.




My Dura-Europos


Book Description

Describes life from a woman's perspective at the excavation of Dura-Europos, an ancient site that contained many remarkable archaeological finds.




The Synagogue


Book Description







Excavations at Dura-Europos, 1928-1937


Book Description

This is a paperback reprint of the first edition, which appeared in 2004, published by British Museum Press. The ancient city of Dura-Europos, destroyed by a Sasanian Persian siege in the AD 250s, was an important regional centre of commerce, government and military control under the Seleucid, Parthian and Roman empires. During excavations in the 1920s and 1930s it became famous for finds such as a painted synagogue and early Christian chapel. Not the least spectacular of the discoveries in this 'Pompeii of the Syrian Desert' were the remains of the town's garrisons and siegeworks and massive quantities of military artefacts. The latter comprise perhaps the most important single collection of arms, armour and other equipment to survive from the Roman period, a collection which is exceptional in its size, diversity and state of preservation. Its colourful painted shields and horse armour, for example, are unequalled in the vast Roman empire or in neighbouring lands. It also holds vital importance for our knowledge of the material culture of the military in the eastern frontier lands of the Roman world. This book provides a complete catalogue of the military artefacts, most of which are now housed in Yale University Art Gallery, and analyses and assesses their cultural affiliations and uses. The archaeological evidence from the site is combined with the equally rich and rare textual and representational evidence in the form of papyri, graffiti and wall-paintings, not to mention the buildings of the city themselves, to examine the ways in which material culture actively creates and expresses identity, in this case of Roman soldiers of Syrian origin.







Architecture of the Sacred


Book Description

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.







The World's Oldest Church


Book Description

Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.