The Faces of World War I


Book Description

Charting the Allies' entry into warfare in 1914, Max Arthur tells the story in words and pictures of the new conscripted army's life through the five years of slaughter and suffering. He brilliantly conveys not only the heroism, but also the universal horror, futility, humour and boredom of warfare. From the front-line troops and the daily dice with death, to the support lines, communications, enlistment, training and propaganda, every aspect of the soldier's life is covered in this brilliant collection of images and interviews that brings the Great War to life once more.




Veterans


Book Description

Ichiro Sudan trained to be a kamikaze. Roscoe Brown was a commander in the Tuskegee Airmen, the first African American military aviators. Charin Singh, a farmer from Delhi, spent seven years as a Japanese prisoner of war and was not sent home until four years after the war ended. Uli John lost an arm serving in the German army but ultimately befriended former enemy soldiers as part of a network of veterans—"people who fought in the war and know what war really means." These are some of the faces and stories in the remarkable Veterans, the outcome of a worldwide project by Sasha Maslov to interview and photograph the last surviving combatants from World War II. Soldiers, support staff, and resistance fighters candidly discuss wartime experiences and their lifelong effects in this unforgettable, intimate record of the end of a cataclysmic chapter in world history and tribute to the members of an indomitable generation. Veterans is also a meditation on memory, human struggle, and the passage of time.




The Faces of World War II


Book Description

The follow-up to Faces of World War I, this photographic journey is testament to the 100 million military men and women, and many more civilians, whose lives were so profoundly affected by the catastrophic war of 1939-1945.




The Unwomanly Face of War


Book Description

"Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988"--Title page verso.




The Many Faces of War in the Ancient World


Book Description

This volume on different aspects of warfare and its political implications in the ancient world brings together the works of both established and younger scholars working on a historical period that stretches from the archaic period of Greece to the late Roman Empire. With its focus on cultural and social history, it presents an overview of several current issues concerning the “new” military history. The book contains papers that can be conveniently divided into three parts. Part I is composed of three papers primarily concerned with archaic and classical Greece, though the third covers a wide range and relates the experience of the ancient Greeks to that of soldiers in the modern world – one might even argue that the comparison works in reverse. Part II comprises five papers on warfare in the age of Alexander the Great and on its reception early in the Hellenistic period. These demonstrate that the study of Alexander as a military figure is hardly a well-worn theme, but rather in its relative infancy, whether the approach is the tried and true (and wrongly disparaged) method of Quellenforschung or that of “experiencing war,” something that has recently come into fashion. Part III offers three papers on war in the time of Imperial Rome, particularly on the fringes of the Empire. Covering a wide chronological span, Greek, Macedonian and Roman cultures and various topics, this volume shows the importance and actuality of research on the history of war and the diversity of the approaches to this task, as well as the different angles from which it can be analysed.




The Face of War


Book Description

A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”




The Facemaker


Book Description

A New York Times Bestseller Finalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian "Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.




Faces from the Front


Book Description

This book examines the British response to the huge number of soldiers who incurred facial injuries during the First World War.




Faces of the Civil War


Book Description

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.




Flags and Faces


Book Description

"From the sinking of the Lusitania in 1915 to the declaration of war against Germany in 1917, American artists and designers used their well-honed visual skills to campaign for or against intervention. During this period, Old Glory assumed its present role as a patriotic icon. After the war, as Americans tried to forget the horrors their soldiers had encountered abroad, medical advances in facial reconstruction for disfigured combatants gave rise to cosmetic plastic surgery and a flourishing makeup industry, elements in a conspicuously new distaste for plainness and aging and obsession with youth and beauty. Flags and Faces analyzes these respective aspects of American visual culture in the shadow of the First World War"--Provided by publisher.