The Eyes of Damien Parer


Book Description




Encyclopedia of the Documentary Film 3-Volume Set


Book Description

The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.




Kokoda Front Line


Book Description

Damien Parer was without doubt Australia?s greatest war photographer. He helped create the Anzac legend ? and many, many of our iconic war images are his photographs. He served his apprenticeship as a stills photographer on the famous Chauvel film, 'Forty Thousand Horsemen', and was appointed Official Photographer covering the Australian fighting in the early days of World War II in Greece and Syria, and Tobruk. His most famous documentary is 'Kokoda Front Line!' , made during the darkest days of the campaign in mid-1942 (it went on to win Australia?s first Academy Award). His photographs and films brought the war home to Australians ? and are now an integral part of our military history. He died in action ? shot by Japanese machine gun fire, as he filmed an American advance on Peleliu. Originally published as WAR CAMERAMAN: THE STORY OF DAMIEN PARER, and later in an expanded form as DAMIEN PARER'S WAR, this colourful and authoritative story of a great Australian includes many of his most iconic photographs.




Australian Film


Book Description

Contains entries, many with descriptive annotations, on books, book chapters, periodical articles, government reports, academic theses, films, videos, and audio recordings published in Australia and elsewhere from 1988 to the early and mid 1990s. Works cited embrace all aspects of Australian film considered as art, industry, and sociological phenomenon, except extremely technical aspects of filmmaking. Categories include film archives and libraries, production, super-8mm film, government and film, history and criticism, ethnographic film, biographies, and film criticism and reviews. Includes author, book title, and film title indices. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR




Natives and Exotics


Book Description

Ambitious in its scope and scale, this environmental history of World War II ranges over rear bases and operational fronts from Bora Bora to New Guinea, providing a lucid analysis of resource exploitation, entangled wartime politics, and human perceptions of the vast Oceanic environment. Although the war’s physical impact proved significant and oftentimes enduring, this study shows that the tropical environment offered its own challenges: Unfamiliar tides left landing craft stranded; unseen microbes carrying endemic diseases disabled thousands of troops. Weather, terrain, plants, animals—all played an active role as enemy or ally. At the heart of Natives and Exotics is the author’s analysis of the changing visions and perceptions of the environment, not only among the millions of combatants, but also among the Islands’ peoples and their colonial administrations in wartime and beyond. Judith Bennett reveals how prewar notions of a paradisiacal Pacific set up millions of Americans, Australians, New Zealanders, and Japanese for grave disappointment when they encountered the reality. She shows that objects usually considered distinct from environmental concerns (souvenirs, cemeteries, war memorials) warrant further examination as the emotional quintessence of events in a particular place. Among native people, wartime experiences and resource utilization induced a shift in environmental perceptions just as the postwar colonial agenda demanded increased diversification of the resource base. Bennett’s ability to reappraise such human perceptions and productions with an environmental lens is one of the unique qualities of this study. Impeccably researched, Natives and Exotics is essential reading for those interested in environmental history, Pacific studies, and a different kind of war story that has surprising relevance for today’s concerns with global warming.




Somewhere in Asia


Book Description

From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.




The Battle for Isurava


Book Description

Within 24 hours of the Japanese invasion of northern New Guinea at Gona in July 1942, the Australian militiamen of ‘B’ Company, 39th Battalion, spent four weeks fighting a delaying action against a crack Japanese force outnumbered by three to one. By mid-August, the rest of the battalion had arrived, and these men took up a position at Isurava, in the heart of the cloud covered mountains and jungles of the Owen Stanley Range. At Isurava, this small militia force of the 39th Battalion now numbering around 300 men was determined to make a stand against a crack Japanese force of the 144th Regiment and supporting elements, numbering at least 1500. Then on the day the Japanese launched their attack, to the great relief of these militiamen, reinforcements from the 2nd AIF who had fought with great distinction in the Middle East began to arrive in the afternoon having spent days struggling up the track from Port Moresby. Even so, the Australians were still outnumbered, as the Japanese also received reinforcements, and unlike the Japanese, the Australians had no supporting artillery or medium machineguns. The battle for Isurava would be the defining battle of the Kokoda Campaign and has rightfully been described as Australia’s Thermopylae. It was here that Australia’s first Victoria Cross in the Pacific war was awarded when the Japanese conducted several ferocious attacks against the Australian perimetre. Private Bruce Kingsbury led an Australian counterattack, rushing forward sweeping the Japanese positions with his Bren gun, saving he situation when all seemed lost — he was killed leading the charge. Another two men were also nominated for the VC during the fighting at Isurava. The outnumbered and poorly equipped Australians managed to hold back the Japanese advance for almost a week; only then did these battle scared and weary men begin a month long fighting withdraw towards Ioribaiwa Ridge just north of Port Morsby. However, their sacrifice provided time for the Australian 25th Brigade to be brought forward — finally forcing the Japanese to withdrawal just as they glimpsed the lights of Port Morseby.




Witnesses To War


Book Description

Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.




Historical Dictionary of Australian and New Zealand Cinema


Book Description

Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.




War Cameraman


Book Description

Biography of notable Australian war photographer tells of his experiences in the Middle East, Greece, New Guinea, Guam and Peleliu. Also provides portraits of contemporaries such as Max Dupain, Olive Cotton and Chester Wilmot. Includes new material from private sources and Australian archives and some previously unpublished photographs. Indexed.