The Fallen Woman in the Nineteenth-Century English Novel


Book Description

A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.







The Femme Fatale in Victorian Literature


Book Description

"examines the changing social and economic status of women from the 1860s through the 1880s, and rejects the stereotypical mid-Victorian femme fatale portrayed by conservative ideologues critiquing popular fiction by Wilkie Collins, Mary Elizabeth Braddon, Honore de Balzac, and William Makepeace Thackeray. In these book reviews, the female protagonist is simply minimized to a dangerous woman. Refuting this one-dimensional characterization, this book argues that the femme fatale comes to represent the real-life struggles of the middle-class Victorian woman who overcomes major adversities such as poverty, abusive husbands, abandonment, single parenthood, limited job opportunities, the criminal underworld, and Victorian society's harsh invective against her." --publisher description.




The Minister's Wooing


Book Description

Mrs. Katy Scudder had invited Mrs. Brown, and Mrs. Jones, and Deacon Twitchel's wife to take tea with her on the afternoon of June second, A. D. 17-. When one has a story to tell, one is always puzzled which end of it to begin at. You have a whole corps of people to introduce that you know and your reader doesn't; and one thing so presupposes another, that, whichever way you turn your patchwork, the figures still seem ill-arranged. The small item that I have given will do as well as any other to begin with, as it certainly will lead you to ask, 'Pray, who was Mrs. Katy Scudder?'-and this will start me systematically on my story. You must understand that in the then small seaport-town of Newport, at that time unconscious of its present fashion and fame, there lived nobody in those days who did not know 'the Widow Scudder.'




Fallen Women


Book Description

From the ballrooms and mansions of Denver's newly wealthy, to the seamy life of desperate women, Fallen Women illuminates the darkest places of the human heart. It is the spring of 1885 and wealthy New York socialite Beret Osmundsen has been estranged from her younger sister, Lillie, for a year when she gets word from her aunt and uncle that Lillie has died suddenly in Denver. What they do not tell her is that Lillie had become a prostitute and was brutally murdered in the brothel where she had been living. When Beret discovers the sordid truth of Lillie's death, she makes her way to Denver, determined to find her sister's murderer. Detective Mick McCauley may not want her involved in the case, but Beret is determined, and the investigation soon takes her from the dangerous, seedy underworld of Denver's tenderloin to the highest levels of Denver society. Along the way, Beret not only learns the depths of Lillie's depravity, but also exposes the sinister side of Gilded Age ambition in the process. Sandra Dallas once again delivers a page-turner filled with mystery, intrigue, and the kind of intricate detail that truly transports you to another time and place.




A Companion to the American Novel


Book Description

Featuring 37 essays by distinguished literary scholars, A Companion to the American Novel provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. Represents the most comprehensive single-volume introduction to this popular literary form currently available Features 37 contributions from a wide range of distinguished literary scholars Includes essays on topics and genres, historical overviews, and key individual works, including The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved, and many more.




Fallen Women, Problem Girls


Book Description

During the first half of the twentieth century, out-of-wedlock pregnancy came to be seen as one of the most urgent and compelling problems of the day. The effort to define its meaning fueled a struggle among three groups of women: evangelical reformers who regarded unmarried mothers as fallen sisters to be saved, a new generation of social workers who viewed them as problem girls to be treated, and unmarried mothers themselves. Drawing on previously unexamined case records from maternity homes, Regina Kunzel explores how women negotiated the crisis of single pregnancy and analyzes the different ways they understood and represented unmarried motherhood. Fallen Women, Problem Girls is a social and cultural history of out-of-wedlock pregnancy in the United States from 1890 to 1945. Kunzel analyzes how evangelical women drew on a long tradition of female benevolence to create maternity homes that would redeem and reclaim unmarried mothers. She shows how, by the 1910s, social workers struggling to achieve professional legitimacy tried to dissociate their own work from that earlier tradition, replacing the reform rhetoric of sisterhood with the scientific language of professionalism. By analyzing the important and unexplored transition from the conventions of nineteenth-century reform to the professional imperatives of twentieth-century social welfare, Kunzel offers a new interpretation of gender and professionalization. Kunzel places shifting constructions of out-of-wedlock pregnancy within a broad history of gender, sexuality, class, and race, and argues that the contests among evangelical women, social workers, and unmarried mothers distilled larger generational and cross-class conflicts among women in the first half of the twentieth century.




The Palgrave Encyclopedia of Victorian Women's Writing


Book Description

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.




Cosella Wayne


Book Description

The first novel written and published in English by an American Jewish woman Published serially in the spiritualist journal Banner of Light in 1860, Cosella Wayne: Or, Will and Destiny is the first coming-of-age novel, written and published in English by an American Jewish woman, to depict Jews in the United States and transforms what we know about the history of early American Jewish literature. The novel never appeared in book form, went unmentioned in Jewish newspapers of the day, and studies of nineteenth-century American Jewish literature ignore it completely. Yet the novel anticipates many central themes of American Jewish writing: intermarriage, generational tension, family dysfunction, Jewish-Christian relations, immigration, poverty, the place of women in Jewish life, the nature of romantic love, and the tension between destiny and free will. The narrative recounts a relationship between an abusive Jewish father and the rebellious daughter he molested as well as that daughter’s struggle to find a place in the complex social fabric of nineteenth-century America. It is also unique in portraying such themes as an unmarried Jewish woman’s descent into poverty, her forlorn years as a starving orphaned seamstress, her apostasy and return to Judaism, and her quest to be both Jewish and a spiritualist at one and the same time. Jonathan Sarna, who introduces the volume, discovered Cosella Wayne while pursuing research at the Israel Institute for Advanced Studies in Jerusalem. This edition is supplemented with selections from Cora Wilburn’s recently rediscovered diary, which are reprinted in the appendix. Together, these materials help to situate Cosella Wayne within the life and times of one of nineteenth-century American Jewry’s least known and yet most prolific female authors.




Letter and the Spirit of Nineteenth-Century American Literature


Book Description

Moving back to the trial of Anne Hutchinson in Puritan Massachusetts and the captivity narrative of Mary Rowlandson in order to analyse theo-political signification, Loebel provides a new context for examining the politically performative function of language in such texts as "The Scarlet Letter," "Uncle Tom's Cabin," and "Waiting for the Verdict." He also argues, however, that a specific theo-logic manifests itself in the political rhetoric of the nation, such that the afterlife of the "New Jerusalem" resonates not just in the "Blessings of Liberty" enshrined in the Constitution but also in the shift from a religious understanding of union with Jesus to that of the Union of States as a nation. Loebel compares unionist and confederate discourse, opening up new ways of theorising representation as a political, theological, legal, and literary issue that has continued currency both in twentieth-century literature and in the political discourse of America's global vision, such as the "axis of evil" and the "new world order." Anyone interested in American literature and culture will view the relationship between ethics and justice differently after reading this book.