The Experiences of a Bandmaster


Book Description

This autobiography records the life deeds and experiences of musician John Philip Sousa, who was an American composer and conductor of the late Romantic era, known particularly for American military and patriotic marches. Because of his mastery of march composition and resultant prominence, he is known as "The March King."




The Experiences of a Bandmaster


Book Description

This autobiography records the life deeds and experiences of musician John Philip Sousa, who was an American composer and conductor of the late Romantic era, known particularly for American military and patriotic marches. Because of his mastery of march composition and resultant prominence, he is known as "The March King."




John Philip Sousa: American Phenomenon (Revised Edition)


Book Description

The most well-respected biography of John Philip Sousa, John Philip Sousa: American Phenomenon explores his life and work and traces his effects on the role of cultural arts in the United States. Sousa was a true musical genius who dedicated his life to raising the level of his country's music appreciation and improving its image abroad. This new edition retains all the wonderful images and information about the composer and conductor who had so much influence on musical tastes in our country. This text makes a great addition to any library, especially for Sousa fans and music educators, and is a must for every band director preparing Sousa scores for rehearsal.




Making the March King


Book Description

John Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains how the March King came to be by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.




The SAGE International Encyclopedia of Music and Culture


Book Description

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition




Eric Ball


Book Description

This book is an addition to the British music culture, as it traces the life and work of a renowned Brass Band composer, Eric Ball, during the twentieth century. He takes his place among the great figures in the Brass Band Movement. The book includes a survey of his music, along with a catalogue of his composition output. It also researches into his involvement with the Salvation Army.




The King's African Rifles - Volume 2


Book Description

This is a regimental history with a difference, one that is bound up with the history of the British Empire in Africa and the extension and development of British rule in the territories of Somaliland, British East Africa (redesignated Kenya from July 1920), Uganda, Nyasaland and, after 1918, Tanganyika (previously German East Africa). These were the territories that were the recruiting grounds for the KAR to which officers from the British Army were seconded - there were no permanent commissions in the KAR unlike the Indian Army which had its own officer structure. No regiment has ever been more intimately connected with the territory through which it marched and fought, or with the peoples from which it was recruited. It was a unique regiment. The author has arranged the book in five parts: The Campaigns of the Early Regiments; The Consolidation of the Regiment, 1901-1914; The East Africa Campaign, 1914-1918; Internal Security and Reorganization 1914-1939; and The War of 1939-1945. The story begins with the political background to the British administration in East and Central Africa up to the close of the nineteenth century. During the last decade of that century three regiments were formed which were the forerunners of the K.A.R - The Central African Regiment, The Uganda Rifles and the East African Rifles. These saw action in various expeditions and campaigns, in Mauritius, Somaliland, The Ashanti War, The Gambia Expedition, Expeditions against the Nandi and others. On 1 January 1902 the King's African Rifles came into being, incorporating the original regiments as battalions, six battalions: 1st and 2nd (Central Africa); 3rd (East Africa); 4th and 5th (Uganda) and 6th (Somaliland) Battalions. The total strength was returned as 4,683 officers and men, including 104 British officers. For the new regiment the main operations before WWI were the campaigns against the Mad Mullah of Somaliland involving four expeditions; he wasn't finally seen off until 1920. During the Great War there were 21 battalions and at peak strength in July 1918 the K.A.R. numbered 1,193 officers, 1,497 British NCOs and 30,658 Africans; casualties amounted to 5,117 with a further 3,039 died of disease. The regiment’s part in the campaign against von Lettow-Vorbeck in East Africa is fully described. The regiment was again in action during WWII taking part in three separate campaigns: the defeat of the Italians in Somalia and Abyssinia; the occupation of Madagascar against the opposition of the Vichy French; and the reconquest of Burma when, for the first time, K.A.R. battalions fought outside the continent of Africa. This must be one of the best regimental histories ever written.




The Brass Band Bibliography


Book Description

9th edition, 2019. A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009)