The Fallen Valkyrie Duet


Book Description

A fallen Valkyrie. A Fae-Wraith hybrid. Enemies become allies to survive a god’s wrath. Odin’s Order to reap an innocent soul from Earth makes me question everything I have ever known as a Valkyrie. Protecting the innocent is our basis for existing, and now I must decide. Do I blindly follow his order? If I don’t, I will be just another casualty in Odin and Thor’s destruction of the realms. Anyone who challenges their rule dies a very public death, regardless of their origins. And now they have enslaved Earth. Reyfyre, a fae-wraith hybrid, and one of Asgard’s enemies, has been hiding in this realm his entire life. When he finds me, he offers asylum as long as I help him kill Odin and Thor. With everything they have done, how can I refuse? When a bounty is placed on my head, we make the decision to leave Reyfyre’s mountain sanctuary and head to New York to get lost in the city of millions. But the trek across the Canadian wilderness brings us face to face with hidden refugees, predators, and thieves. There’s no other option but to survive. If we die, then there will be no one left to stop the callous gods before they destroy the only realm left. But are we strong enough to take down a god? If you like dark twists on Norse Mythology, you will love the Fallen Valkyrie duet.




The Elvren Assassin


Book Description

Mya is missing. And the Director wants her back. Or worse, dead. Avery’s mission was to find Mya, the lost assassin, who stepped through the portal to Eleka and disappeared. If Avery finds her, she must bring her home, or if Mya is unwilling to return, Avery must kill her. But Mya was the only assassin at the complex who saw Avery as a person. She even gave her the name Avery instead of only the numbers issued to each assassin by the Director. This is not a job she wants. But she’s one of a handful of assassins with fae blood, and she has no choice but to follow the Director’s orders. If she fails, her handler will pay the price. And he has angel blood like she does, which makes him the closest thing to kin that she has. Her only hope is to find Mya and convince her to come home. Or Avery will witness her handler’s death before her own.




Duo-Art Piano Music


Book Description

Kompozytorzy polscy: Fryderyk Chopin, Maurycy Moszkowski, wykonawcy: Ignacy Friedman, Józef Hofmann, Eustachy Horodyski, Wanda Landowska, Ignacy J. Paderewski, Artur Rubinstein.




Die Walkure/The Valkyrie


Book Description

Things like this are written only for people who have good powers of endurance (so really for nobody!)', wrote Wagner about Die Walkuere. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes's translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter.Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of 'The Valkyrie'; An Introduction to the Music of 'The Valkyrie', Barry Millington; New Myths for Old, George Gillespie; Translating 'The Ring', Andrew Porter; Die Walkuere: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter




The Golden Valkyrie


Book Description

From #1 New York Times bestselling author Iris Johansen comes a classic tale of opposites attracting—and finding love in the most unexpected places. When P.I. Honey Winston is hired to steal incriminating letters from visiting dignitary Prince Rubinoff, she’s prepared for a dangerous mission that could end her career. But when she blows her cover, she finds that the amused prince is everything the media have made him out to be: part Adonis, part playboy—and irresistibly charismatic. The problem is, the feeling is mutual. Intrigued, the prince is determined to keep his gorgeous young trespasser by his side as long as possible. For he’s never met anyone quite as daring, or breathtaking, as Honey. With the tables turned, Prince Rubinoff has Honey appointed his personal bodyguard. The official reason is an assassination plot. The truth is far more dangerous….




WHO'S AFRAID OF CLASSICAL MUSIC?


Book Description

Time magazine music critic Michael Walsh has created for the rock ‘n roll generation a complete and totally irreverent guide to listening to, collecting, and enjoying classical music. If rock ‘n roll just isn’t enough for you anymore; if you loved the music from Amadeus, 2001 and Ordinary People and want to know how to find more; or if you can’t wait to take full advantage of your new CD player with the music it was made for, here is a complete and totally irreverent guide to listening to, collecting, and enjoying classical music. It gives you: -The basic beginner’s repertoire, from Bach partitas to Philip Glass operas -The inside story of the great composers as real people with real foibles -Suggested tunes for Sunday brunch, highway driving, morning jogs, and nighttime seductions -And even de-mystifies the dreaded “o” –word (opera)! Who’s Afraid of Classical Music? shows that when you know how to listen, this stuff can be as much fun as the Rolling Stones—and maybe more!




Musical News


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Richard Wagner


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The Oxford Handbook of Faust in Music


Book Description

Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.