The Farce of Sodom Or the Quintessence of Debauchery


Book Description

The Farce of Sodom or The Quintessence of Debauchery is a play written by English libertine John Wilmot, the Second Earl of Rochester. Wilmot, who was portrayed in the movie The Libertine by Johnny Depp, was popularized in the 17th century as a poet and playwright. His works remaon popular today due to their raunchiness and pornographic language. This is a publication of his play The Farce of Sodom or The Quintessence of Debauchery, which is one of the most well known of his works. The Farce of Sodom or The Quintessence of Debauchery is highly recommended for those who are fans of John Wilmot and also those who are discovering his writings for the first time.




The Farce of Sodom: The Quintessence of Debauchery and The Disabled Debauchee


Book Description

Thus in the zenith of my lust I reign, I drink to swive, and swive to drink again, Let other monarchs who their sceptres bear, To keep their subjects less in love than fear, Be slaves to crowns—my nation shall bee free, My pintle only shall my sceptre be. Your grace at once hath from the powers above A princely wisdom and a princely love, Whilst you permit your subjects to enjoy That freedom which a tyrant would destroy, By this your royal tarse will purchase more Than all the riches of the kings of Zoar.




Sodom, Or the Quintessence of Debauchery


Book Description

The most obscene play ever written. Rochester, a member of the court of Charles II of the England, had a rep as the most outre sexual deviant of his day. The drama gives us Sodom's king, Bolloxinion, his wife Cuntigratia, their children, generals, ministers and servants engaging in an impossibly wide series of activities, (hook being that *traditional* sex was abandoned, by edict...)




Sodom


Book Description




The Farce of Sodom


Book Description

The Farce of Sodom is a sexually explicit play which satirizes the reign of Charles II of England during the Restoration of the English monarchy. Explicit and uncompromising in tone, this send-up of the Royal Court grossly exaggerates the rumors surrounding the court of the king. We witness the homosexual King Bolloximian ban ordinary sexual intercourse in his kingdom, decreeing that only anal intercourse be permitted among the entire population. The excesses of the wealthy are shown in a sequence of erotic acts in a court preoccupied with luxuriating in debauchery. Eventually the nature of the acts the wealthy are consigned to perform upsets enough members of the court, and King Bolloximian is violently deposed. He and his closest companions are then consigned to hellfire. Although this play has a politically satirical edge in its portrayals of the English upper class, it is mostly considered by scholars to be an example of early erotic literature. Much English sexual slang is demonstrated, with most of the character's names being a play on these terms. The dialogue commonly lapses to lewd rhyming, and the narration and plot is heavily supported by sexual acts spontaneously performed between characters with the barest of pretexts. Banned for centuries, during recent years The Farce of Sodom has attracted renewed appreciation, with a version of the drama staged at the 2011 Edinburgh Festival.




Sodom: A Play


Book Description




The Farce of Sodom: Or the Quintessence of Debauchery


Book Description

The Farce of Sodom is a sexually explicit play which satirizes the reign of Charles II of England during the Restoration of the English monarchy. Explicit and uncompromising in tone, this send-up of the Royal Court grossly exaggerates the rumors surrounding the court of the king. We witness the homosexual King Bolloximian ban ordinary sexual intercourse in his kingdom, decreeing that only anal intercourse be permitted among the entire population. The excesses of the wealthy are shown in a sequence of erotic acts in a court preoccupied with luxuriating in debauchery. Eventually the nature of the acts the wealthy are consigned to perform upsets enough members of the court, and King Bolloximian is violently deposed. He and his closest companions are then consigned to hellfire. Banned for centuries, during recent years The Farce of Sodom has attracted renewed appreciation, with a version of the drama staged at the 2011 Edinburgh Festival.




Reclaiming the Sacred


Book Description

The second edition of Reclaiming the Sacred: The Bible in Gay and Lesbian Culture continues the groundbreaking work of the original, exploring the territory between gay/lesbian studies, literary criticism, and religious studies. This much-anticipated follow-up examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. The book highlights two prevalent trends in gay and lesbian literature—a transgressive approach that challenges the authority of the Bible when used as an instrument of oppression, and an appropriative technique that explores how the Bible contributes to defining gay and lesbian spirituality. Reviewers of the first edition of Reclaiming the Sacred hailed the book’s enterprise in exploring the area between literary criticism and religious studies. Whereas contemporary literary-critical theory has been slow to integrate religion and religious history into queer theory, this pioneering journal has addressed the issue from the start with a collection of thoughtful and though-provoking articles. This latest edition expands coverage to include noncanonical ancient texts, popular Victorian religious texts, and contemporary theater. Academics and lay readers interested in literary criticism, cultural studies, and religious studies will gain new insights from topics such as: religious mystery and homosexual identity in Terrence McNally’s “Corpus Christi” same-sex biblical couples in Victorian literature homoerotic texts in the Apocrypha sodomite rhetoric in a seventeenth-century Italian text Radclyffe Hall’s lesbian messiah in her 1928 novel The Well of Loneliness homosexual temptation in John Milton’s Paradise Regained Reclaiming the Sacred counteracts the manipulative and oppressive uses to which modern writers and thinkers put the Bible and the “morality” it is presumed to inscribe. An important tool for understanding the role of the Bible in gay and lesbian culture, this remarkable book makes a powerful contribution to the advancement of studies on queer sanctity.




The Farce of Sodom


Book Description

The Farce of Sodom is a sexually explicit play which satirizes the reign of Charles II of England during the Restoration of the English monarchy. Explicit and uncompromising in tone, this send-up of the Royal Court grossly exaggerates the rumors surrounding the court of the king. We witness the homosexual King Bolloximian ban ordinary sexual intercourse in his kingdom, decreeing that only anal intercourse be permitted among the entire population. The excesses of the wealthy are shown in a sequence of erotic acts in a court preoccupied with luxuriating in debauchery. Eventually the nature of the acts the wealthy are consigned to perform upsets enough members of the court, and King Bolloximian is violently deposed. He and his closest companions are then consigned to hellfire. Banned for centuries, during recent years The Farce of Sodom has attracted renewed appreciation, with a version of the drama staged at the 2011 Edinburgh Festival.




Rochester and the pursuit of pleasure


Book Description

Rochester and the pursuit of pleasure provides a reading of Rochester’s poems, dramatic works, and letters in a biographical context. In doing so, it sheds light on a central vexed issue in Rochester criticism, the relationship of the poet to his speaker. It also reveals that Rochester’s work clusters about a central theme, the pursuit of pleasure, a pursuit motivated by a courtship of purity that grew out of Rochester’s Christian and God-fearing upbringing. This rhetoric of courtship, in turn, reveals the unity of Rochester’s work as the courtier and his various personae try to persuade his audiences, secular and divine, of his worth.